UNIVERSAL PICTURES and EMMETT / FURLA FILMS Present

UNIVERSAL PICTURES and EMMETT / FURLA FILMS Present
A MARC PLATT Production
In Association with OASIS VENTURES ENTERTAINMENT LTD /
ENVISION ENTERTAINMENT / HERRICK ENTERTAINMENT / BOOM! STUDIOS
A BALTASAR KORMÁKUR Film
PAULA PATTON
BILL PAXTON
JAMES MARSDEN
FRED WARD
and
EDWARD JAMES OLMOS
Executive Producers
BRANDT ANDERSEN
JEFFREY STOTT
MOTAZ M. NABULSI
JOSHUA SKURLA
MARK DAMON
Produced by
MARC PLATT
RANDALL EMMETT
NORTON HERRICK
ADAM SIEGEL
GEORGE FURLA
ROSS RICHIE
ANDREW COSBY
Based on the BOOM! Studios Graphic Novels by
STEVEN GRANT
Screenplay by
BLAKE MASTERS
Directed by
BALTASAR KORMÁKUR
–1–
CAST
Waitress Margie . . . . . . . . . . . . . . . . . . . . .LINDSEY GORT
Roughneck #2 . . . . . . . . . . . . . . . . .HILLEL M. SHARMAN
Robert “Bobby” Trench . . . . . . . . DENZEL WASHINGTON
Roughneck #3 . . . . . . . . . . . . . . . . . . . . . . . .AARON ZELL
Michael “Stig” Stigman. . . . . . . . . . . . . MARK WAHLBERG
Roughneck #4 . . . . . . . . . . . . . . . . . . . . . . . HENRY PENZI
Deb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .PAULA PATTON
CREW
Earl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BILL PAXTON
Admiral Tuwey . . . . . . . . . . . . . . . . . . . . . . FRED J. WARD
Quince . . . . . . . . . . . . . . . . . . . . . . . . . JAMES MARSDEN
Directed by . . . . . . . . . . . . . . . . . . BALTASAR KORMÁKUR
Papi Greco . . . . . . . . . . . . . . . . EDWARD JAMES OLMOS
Screenplay by. . . . . . . . . . . . . . . . . . . . . BLAKE MASTERS
Jessup . . . . . . . . . . . . . . . . . . . . . ROBERT JOHN BURKE
Based on the BOOM! Studios Graphic Novels by. . . . . . . .
Chief Lucas . . . . . . . . . . . . . . . . . . . . . . . GREG SPROLES
STEVEN GRANT
Dr. Ken . . . . . . . . . . . . . . . . . . . . . . . . PATRICK FISCHLER
Produced by . . . . . . . . . . . . . . . . . . . . . . . . . MARC PLATT
Ferret Nose Julio . . . . . . . . . . . . . . . DEREK SOLORSANO
RANDALL EMMETT
Papi’s Men . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
NORTON HERRICK
Rudy . . . . . . . . . . . . . . . . . . . . . . . . . .EDGAR ARREOLA
ADAM SIEGEL
Teemo . . . . . . . . . . . . . . . . KYLE RUSSELL CLEMENTS
GEORGE FURLA
Thick . . . . . . . . . . . . . . . . . . . . . . . . . . MATTHEW COOK
ROSS RICHIE
Lean . . . . . . . . . . . . . . . . . . . . . . . . . . . . TIMOTHY BELL
ANDREW COSBY
Mini . . . . . . . . . . . . . . . . . . . . . . . . . . TAIT G. FLETCHER
Executive Producers . . . . . . . . . . . . BRANDT ANDERSEN
Roughneck . . . . . . . . . . . . . . . . . . . . JESUS PAYAN, JR.
MOTAZ M. NABULSI
Waitress Maggie. . . . . . . . . . . . . . . . . . .AZURE PARSONS
JOSHUA SKURLA
Officer Dave . . . . . . . . . . . . . . . . . . . . JOHN MC CONNELL
MARK DAMON
Officer Phil . . . . . . . . . . . . . . . . . . . . . . . JACK A. LANDRY
Director of Photography . . . . . . . . . . . . . . . OLIVER WOOD
Chief of Police . . . . . . . . . . . . . . RITCHIE MONTGOMERY
Production Designer. . . . . . . . . . . . . . . . . . . BETH MICKLE
Ms. Young. . . . . . . . . . . . . . . . . . . . . . . AMBYR CHILDERS
Edited by . . . . . . . . . . . . . . . . . . MICHAEL TRONICK, ACE
Bank Manager . . . . . . . . . . . . . . . . . ROBERT LARRIVIERE
Music by . . . . . . . . . . . . . . . . . . . . . . . CLINTON SHORTER
Scared Woman . . . . . . . . . . . . . . . . . . . . . . . .LUCY FAUST
Costume Designer . . . . . . . . . . . LAURA JEAN SHANNON
Bank Guard . . . . . . . . . . . . . . . . . . . . . GEORGE WILSON
Stunt Coordinator. . . . . . . . . . . . . . . . DARRIN PRESCOTT
Lead Agent (FBI Man). . . . . . . . . . . . . . YOHANCE MYLES
2nd Unit Stunt Coordinator . . . . . . . . . . . . . . WADE ALLEN
Patsy (Dr. Ken’s Assistant) . . . . EVIE LOUISE THOMPSON
“Bobby” Stunt Doubles . . . .CLAY DONAHUE FONTENOT
Javier (Papi’s Son) . . . . . . . . . . . SAMUEL BACA-GARCIA
JAY “JALIL” LYNCH
Hard Case Border Patrol . . . . . . . . . . MICHAEL BEASLEY
ROBERT POWELL
Border Guard . . . . . . . . . . . . . . CHRISTOPHER DEMPSEY
“Stig” Stunt Double . . . . . . . . . . . . . . . . . SEAN GRAHAM
Uniformed Border Agent . . . . . . . . . . BILL STINCHCOMB
“Deb” Stunt Doubles . . . . . . . . . . . . . . . . . KARA KIMMER
Navy Firefighter . . . . . . . . . . . . . . . . . . . . . . .MARK ADAM
KEISHA “KAY” SMITH
Lead MP (Shore Patrol) . . . . . . . . . . . . . . . . DAVID KENCY
“Papi” Stunt Doubles . . . . . . . . EDWARD J. FERNANDEZ
Skinny Immigrant . . . . . . . . . . . . . . . . GILBERT ROSALES
ERIC SALAS
Doorman. . . . . . . . . . . . . . . . . . . . . . . . . . . . PETER GABB
“Earl” Stunt Double . . . . . . . . . . . . . . . GREG REMENTER
Tommy Boy. . . . . . . . . . . . . . . . . . . . JASON KIRKPATRICK
“Quince” Stunt Double . . . . . . . . . . . . . TODD SCHNEIDER
Slim Jay . . . . . . . . . . . . . . . . . . . . . . . . . .TONY SANFORD
Stunt Drivers. . . . . . . . . . . . . . . . . . . . STANTON BARRETT
Tim Corrales . . . . . . . . . . . . . . . . TIM “LUCKY” JOHNSON
MATTHEW THOMAS MOSS
Gina Corrales . . . . . . . . . . . . . . . . . . . . . . LINDSEY SMITH
RANDALL REITENBACH
–2–
Stunt Riggers . . . . . . . . . . . . . . . . . . . . . CHRIS FLETCHER
Additional Editor . . . . . . . . . . . . . . . . . . . . AARON BROCK
LEX GEDDINGS
Visual Effects Editor . . . . . . . . . . . . . . . . . JILL PIWOWAR
BEN JENSEN
Apprentice Editors . . . . . . . . . . . . . . . . . . BRYAN TORRES
JOHN ZIMMERMAN
JOE ZAPPIA
Stunts . . . . . . . . . . . . . . . . . . . . . . . REGIS HARRINGTON
Visual Effects Coordinator . . . . . . . . . . . . . ERIC KIMELTON
CHRIS ANTHONY PALERMO
Sound Mixer . . . . . . . . . . . . . . . . . . . . . . WILLIE BURTON
MONTY SIMONS
Boom Operator . . . . . . . . . . . . . . . . . . . . . . GARY THEARD
Additional Voices Provided by . . . . . . . THE LOOP SQUAD
Sound Utility . . . . . . . . . . . . . . . . . . RENE DeFRANCESCH
MARCO AGUILERA
Production Supervisor . . . . . . . . . . . . . . RANKIN HICKMAN
DAVID BERON
Second 2nd Assistant Director . . . . . . . GREGORY S. CARR
PATTY CONNOLLY
Production Coordinator . . . . . . . . . . . . . . JESSICA LUEBE
VICKI DAVIS
Assistant Production Office Coordinator . . . . . . . . . . . . . . GREG FINLEY
KIRK W. JOHNSON
MIKE GOMEZ
Travel Coordinator . . . . . . . . . . . . . . . LEIGHA K. LINDSAY
DAVID MICHIE
Production Secretaries . . . . . . . . . . . . . SAM CESEPEDES
RICHARD MIRO
DEUCE HEDRICK
JONATHAN NICHOLS
Production Accountant . . . . . . . . . . . . . . GAIL SHERIDAN
DENNIS SINGLETARY
1st Assistant Accountant . . . . . . . . . . PAMELA ELLINGTON
DENNIS SHARP
Additional 1st Assistant Accountant . . ALISON HARSTEDT
MARK SUSSMAN
Assistant Accountant . . . . . . . . . . . CABERNET MURRAY
LINDA SYPIAN
2nd Assistant Accountants . . . . . . . TAMARA HENDERSON
RUTH ZALDUONDO
LEAH RICHARD
Art Director . . . . . . . . . . . . . . . . . . . . . . KEVIN HARDISON
BARBARA TURNER
Assistant Art Director . . . . . . . . . . . . . . . . . . . . BILL KING
Payroll Accountant . . . . . . . . . . . . . . . . . . JIM SWIDARSKI
Set Decorator . . . . . . . . . . . . . . . . . . . LEONARD SPEARS
Payroll Assistant . . . . . . . . . . . . . . . . . MICHELLE REEVES
A Camera Operator/Steadicam . . . . . . . . . . . . JOE CHESS
Postproduction Accountant . . . . . JERROLD W. LAMBERT
1st
Assistant A Camera . . . . . . . . . . MARICELLA RAMIREZ
Supervising Location Manager . . . . . . BATOU CHANDLER
2nd Assistant A Camera . . . . . . . . . . . BLAKE ALCANTARA
Assistant Location Managers . . . . . . . . . EVAN EASTHAM
B Camera Operator . . . . . . . . . . . . . . . . . . . . ADAM WARD
THOMAS PETERS
1st Assistant B Camera . . . . . . . . . . . . . . . ROBERT BAIRD
Additional Assistant Location Manager . . . . . . WES ROSSI
2nd
Assistant B Camera . . . . . . . . . . . PENELOPE HELMER
Location Coordinator . . . . . . . . . . . . . . . . . MARK WELCH
Camera Loader . . . . . . . . . . . . . . . . . . . . . . BILY SALAZAR
Location Assistant . . . . . . . . . . . . . . . . . . . RUTH CAFFERY
Still Photographer . . . . . . . . . . . . . . . . . . . . PATTI PERRET
Location Production Assistant . . . . . . . . . BRIAN NELSON
Additional Camera Operators . . . . . . . GREGORY MORRIS
Location Scout . . . . . . . . . . . . . . . . . . JIMMY TROTTER IV
MICHAEL J. WALKER, soc
Script Supervisor . . . . . . . . . . . . . . . . . . . . SAM SULLIVAN
Additional 1st Assistant Camera . . . . . . TROY ANDERSON
Costume Supervisor . . . . . . . . . . MEAGAN McLAUGHLIN
WADE WHITLEY
Assistant Costume Designers . . . . . . . TABITHA JOHNSON
Additional 2nd Assistant Camera . . . . . . . . EMILY CARTER
ANDREA SWEET
DAVID “CUPCAKE” EDWARDS
Key Costumer . . . . . . . . . . . . . . . . ALLISON BAUSERMAN
BRYCE MARSHALL
Mr. Washington’s Costumer . . . . . . . . . . . . . FRANK ROSE
TONI WEICK
Mr. Wahlberg’s Costumer . . . . . . LORRAINE CROSSMAN
Postproduction Producer . . . . . . . . . . JANACE TASHJIAN
Set Costumers . . . . . . . . . . . . ASHLIE PHILASTRE MEERS
–3–
AMANDA STEELEY
JOHN DAVI
Additional Costumers . . . . . . . . . . . . . . . . FRANK AVANZO
CYR V. EUGENE
LAUREN BOTT
TROY FELDER
MISTI MOREAUX
GREG HARRIS
Costume Coordinator . . . . . . . . . . . . . . . . KELLY HERDUS
ANDREW C. HAWTHORNE
Head Seamstress . . . . . . . . . . . . . . . . . . . AURORA KNOX
TOBARIA HUGHES
Seamstress/Tailor . . . . . . . . LAURA FAYE SIRKIN-BROWN
ERROLL B. JACKSON
Head Ager/Dyer . . . . . . . . . . . . . . . . . . . SHARON FAUVEL
DANIEL LeBLANC
Ager/Dyer . . . . . . . . . . . . . . . . . . . . . . DARREN MANZARI
JAMIE MORENO
Costume PA . . . . . . . . . . . . . . . . . . . . . . . . LORI CASTANO
ANTONIO SANSOVICH
Department Head Makeup . . . . . TINA ROESLER-KERWIN
CHAD VANKO
Key Makeup Artist . . . . . . . . . CARLA CHAO BERNHOLTZ
Key Grip . . . . . . . . . . . . . . GEORGE “BUBBA” SHEFFIELD
Mr. Washington’s Makeup Artist . . . . . CARL FULLERTON
Best Boy Grip . . . . . . . . . . . . . . . . . . . . . . . . GARY KELSO
Mr. Wahlberg’s Makeup Artist . . . . . . . . . . . . NURIA SITJA
A Camera Dolly Grip . . . . . . . . . . . . . . . . . DWAYNE BARR
Ms. Patton’s Makeup Artist . . . . . . . . . . . . DIONNE WYNN
B Camera Dolly Grip . . . . . . . . . . . . . . . . . . BUDDY CARR
Additional Makeup Artists . . . . . . . . . . . . . . PAIGE REEVES
Grips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ADAM BEARD
SUSAN SPAID
MAX BEARD
Department Head Hair . . . . . . . . . . . . . . NATHAN BUSCH
LOUIS BENJAMIN
Key Hairstylist . . . . . . . . . . . . . . . . . . . THERESA FLEMING
FRANK DiMARCO
Mr. Washington’s Hairstylist . . . . . . . . . . LARRY CHERRY
MICHAEL J. FEDUCCIA
Mr. Wahlberg’s Hairstylist . . . . . . . JOHNNY VILLANUEVA
SHANE E. GROS
Ms. Patton’s Hairstylist . . . . . . . . . . . . . LAWRENCE DAVIS
LONNIE KAHOE
Additional Hairstylists . . . . . . . . . . . . . . . . . DAINA DAIGLE
XAVIER LUEVANO
TONY WARD
KEVIN LUSTER
ANDREA YOUNG
SCOTT LUTTRELL
Chief Lighting Technician . . . . . . . . . . . . PAULIE O’LINDE
FRANCIS OSER
Best Boy . . . . . . . . . . . . . . . . . . . . . . . . . TARIK ALHERIMI
RACHEL S. PERLIS
Lamp Operators . . . . . . . . . . . . . . . . . . GUY FERNANDEZ
FRANK RYAN
BRAD GARRIS
GARY W. SHAW
EVERETT GRANT
ANDRE SOBCZAK
RICHARD LANDRY
JONATHAN “ACE” STOLL
BRADLEY MARTIN
ANDY YOUNG
BRAD OLTMANN
Additional Dolly Grip . . . . . . . . . . . . KENNETH COBLENTZ
STEPHANIE SOUSA
Additional Grips . . . . . . . . . . . . . . . . . . . . . RICHARD BALL
JOHN TERPSTRA
JOE ENGELBRECHT
CHRIS TROSCLAIR
Key Rigging Grip . . . . . . . . . . . . . . . . . . . . . GARY CADOW
ROBB TURNER
Best Boy Rigging Grips . . MICHAEL “BIG MIKE” BONNETT
Rigging Gaffer . . . . . . . . . . . . . . . . . . . KEVIN LIPPINCOTT
CURT BURLIN
Rigging Best Boy Electric . . . . . . . . . JAKE SAUERBERRY
Rigging Grips . . . . . . . . . . . . . . . . . . . . DURADO BROOKS
Rigging Electricians . . . . . . . . . . . . . . ULYAN ATAMANYUK
JEROME MILLER
RUSSELL BEARD
MICHAEL NISSEN
BRIAN DALLAS
CODIE SCOTT
–4–
RICK SECOSKY
Previsualization Artist . . . . . . . . . . . . . . . . . LANDON LOTT
DAVIEL SMITH
Art Department Coordinator . . . . . . . . . . . GLORIA CLARK
MELVIN J. WALKER
Art Department PAs . . . . . . . . . . . . . . . MADELINE HEBERT
SCOTT WHITEMORE
AIMEE HUBER
TechnoCrane Technicians . . . . . . . . . . . PATRICK BARNES
Construction Coordinator . . . . . . . . . . . . . . . . . . DAN COE
JOE DATRI
General Foreman . . . . . . . . . . . . . . . . . . . . . . . JOHN SEAY
DAN PILMAIER
Locations Foreman . . . . . . . . . . . . . . . . . . JASON WILSON
ADRIAN SANTA CRUZ
Construction Buyer . . . . . . . . . . . . . . . . . . . . KEN BROWN
HydraScope Operator . . . . . . . . . . . . . CHRIS DeFRANCO
Foreperson . . . . . . . . . . . . . . . . . . . . . CHARLES WILSON
Scorpio Head Technicians . . . . . . . . . . . . . MIKE KENNEDY
Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KYLE KING
JEFFREY WADE TAYLOR
Gangbosses . . . . . . . . . . . . . . . . . . . . . . . . . LARRY DEAN
Property Master . . . . . . . . . . . . . . . . . . . . . . WILL BLOUNT
DAVID SESSUM, JR.
Assistant Property Master . . . . . . . . . . DREW GUAJARDO
Welder . . . . . . . . . . . . . . . . . . . . . . . . . . GLEN HEARD, JR.
Armorer . . . . . . . . . . . . . . . . . . . . . . . MICHAEL PANEVICS
Carpenters . . . . . . . . . . . CHARLES “CHUCK” DiBARTOLO
Additional Armorer . . . . . . . . . . . . . . . . . . . VIRLE S. REID
LEO F. LAURICELLA III
Property Assistants . . . . . . . . . . . . . . . MOLLY HARRISON
Propmaker Foreperson . . . . . . . . . . . . . . JUAN CABRERA
JANETTE E. LUTTRELL
Propmakers . . . . . . . . . . . . . . . . . . . . . . . . . . . DOUG HILL
SONDA ROTOLO
AJ HINGLE, JR.
Leadman . . . . . . . . . . . . . . . . . . . . . . . PAUL BLANCHARD
SCOTT MOBLEY
Buyer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DANIEL FOX
Plaster Foreperson . . . . . . . . . . . . . . . . . DAVID WHATLEY
Additional Buyers . . . . . . . . . . . . . . . . . . . . KIM S. CAREY
Plasterers . . . . . . . . . . . . . . . . . . . . . . . . . SHAWN COPLEY
RANDY SMITH HUKE
JOSEPH LAURICELLA
Gangboss . . . . . . . . . . . . . . . . . . . . . . . . . . . . DAVID TOTH
BRIAN LeBLANC
On-set Dresser . . . . . . . . . . . . . . . . . . . . . . BILL WALTERS
KENNETH W. LEWIS, JR.
Set Dressers . . . . . . . . . . . . . . . . . . . . . . BRIAN BECNEL II
CARLOS H.E. SAVANT
KOU WING CHIN
Construction Office Assistant . . . . . . . CITLANI QUINTANA
GREGORY GENIUSZ
Charge Scenic . . . . . . . . . . . . . . . . . . . LARRY SPURLOCK
GREG HARNEY
Paint Foreman . . . . . . . . . . . . . . . . . . . . . . KERRY HARDY
J. MICHELLE LACAYO
Paint Gangbosses . . . . . . . . . . . . . . . MICHAEL BERNARD
JOHN E. LAMKIA
GARY BROUILLETTE
BRIAN B. McCOLGAN
MICHAEL DINWIDDIE
MATT RAFF
ALEXANDER STOLIN
THOMAS THORNE
Standby Painter . . . . . . . . . . . . . . . . . . . . . . JACK REEVES
GEORGE J. VORTISCH
Painter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JULES SIDER
BARKER WHITE
Lead Greensman . . . . . . . . . . . . . . . . . . SCOTT C. BIVONA
Sign Writer . . . . . . . . . . . . . . . . . . . . . . . ROBERT RAMSEY
Greensmen . . . . . . . . . . . . . . . . . . ERIKA MARIE HEATON
Set Decorating Coordinator . . . . . . . . . . DELANEY DAVIS
RYAN LeBLANC
Storyboard Artist . . . . . . . . . . . . . . . . . . . . . . . JAMES DOH
CARL MASTIO
Set Designers . . . . . . . . . . . . . . . . . WRIGHT McFARLAND
Special Effects Coordinator . . JAMES “JIMMY” LORIMER
ADELE PLAUCHE
Special Effects Foreman . . . . . . . . . . BRUCE KUROYAMA
TRINH VU
Special Effects Purchasers . . . H. BARCLAY “H.B.” AARIS
Graphic Artist . . . . . . . . . . . . . . . KELLY RAE HEMENWAY
SARA R. MORRIS
–5–
Special Effects Pyro . . . . . . . . . . . . . . . . . . RICHARD HILL
Casting Assistant (Los Angeles) . ALEXANDRA FRANKLIN
Special Effects Technicians . . . . . . . . . . LARZ ANDERSON
Casting (New Orleans) . . . . . . . ELIZABETH “LIZ” COULON
JON G. BELYEU
Casting Assistant (New Orleans) . . . . . . . . . . . . CANDI LEI
JOHN BETHKE
Extras Casting . . . . . . . . . . . . . . . . . . ROBIN BATHERSON
R. MICHAEL BISETTE
Key Extras Casting Assistant . . . . . . . . . JASON LANDRY
LENNY DALRYMPLE
Extras Casting Assistants . . . . . . . . . . . . IAN BATHERSON
MATT DiSARRO
MARCY E. PUNCH
KEN EBERT
Transportation Coordinator . . . . . . . . . . . . DOUG DOVICHI
JOHNNY FONTANA
Picture Car Coordinator . . . . . . . . . DEBBI MUSCARELLO
RICHAR O. HELMER
Transportation Captains . . . . GERARD O. CALLAHAN, JR.
ERIC JOLLEY
DOMICIANO RODRIGUEZ
STEVE KLINE
Transportation Dispatcher . . . . . . . . . . . . . SUE JENNINGS
BRAD MANIS
Mechanic . . . . . . . . . . . . . . . . . . . . . . . . RONALD DINSON
STAN PARKS
Driver to Mr. Washington . . . . . . . . . . . GAVIN ROBERSON
BRETT SMITH
Trailer Driver to Mr. Washington . . . . . . . . . . REGGIE FRY
RAY WILKERSON
Drivers . . . . . . . . . . . . . . . . . . . . . . . . . . MORRIS AROESTI
DOUGLAS D. ZIEGLER
MARK LEROY BASLER
Video Playback Operator . . . . . . . . . DEMPSEY TILLMAN
LESLIE BRISCOE
Assistant Video Assists . . . . . . . . . BRIGITTE FAUCHEAUX
RANDY BROWN
MICHAEL McCULLOUGH
RAPHAEL BROWN, JR.
DAVE SCHMALZ
BENNETT BUNCH
Unit Publicist . . . . . . . . . . . . . . . . . . . . . . DIANE SLATTERY
DONALD BURDETT
Assistant to Mr. Washington . . . . . . . . . . . RITA PEARSON
JERRIN COMEAUX
Security to Mr. Washington . . . . . . . . . . SAL MUHAMMED
JOSEPH COMEAUX
Assistant to Mr. Wahlberg . . . . . . . . . . . . ERIC WEINSTEIN
L. CHIP CROSBY, JR.
Assistant to Ms. Patton . . . . . . . . . . . . . . . . . . . KIA PERRY
JOHN DEPHILLIPS, JR.
Assistants to Mr. Kormákur . . . . . ARDY BRENT CARLSON
EDWARD DORSEY III
MATTHEW HOLLOWAY
ASHLEY DOVICHI
JOEY LIEW
ANTONIO FLETCHER
Assistants to Mr. Platt . . . . . . . . . . . . . . . . . . . . JOEY LEVY
PAULINE FRANKLIN
CLAIRE WIHNYK
JAVIER JIMENEZ
Assistant to Mr. Siegel . . . . . . . . . . . . JONATHAN AHDOUT
RONALD GUICHARD
Assistant to Mr. Stott . . . . . . . SANTHO GOONEWARDENE
RENE HORSTMANN
Assistants to Mr. Emmett and Mr. Furla . JEFF ACKERMAN
JUNIOR KELLY
PHILIP NOORANI
ADONIKA LANDRY
JAY OSTERMAN
BRADLEY LIPS
JESSICA WELCH
JESS QUIET
Executive in Charge of Development
MARK J. RASCHKE
for Emmett/Furla Films . . . . . . . . . . . . . . TIM SULLIVAN
THOMAS RODRIGUEZ
Head of Physical Production . . . . MICHAEL P. FLANNIGAN
SHELTON “BIG POPPA” SLACK
Intern to Mr. Flannigan . . . . . . . . . . . . . . GINA GRANGER
STEVE SMITHERMAN
Casting Associate . . . . . . . . . . . . . . . VANESSA SPENCER
JAMES SPEARS
–6–
MIGUEL SWIFT
Additional Office Production Assistant . . JASON OUSLEY
JACK J. TERRANOVA
Office Interns . . . . . . . . . . . . . . . . . . . . . . MONICA MARTIN
RODNEY THEARD
STEPHEN PFEIL
WILLIAM H. VARNADO
MARK SMITH
DUSTIN VIOLA
Base Camp Production Assistant . . . . . . . SONIA TORRES
MARK WEBB
Key Set PA . . . . . . . . . . . . . . . . . . . . . . ERIC WILLIAMSON
ADRIANE WILLIAMS
Set Production Assistants . . . . . . . . . . . ASHLEY FARRELL
BYRON WILLIAMS
ASHLEY FOSTER
RAY WILLIS
SAMUEL FOSTER
RAY WOOD
CHRIS GUGISBERG
Camera Car . . . . . . . . . . . . . . . . . . . . . . . . JAMES MARKS
RICKY WEAVER
Insert Car . . . . . . . . . . . . . . . . . . . . . . . . . . . DAN PILMAIER
Additional Production Assistants . . . . . CARMEN ACOSTA
Key Craft Service . . . . . . . . . . . . MICHAEL G. RANDOLPH
SHANE GRADY
1st Assistant Craft Service . . . . . . . . . . . . PAUL ABRAHAM
ANDRE HERRERA
Craft Service Assistants . . . . . BRIAN KELLER LOCICERO
ASHLEE KILCHRIST
KAYLEIGH McDONALD
GERALD MEDINA
CHELSEA PENTON
LAURA E. RIZER
ROBERT SOELL
DANIELLE STINER
Caterer . . . . . . . . . . . . . . . . . . . . . AMERICAN ROADSHOW
AARON STONE
Chefs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P.J. HAINES
RYAN WOOLEY
CHRISTOPHER SHANE HUGHES
Security . . . . . . . . . . . . . . . . . . . . . . . . . . DAVID E. BURKE
Catering Assistants . . . . . . . . . . . . . . . . . . ERIC ANTHONY
Studio Teacher . . . . . . . . . . . . . . . . . SUE DEE LAZZERINI
TRAVIS CAST
DEA Technical Advisor . . . . . . . . . RICHARD WOODFORK
MAX CRAINE
Navy SEAL Technical Advisor . . . . . . . . . . . . JAMIE WALL
DENNIS M. CROCKER
Animal Coordinator . . . . . . . . . . . . . . . . . . . . . . . SID YOST
FRED “FRITZ” ECKSTEIN
Head Trainer . . . . . . . . . . . . . . . . . . . . TREAVOR GEORGE
ELLANA GINSBURG
Animal Trainers . . . . . . . . . . . . . . . . . . RAHONDA MOORE
SEAN LYNN
RANDY MOORE
PAUL RYAN
JASON M. OWEN
BOB SPEARS
Animal Wranglers . . . . . . . . . . . . . . . . . DARRELL REEVES
BILL TAYLOR
JARRALD ROBERTSON
Set Medic . . . . . . . . . . . . . . . . . . . . . . JENNIFER BROWN
JODY ROGERS
Construction Medic . . . . . . . . . . . . . . . CHRISTY M. CORB
JUSTIN SEALS
Additional Medics . . . . . . . . . . . . . . . . . . ROY BARRIOS III
Bull Wranglers . . . . . . . . . . . . . . . . MARSHALL DeSOUGE
KARA BOWMAN
REGINALD PURRIS
LAUREN CAMP
Coyote Trainer . . . . . . . . . . . . . . . . . . . . MIKE ALEXANDER
MATTHEW FORD
NEW MEXICO UNIT
CAROL WOOD
Office Production Assistants . . . . . . . . . . . . . . JEFF BLAIR
CHAD PETERSON
Assistant Unit Production Manager . . . . . . . ANNE JOHNS
KURT “KT” SCHOENHALS
Assistant Art Director . . . . . . . . . . . . . PAULA DAL SANTO
MAYNARD SMITH
C Camera Operator . . . . . . . . . . . . . . . MICHAEL WALKER
–7–
1st Assistant C Camera . . . . . . . . . . . . . . . . . . CHIP BYRD
BENJAMIN LOBATO
2nd Assistant C Camera . . . . . . . . . . . . . . . ROB SALVIOTTI
SEAN MARLON
Sound Utility . . . . . . . . . . . . . . . . . . . . . . . BRETT BECKER
FRANK MONTOYA
Video Assist . . . . . . . . . . . . . . . . . . . . . . . . . FRANK EYERS
RICHARD PINK
Aerial Director of Photography . . . . . RONALD GOODMAN
TODD ROBERTS
Aerial Coordinator/Camera Pilot . . . . CLIFFORD FLEMING
Grips . . . . . . . . . . . . . . . . . . . . . . . . . MARK T. ANDERSON
Huey Pilot . . . . . . . . . . . . . . . . . . . . . . . . . RICK SHUSTER
MATT DeBEVEC
Huey Co-pilot . . . . . . . . . . . . . . . . CORBETT L. FLEMING
BRAD FRESHMAN
Aerial Ground Coordinator/Pilot . . . . . . . JOHN SCANLON
JUERGEN HEINEMANN
SpaceCam Tech . . . . . . . . . . . . . . . . . . CARLOS F. CIBILS
CHRIS SIPES
Additional
Assistant Director . . . . . . . . . . . . JAI JAMES
JASON SMITH
Production Coordinator . . . . . . . . . FAITH STRONGHEART
ERIC STEINIG
Production Secretary . . . . . . . . . . . . . . . CORRINE BUTLER
PETER WEIDENFELLER
1st Assistant Accountant . . . . . . . . . CABERNET MURRAY
PAUL “CROW” WILLIS
2nd
2nd
Assistant Accountants . . . . . . . . . . . . . . . . LISA ELROD
Key Rigging Grip . . . . . . . . . . . . . . . . . . . . MARK STEINIG
NORINA MICHELLE MORALES
Rigging Grip Best Boy . . . . . . . . MICHAEL MANZANARES
Location Manager . . . . . . . . . . . . . REBECCA PUCK STAIR
Rigging Grips . . . . . . . . . . . . . . . . . . DAVID MIDTHUNDER
Assistant Location Managers . . . . . . . . JENNIFER JOYCE
RICHARD STEINIG
JOHN PAUL POTTER
Techno Crane Operator . . . . . . . . . . . RANDALL R. SEARS
Location Assistant . . . . . . . . . . . . . . . . . . THOMAS MEADE
Techno Crane Tech . . . . . . . . . . . . . . . . . . . EVAN NELSON
Costumers . . . . . . . . . . . . . . . . . . . . . . . . . JOHN DEERING
Crane Tech . . . . . . . . . . . . . . . . . . . . . . . . . . . IAN CURRY
ALISON FUSARO
Hydrascope Techs . . . . . . . . . . . . . . . . . . . . . . . JOE DATRI
BOBBY LANGHOFER
ADRIAN SANTA CRUZ
BRANDY MARRS
Scorpio Head Tech . . . . . . . . . . . . . . . . . . . . JEFF TAYLOR
ALLYSON TRAUB
Property/Armorer Assistant . . . . . . . . DAVID D. BAUMANN
Additional Makeup Artists . . . . . . . . . . . SVETLANA BRITT
Property Assistant . . . . . . . . . . . . . . . . LAWRENCE TOLLE
LISA HILL
Additional Property Assistants . . . . . . . CELESTE L. COLE
KAREN McDONALD
ROBERT ELLIOT-BARRY
VANESSA SHARP
Leadman . . . . . . . . . . . . . . . . . . . . . . . . . SPENCER STAIR
Additional Hairstylist . . . . . . . . . . . . . . . . . . DEBRA CLAIR
Buyer/On-set Dresser . . . . . . . . . . . . . . . . . . COLIN ZAUG
Electricians . . . . . . . . . . . . . . . . . . . . . . . . CHRIS GRIFFIN
Shopper Buyer . . . . . . . . . . . . . . . . . . . LISA CORRADINO
JASON LINEBAUGH
Set Dressers . . . . . . . . . . . . . . . . . . . . DAVID BENAVIDES
DANIEL ZAMORA
DEREK BENSONHAVER
Additional Electrician . . . . . . . . . . . . . BRANDLES BARNES
RAM GORADIA
Rigging Gaffers . . . . . . . . . . . . . . . . . . . . . . . . DAVE KOHN
RICHARD HUGHES
RAY ORTEGA
JOSIAH O’NEIL
Rigging Best Boy Electric . . . . . . . . . . . . . LOUIS NELSON
DAVID THOMPSON
Rigging Electricians . . . . . . . . . . . . . . . . . WAYLON BRADY
Art Department Coordinator . . . . . . . ROBERTA M. SERET
JON CARADIES
Art Intern . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC FULCHER
JOE DONATO
Construction Coordinator . . . . . . . . . . . RONALD JAYNES
BEN ESTRADA
General Foreman . . . . . . . . . . . . . . . . . . . . CHIP RADAELLI
MIKE D. FERNANDEZ
Shop Foreman . . . . . . . . . . . . . . . . . . . . . RICHARD HURFF
–8–
Location Foreman . . . . . . . . . . . . . . . . . SHAWN CAFFREY
ADAM CANDELARA
Propmakers . . . . . . . . . . . . . . . . . . . . . . RUBEN J. ACUNA
BENETTE CANTU
RIO ALEXANDER
PHYLLIS CANTU
HARRY J. BEAVER
STEVE CARILLO
CHRIS J. GALLEGOS
NATALIE CASADOS
DOUG WORMAN
ROBERT CHAVEZ
Plasterer . . . . . . . . . . . . . . . . . . . . . . . . . . . CARL ZELLER
JAMES CLARK
Standby Carpenter . . . . . . . . . . . . . . . . . . . . ZACK SMITH
ART CLAUNCH
Greens Foreman . . . . . . . . . . . DUPRELON “TIZ” TIZDALE
CINDY CLAUNCH
Additional Greensmen . . . . . . . . . . . . . . . . . . . CHRIS KEIM
WESLEY B. CLAUNCH
ADRIAN LOBATO
VINCENT CORDOVA
Charge Scenic . . . . . . . . . . . . . . . . . . . RANDY E. ORTEGA
CLETUS COTTON
Scenic Foreman . . . . . . . . . . . . . . RANDY PAUL ORTEGA
FRANK CRUZ
Scenic Gangboss . . . . . . . . . . . . . . JASON CRITCHFIELD
TOM DAVIS
Set Painters . . . . . . . . . . . FRANCISCO WHITSON BROWN
PETE DZEK
TRAVIS LATHROP
DORAIFREY “DORIE” ESTRADA
ROBERT ORTEGA
MIKEL RAY EVANS
RUDI ROSSITER
KEN FLORES
TOM RUTHLEDGE
PENNY HICKS
Head Wrangler . . . . . . . . . . . . . . . . . . . . . . CLAY M. LILLEY
OFISA ISAIA
Wrangler Gangboss . . . . . . . . . . . . . . DAVID A. RODGERS
SHERMAN JACKSON
Animal Wranglers . . . . . . . . . . . . . . EDWARD K. PINKARD
LAURA JAMES
JAMES RODRIGUEZ
ROB JOHNSON
KYLE SEGURA
BARRY KERNS
FORRIE J. SMITH
ANTHONY LEBOW
DENNIS TRUJILLO
GAVIN LEBOW
Livestock Wranglers . . . . . . . . . . . . . . . . FRED ESPINOSA
JOE LORG
ZORA HERTEL
WENDY MARTIN
Chicken Assistant . . . . . . . . . . . . . . . . . RALEIGH WILSON
ROBERT “RED” MAXWELL
Coyote Handler . . . . . . . . . . . . . . . . . . . . TAMMY MAPLES
MIKE McKENNY
Water Safety . . . . . . . . . . . . . . . . . . . . . BOB VAN TASSEL
JARED MEADOR
Studio Teacher . . . . . . . . . . . . . . . . . . . . . . KRISTY VIERA
LEWIE MEADOR
Extras Casting . . . . . . . . . . . . . . . . . . . . . . . . . . TINA KERR
PETE MEDA
Extras Casting Assistant . . . . . . . . . . . . . . KARIN ARAGON
STEPHEN H. PAPE
Transportation Captain . . . . . . . . . . . JAMES “BILLY” RAY
JADE PETERSON
Dispatcher . . . . . . . . . . . . . . . . . . . . . . . . . . . MARY BORG
PAUL RAY
Drivers . . . . . . . . . . . . . . . . . LINDA DANIELS ANDERSON
JOSH REYNOLDS
JOEY AROESTI
PATRICK REYNOLDS
SHAUN AVERY
SOL RIVERA
PATRICK D. BAKER
THOMAS RODRIGUEZ
GEORGE M. BROWN
WALT “GRAMPY” RUSSELL
TOM BYRD
GILBERT SANCHEZ
–9–
BRUCE SIMALLA
1st Assistant Director . . . . . . . . . . . . . . . . . . . . ERIC HAYES
RICHARD SLAUGHTER
2nd Assistant Director . . . . . . . . . . . . MICHAEL LEONARD
PATRICK SMITH
Stunt Coordinator . . . . . . . . . . . . . . . . . . . . . WADE ALLEN
JEFF SNEE
Director of Photography . . . . . . . . . . DUANE MANWILLER
TODD SOPHER
1st Assistant A Camera . . . . . . . . . . . . . . . . . . EJ MISISCO
RENA STALCUP
2nd Assistant A Camera . . . . . . . . . . . . . . AUSTIN ALWARD
LUCAS MATTHEW STEIN
B Camera/Steadicam Operator . . . . . . . . . . MARK MOORE
CHAD TOCHETTE
B Camera Operator . . . . . . . . . LUIS LOPEZ DE VICTORIA
JOE TUCK
1st Assistant B Camera . . . . . . . . . . . BROUKE FRANKLIN
STEVE VANDIVER
2nd Assistant B Camera . . . . . . . . . . . . . TREVOR TUFANO
ERIC MATT WAGNER
Additional Camera Operators . . . . . . . MICHAEL STUMPF
PETE WATLEY
JEFFREY J. TUFANO
LEANNE WILKERSON
Additional 1st Assistant Camera . . . . . . . BRYAN ELLISON
CURTIS WILLIAMS
ALLAN KEFFER
2nd
Craft Service . . . . . . . . . . . . . . . . . . . . . . LISA VAN ALLEN
Additional
Assistant Camera . . . . TONJA GREENFIELD
Assistant Craft Service . . . . . . ALLISON JANDREAU-HEIL
Loaders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HAI LE
Caterer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARIO’S
JANICE MIN
Chef . . . . . . . . . . . . . . . . . . . . . . . . . . RONALD GONZALES
Video Playback Operator . . . . . . . . . . . . . DUSTIN LOGAN
Set Medics . . . . . . . . . . . . . . . . . . . . . . . . . DOUG ACTON
Sound Mixer . . . . . . . . . . . . . . . . . . . . . ERIK H. MAGNUS
PAUL “COW” BACA
Boom Operator . . . . . . . . JIMMY “COACH” ARMSTRONG
DAVE BETHEL
Script Supervisor . . . . . . . . . . . . . . . . . . . NANCY BREAUX
JASON R. MILLER
Gaffer . . . . . . . . . . . . . . . . . . . . . . . . . . . . SEAN FINNEGAN
Office Production Assistants . . . FRANCISCUS LAIMBOCK
Best Boy Electric . . . . . . . . . . . . . SCOTT D. ZUCHOWSKI
ARIEL LOPEZ
Lamp Operators . . . . . . . . . . . . . . . . BENNETT BARTLEY
JASON PONIC
CARTER LEE GARRETT
Additional Office Production Assistants . . RICHARD HELLER
JOSHUA LILLY
JESSI SMART
Best Boy Rigging Electric . . . . . . . . . . . . . . JON McGINTY
D.H. STRONGHEART
Rigging Electricians . . . . . . . . . . . . . . . . . GREELEY ADLER
Production Intern . . . . . . . . . . . . . . . . . . SIDNEY LATCHAW
MICHOUD M. JOHNSON
Set Production Assistants . . . . . . . . . . . . . . . . JON BARAN
TIMOTHY JONES
MICKEY BROWNE
CHRISTOPHER MEYDRICH
COLIN GARZA
Bebee Light Operator . . . . . . . . . . . . JOHN S. CAMPBELL
CORLOS MONTOYA
Key Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JIMI RYAN
MAYNARD DEL MAR
Best Boy Grip . . . . . . . . . . . . . . . . . . . . . . . . . RYAN WARD
RYAN MYHAND
Dolly Grip . . . . . . . . . . . . . . . . . . . . . . . RICHARD HOOVER
ANTHONY PELOT
Grips . . . . . . . . . . . . . . . . . . . . . . . . . . . LUKE CAUTHERN
STEPHEN TURSELLI
SCOTT LUTRELL
NICK NICOLAY
2ND
UNIT NEW ORLEANS
MIKE SATTERFIELD
JOSH SEPE
2nd Unit Director . . . . . . . . . . . . . . . . DARRIN PRESCOTT
ROBERT ZAS
Unit Production Manager . . . . . . . . . . . . JEFFREY STOTT
Pursuit Crane Arm Operator . . . . . . . PETER A. TOMMASI
– 10 –
On-set Dresser . . . . . . . . . . . . . . . . . . . . VINCE LeBLANC
JEFF BETTIS
Additional Location Manager . LEONARD E. REYNOLDS III
RONALD “PABLO” ROMERO
Transportation Captain . . . . . . . . . . . . . LIONEL JOHNSON
Additional Hairstylist . . . . . . . . . . . . . . . . . YVETTE MEELY
Drivers . . . . . . . . . . . . . . . . . . . . . . . . . MYRON D. BUNCH
Additional Makeup Artist . . . . . . . . . . . . . COPPER PERRY
CASSIDY ELI
Medic . . . . . . . . . . . . . . . . . . . . . . . . . . . . DALE O’MALLEY
MCGRAW LEWIS
Additional Medic . . . . . . . . . . . . . . . . . . . . JASON MILLER
STEVE A. ROBINSON
Script Supervisor . . . . . . . . . . . . . . . . . . JUDI TOWNSEND
Chefs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SEAN LYNN
Transportation Captain . . . . . . . . . . . . . . . . . JOSH FOLEY
AARON TYSON
Drivers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DOUG BAIRD
Assistant Chef . . . . . . . . . . . . . . . . . . . . . FRED ECKSTEIN
ROBERT A. CASTILLO
Key Craft Service . . . . . . . . . . . . . . . . . . . PAUL ABRAHAM
WESLEY CLAUNCH
Craft Service Assistant . . . . . . . . . . . . . GERALD PALONE
JIMMY GOODMAN
Production Assistants . . . . . . . . . . MADDIE APPLEWHITE
ROBIN GOODMAN
CHRIS BULLER
DART HARDIMAN
ADAM MICHAEL CAPONE
JONATHAN PAGE
BRIAN C. LAUZIERE
Key Craft Service . . . . . . . . . . . . . . . . . SHAUN STEAGALL
AARON STONE
Craft Service Assistants . . . . . . . LAWRENCE LaBOUNTY
KHALIC NANCE
2ND
UNIT NEW MEXICO
TRAVIS STEAGAL
2nd Assistant Director . . . . . . . . . . . . . . . . . ANNA RAMEY
2ND UNIT LOS ANGELES
Production Assistants . . . . . . . . . . . . . . . . JOE BURALINO
ERIC LISAUSKY
Line Producer/Unit Production Manager . . . . . . . . . . . . . . Camera Operator . . . . . . . . . . . . . . . . . . . . PHIL PFEIFFER
LOUIS G. FRIEDMAN
2nd Assistant A Camera . . . . . . . . . . CHARLIE NEWBERRY
1st Assistant Director . . . . . . . . . . . . . . . . . GARY MARCUS
1st Assistant B Camera . . . . . . . . . . . . . . . PAUL SANTONI
2nd Assistant Director . . . . . . . . . . . . . . . . . . PAULA CASE
2nd Assistant B Camera . . . . . . . . . . . . . . . . . RYAN EUSTIS
2nd 2nd Assistant Director . . . . . . . . . . . . MATTHEW PEXA
Additional 2nd Assistant Camera . . . . . TYLER A. EMMETT
Script Supervisor . . . . . . . . . . . SUSAN BIERBAUM OWEN
Loader . . . . . . . . . . . . . . . . . . . . . . GIOVANNI CARRANZA
Director of Photography . . . . . . . . . PETER MENZIES, JR.
Sound Mixer . . . . . . . . . . . . . . . . . . . DAVID BROWNLOW
A Camera/Steadicam Operator . . . . . MARK GOELLNICHT
Utility Sound . . . . . . . . . . . . . . . . MATTHEW KABOAKOFF
1st Assistant A Camera . . . . . . . . . . . . . . . . STEVE CUEVA
Video Assist . . . . . . . . . . . . . . . . . . . . . . . . SCOTT WETZEL
2nd Assistant A Camera . . . . . . . . . . . . . . . . JESS LAKOFF
Costumer . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN DEERING
B Camera Operator . . . . . . . . . . . . . . . . . . . ERIC WYCOFF
Gaffer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAY KEMP
1st Assistant B Camera . . . . . . . . . . . . . . GREG WILLIAMS
Best Boy Electric . . . . . . . . . . . . . . . . . . THEODORE BOTT
2nd Assistant B Camera . . . . . . . . . . . . . . . . BETTY CHOW
Electricians . . . . . . . . . . . . . . . . . . . . . . . JEREMY OLIVER
Loader . . . . . . . . . . . . . . . . . . . . . . . . . . . HELEN TADESSE
JORN VYLONIS
Production Sound Mixer . . . . . . . . . . . . . . . . . . BOB EBER
Rigging Electrician . . . . . . . . . . . . . . . . JACOB COTTRELL
Boom Operator . . . . . . . . . . . . . . . . . . . SCOTT EDELSON
Key Grip . . . . . . . . . . . . . . . . . . . . . . . KURT KORNEMANN
Video Playback Operator . . . . . . . . . . . LANCE VELAZCO
Best Boy Grip . . . . . . . . . . . . . . . . . . . . . . BRIAN MALONE
Production Designer . . . . . . . . . . . . . . . . . TOM DUFFIELD
Dolly Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . IAN J. HANNA
Set Decorator . . . . . . . . . . . . . . . . . . . . SUZETTE SHEETS
Grips . . . . . . . . . . . . . . . . . . . . . . . . . . CHARLES ARNOLD
Leadman . . . . . . . . . . . . . . . . . . . . . . . . . . . BRENT BLOM
– 11 –
MUSIC
On-set Dresser . . . . . . . . . . . . . . . . . . . DREW SANDOVAL
Location Manager . . . . . . . . . . . . . . . . . . . . BOB LePUCKI
Department Head Hair . . . . . . . . . . . . . NINA PASKOWITZ
Score Recorder and Mixer . . . . . . . . . . . . BRAD HAEHNL
Department Head Makeup . . . . . . . . . STEPHANIE SCOTT
Orchestrator . . . . . . . . . . . . . . . . . . . . . . . MATT DUNKLEY
Gaffer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIK FOLSOM
Music Preparation . . . . . . . . . . . . . . . . . . . . . . DAVE HAGE
Best Boy Electric . . . . . . . . . . . . . . . . . . . . JOHN LINARES
Music Editors . . . . . . . . . . . . . . . . . . . . . . . . JEFF CARSON
Rigging Gaffer . . . . . . . . . . . . . . . . . . . . . BILL MAYBERRY
CHARLES MARTIN INOUYE
Key Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC BUDLONG
Guitar . . . . . . . . . . . . . . . . . . . . . . . . . CLINTON SHORTER
Best Boy Grip . . . . . . . . . . . . . . . . . . . . . BRIAN DEUTSCH
Bass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRAM INSCORE
Special Effects Coordinator . . . . . . . . . . . . . . RON TROST
Drums . . . . . . . . . . . . . . . . . . . . . . . . . . . JOE WARONKER
Production Coordinator . . . . . . . . . . . . KATHLEEN KELLER
Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Production Coordinator . . . . . DEBBIE MERRITT
SLOVAK NATIONAL SYMPHONY ORCHESTRA
Production Assistants . . . . . . . . . . . . . . . OSCAR FLORES
Conductor . . . . . . . . . . . . . . . . . . . . . . . . . ALLAN WILSON
TAYLOR VAUGH LASLEY
Contractor . . . . . . . . . . . . . . . . . . . . . . PAUL TALKINGTON
RAFA SANZ
Score Recorder . . . . . . . . . . . . . . . . . . . . . . PETER FUCHS
Transportation Captain . . . . . . . . . . . CHAD WADSWORTH
Score Recorded at . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Transportation Co-captain . . . . . . . . SCOTT GOUDREAU
SLOVAK RADIO RECORDING STUDIO
Caterer . . . . . . . . . DELUXE MOTION PICTURE CATERING
Music Clearances . . . . . . . . . . . . . . . . . . . . REBEL MUSIC
Craft Service Foreman . . . . . . . . . . . . . . . BILLY RAMIREZ
ROBIN URDANG
Extras Casting . . . . . . . . . . . . . ALESSI-BERONA CASTING
Music Assistant . . . . . . . . . . . . . . . . . . JESSICA KALIKOW
POSTPRODUCTION SOUND SERVICES PROVIDED BY:
DIGITAL INTERMEDIATE PROVIDED BY:
TODD SOUNDELUX
COMPANY 3
Re-recording Mixers . . . . . . . . . . . . . . . . . . JOE BARNETT
Colorist . . . . . . . . . . . . . . . . . . . . . STEPHEN NAKAMURA
TONY LAMBERTI, cas
DI Producer . . . . . . . . . . . . . . . . . . . . CHRISTIAN PREJZA
Sound Effects Editors . . . . . . . . . . . . BILL R. DEAN, mpse
Digital Conform . . . . . . . . . . . . . . . . . . . . . . . PAUL CARLIN
KRIS FENSKE, mpse
DI Technologist . . . . . . . . . . . . . . . . . . . . . . MIKE CHIADO
KENNETH L. JOHNSON, mpse
Color Assistant . . . . . . . . . . . . . . . . . . . . . . TRAVIS FLYNN
Dialogue Editors . . . . . . . . . . . . . JOHN C. STUVER, mpse
Head of Production . . . . . . . . . . . . . . . . . DEVIN STERLING
DAVID WHITAKER
Account Executive . . . . . . . . . . . . . . . . . . . . . . JACKIE LEE
Foley Editor . . . . . . . . . . . . . . . . . . . LORITA DE LA CERNA
Company 3 Executive Producer . . STEFAN SONNENFELD
Assistant Sound Editor . . . . . . . . . . PAUL FLINCHBAUGH
Film Developing and Dailies by . . CINEWORKS LOUISIANA
Recordist . . . . . . . . . . . . . . . . . . . . . . . . . . . CERI THOMAS
Dailies Colorist . . . . . . . . . . . . . . . . . . . BRADLEY GREER
Foley Mixer . . . . . . . . . . . . . . . . HARRY M. CHENEY, mpse
Foley Artist . . . . . . . . . . . . . . . . . . . . . . . . GINGER GEARY
VISUAL EFFECTS:
ADR Mixer . . . . . . . . . . . . . . . . . . . . . . . RON BEDROSIAN
FRAMESTORE, ICELAND
ADR Recordist . . . . . . . . . . . . . . CHRISTOPHER BARRICK
Additional Audio . . . . . . . . . . . . . . . . . . . . . . JOHN BIRES
Visual Effects Supervisor . . . . . . . . . . . . DADI EINARSSON
DAVID YOUNG
Visual Effects Producer . . . . . . . . . . . . . . . LESLIE HOUGH
Lead Compositor . . . . . . . . . . . . . . . . . . . . . HELGI LAXDAL
Compositing Supervisor . . . . . . . . . . . . JAKE MAYMUDES
– 12 –
Visual Effects Associate Producer . . . . . . . JULIE FISCHER
Lead Roto Artist . . . . . . . . . . . . . . . . . . . . . . . . ABU THAIR
Visual Effects Coordinator . . . . LINDA KRISTJANSDOTTIR
Roto Artists . . . . . . . . . . . . . . . . . . . . . . RAVINDER BURLA
Visual Effects Editor . . . . . . . . SIGURDUR EYTHORSSON
HEMAN KHERNAR
CG Supervisor . . . . . . . . . . . . . . MATTHIAS BJARNASON
ANOOP M. NAIR
TD . . . . . . . . . . . . . . . . . . . . . . . . . . . STEFAN THORSSON
PRAKHAR PANT
Animators . . . . . . . . . . . . . . . . VLADIMAR BALDVINSSON
NANDULAL RADHAKRISHNAN
JAKOB BALTZERSEN
SAGAR SHRINATH
Modelers . . . . . . . . . . . . . . . . . . . . . PÉTUR ARNÓRSSON
MIDHUN V. V
SKULI OLAFSSON
Texture Painter/Digital Matte Painter . . . . . EVA KRISTJÁNS
OLLIN VFX
Matchmove Artists . . . . . . . . . . . . . . VILLI SIMONARSON
TJ BURKE
VFX Supervisor . . . . . . . . . . . . . . . . CHARLIE ITURRIAGA
Compositors . . . . . . . . . . . . . . . . . BRAGI BRYNJARSSON
VFX Executive Producer . . . . . . . . . . . . . . ROBIN D’ARCY
MAXIME CHAIX
Compositing Supervisor . . . . . . . . . . . . CARLOS GUILLÉN
ANDREAS CRONSTRÖM
CG Supervisor . . . . . . . . . . . . . . . . . . . . . LLUÍS BARCELÓ
HEIDRÚN HARALDSDÓTTIR
Digital Artists . . . . . . . . . . . . . . . . . . . . . . . CARLOS ANAYA
ELVA SARA INGVARSDOTTIR
HÉCTOR AYALA
HENRIK LINNET
GUSTAVO BELLÓN
GUNNHILDUR THORKELSDOTTIR
ANĺBAL CASTELLANOS
VALUR ZOPHONIASSON
FRANCISCO CASTILLO
Systems Administrator . . . . . . . . . . . . . . . . . . RUI GOMES
ALEJANDRO DÁVALOS
Pipeline TD . . . . . . . . . . . . . SVEINBJORN TRYGGVASON
BRENDA ESQUIVEL
Visual Effects Data Wrangler . . . . . . . TANNER CROSHAW
OMAR GARCĺA
Additional Visual Effects . . . . . . . . PRIME FOCUS WORLD
GUILLERMO GARDUÑO
VFX Supervisor . . . . . . . . . . . . . . . . . . . SHAYNE FARRIER
MARLEN GIL
VFX Lead . . . . . . . . . . . . . . . . . SHAILENDRA SWARNKAR
LUIS GÓMEZ
VFX Producer . . . . . . . . . . . . . . . . . . . SARAH CAUCHOIS
MIGUEL de HOYOS
VFX Line Producer . . . . . . . . . . . . . . . . . . . . . . NIDHI SETH
FERMĺN MALDONADO
VFX Coordinator . . . . . . . . . . . . . . . . . . . . . VIVEK PUNDIR
DELTA MANZANO
VFX Assistant . . . . . . . . . . . . . . . . . . . . . . . . . AKASH ROY
LUIS MEDINA
Digital Paint Artists . . . . . . . . . . . NAGA SUNDEEP AGADI
JOSÉ NARVÁEZ
SAGAR APHANDKAR
IVONNE OROBIO
GEORGE DOUGLAS
PEDRO POMARES
VAIBHAV SHRIHARI KONGARI
ASIA RIVERA
RAJENDRA MAHARANA
ALONSO SÁNCHEZ
YOGITA MANE
ENRIQUE SANDOVAL
OLE NORDBY
SALVADOR TRUJILLO
PIYUSH PAREEKH
FERNANDO URBINA
ARUN RAJKUMAR
RICARDO VALDEZ
NATWAR ROTHORE
PABLO VÁZQUEZ
SUMIT SARKAR
VFX Production . . . . . . . . . . . . . . . . . . . . JUAN JOSÉ AJA
VARADRAJ
ELIZABETH ASAI
– 13 –
FOR FORESIGHT UNLIMITED
LUIS BARRERA
CLAUDIA DOMINGUEZ
OLIVER de GANTE
President . . . . . . . . . . . . . . . . . . . . . . TAMARA BIRKEMOE
DANIEL GOLLAS
Distribution and Development . . . . . . . . SCOTT COLLETTE
KIM QUIROZ
Marketing and Operations . . . . . . . . . JENNIFER NGUYEN
ESTĺVALIZ ZARAGOZA
Executive Assistant to Mark Damon . . . KYLE BELLINGER
Assistant to Tamara Birkemoe . . . . CHRISTOPHER WILLIS
Finance Consultant . . . . . . . . . . . . . . . . . . DEVIN CUTLER
SIMPLE TRICKS & NONSENSE VFX
Financing Legal Services . . ORTWIN FREYERMUTH, ESQ.
VFX Supervisor/Producer . . . . . MARC DOMINIC RIENZO
FREYERMUTH & ASSOCIATES, INC.
Compositing Supervisor . . . . . . . . . . . RYAND McDERMID
International Business/Legal Affairs JENNA SANZ-AGERO
Lead Compositor . . . . . . . . . . . . . JULIANNE HOLZSCHUH
International Distribution Services . . . . . . . . . . . . . . . . . . . Compositors . . . . . . . . . . . . . . . . . . . . . . . . DAN CREGAN
MOTION MEDIA SERVICES
JOSH RIVAS
SVEIN BIRKEMOE
Lead Paint Artist/Coordinator . . . . . . . . . . AARON BEEBE
DAVID GAYNES
Paint Artists . . . . . . . . . . . . . . . . . . . . . . . . DAVID BETTEN
International Distribution . . . . . . . FORESIGHT UNLIMITED
PAUL CARNEGIE
CHRIS CHALAIRE
KINNER SPAULDING
Compositors . . . . . . . . . . . . . . . . . . . . . . . . ELI LANCELOT
STEVEN SCHMIDT
“AL FIN”
Written by Joey Peters, Judith de los Santos Romero
Performed by Judith de los Santos Romero
Courtesy of Megatrax Production Music
CHRISTIAN TURNER
Main Title Design by . . . . . . . . . . . . . . . . . . . . . AV SQUAD
“DIVORCIADA”
Film Color Timer . . . . . . . . . . . . . . . . . . . . . . JIM PASSON
Written by Andy Gonzales
Clearance Coordinator . . . . . . . . . . . . . . . . JOHN SMART
Courtesy of FirstCom Music
Product Placement . . . . . . . . . . . . STONE MANAGEMENT
Product Placement Coordinators . . . . . . . . ADAM STONE
CAT STONE
Legal . . . . . . . . . . . . . . . . . . . . BURGEE & ABRAMOFF PC
ROBERT W. ABRAMOFF
SLOSS ECKHOUSE LAWCO, LLP
JERRY DASTI
“SACRIFICE”
Written and Performed by Nicholas “Aqua” McCarrell
“ENTREGATE”
Written by Matt Hirt, Marc Ferrari, Francisco Rodriguez
Performed by Matt Hirt and Francisco Rodriguez
Courtesy of FirstCom Music
JACKIE ECKHOUSE
Bond Company . . . . . . . . . . . . . . . . FILM FINANCES, INC.
JOHN A. AMICARELLA
STEVEN BERMAN
Partial Equity Financing Provided by . . . . . . . . . . . . . . . . . FFA PRIVATE BANK S.A.L.
“CRAZY THINGS”
Written by Nicholas “Aqua” McCarrell
and Nicole Leidinger
Performed by Nicholas “Aqua” McCarrell,
feat. Niki Darling
Production Financing Provided by . . . . . . . . . . . . . . . . . . . COMERICA ENTERTAINMENT GROUP
“MI CORAZÓN MI AMOR”
ADAM J. KORN
Written by Lionel Wendling
ANDREW C. ROBINSON
– 14 –
Courtesy of APM Music
“ALL ALONG THE WATCHTOWER”
Written by Bob Dylan
Performed by Bob Dylan
Courtesy of Columbia Records
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THE PRODUCERS WISH TO THANK
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Chapman/Leonard Studio Equipment, Inc.
City of New Orleans
&
New Orleans Office of Film & Video
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St. Tammany Parish
&
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ANIMAL ACTION. NO ANIMALS WERE HARMED.
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COPYRIGHT © 2013 GEORGIA FILM FUND FIFTEEN,
LLC and UNIVERSAL STUDIOS
IN LOVING MEMORY OF
All Rights Reserved.
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© 2013 Universal Studios
– 15 –
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– 16 –
ABOUT THE
CAST
Two-time Academy Award ®-winning actor
DENZEL WASHINGTON
(Robert “Bobby” Trench) is a
man constantly on the move.
Never comfortable repeating
himself or his successes,
Washington always searches
for new challenges through
his numerous and varied
film and stage portrayals.
From embittered runaway
slave Trip, in Glory, to South African freedom fighter
Steve Biko, in Cry Freedom; from Shakespeare’s tragic
historical figure Richard III to rogue detective Alonzo
Harris, in Training Day, Washington has amazed and
entertained audiences with a rich array of characters
distinctly his own.
Washington started off 2012 starring in Universal
Pictures’ action-thriller Safe House, directed by Daniel
Espinosa. The film opened to more than $40 million in its
first weekend and was the second largest of Washington’s
career. In his most recent role, Washington starred in
Robert Zemeckis’ Flight, for Paramount Pictures. His
performance in Flight brought him Academy Award®,
Golden Globe and Screen Actors Guild nominations.
In the spring of 2010, Washington made his return
to Broadway where he appeared opposite Viola Davis
in a 14-week run of August Wilson’s Fences. His
powerful performance as Troy, a one-time baseball star
turned sanitation worker who struggles to reconcile his
past and present, earned him his first Tony Award, as
well as a Tony Award for both the play and Davis. Also
in 2010, Warner Bros. Pictures released Book of Eli,
a postapocalyptic Western that tells the story of one
man’s fight across America to protect a sacred book
that contains the secrets to rescuing mankind. Prior
to that, Washington appeared alongside John Travolta
in Tony Scott’s remake of the 1974 film The Taking of
Pelham 1 2 3, for Columbia Pictures. Pelham tells the
dramatic story of a subway dispatcher (Washington)
who receives a ransom call from a hijacker (Travolta)
who has taken control of one of the trains.
In late December 2007, Washington directed and
co-starred with Academy Award®-winning actor Forest
Whitaker in The Great Debaters, a drama based on the
true story of Melvin B. Tolson—a professor at Wiley
College in Texas who, in 1935, inspired students from
the school’s debate team to challenge Harvard in the
national championship.
In November 2007, Washington starred alongside
Russell Crowe in Ridley Scott’s American Gangster.
The film grossed $43.6 million in its first weekend and
earned Washington his largest opening weekend to date.
In March 2006, Washington starred in Spike Lee’s
Inside Man. The film, which co-starred Clive Owen
and Jodie Foster, took in $29 million in its opening
weekend. As 2006 came to an end, Washington thrilled
audiences yet again in Touchstone Pictures’ Déjà Vu,
which reteamed him with director Tony Scott. In this
flashback romantic thriller, Washington plays an ATF
agent who travels back in time to save a woman from
being murdered, falling in love with her in the process.
Washington returned to his theater roots in 2005,
where he starred on Broadway as Marcus Brutus in
Julius Caesar. The show was well received by critics
and fans alike.
In 2004, Washington collaborated with Tony Scott
for Man on Fire, in which Washington plays an exmarine who has been hired to protect a young girl,
played by Dakota Fanning, from kidnappers. That
same year, Washington was seen in Jonathan Demme’s
The Manchurian Candidate, a modern-day remake of
the 1962 classic film for Paramount Pictures, which
co-starred Meryl Streep and Liev Schreiber. In the
film, Washington starred in the role made famous by
Frank Sinatra.
– 30 –
In 2003, Washington was seen in MGM’s murdermystery thriller Out of Time, which was directed by
Carl Franklin and co-starred Eva Mendes and Sanaa
Lathan. He played a Florida police chief who must
solve a double homicide before he falls under suspicion
for the murders himself.
December 2002 marked Washington’s feature
film directorial debut with Antwone Fisher. The
film, based on a true-life story and inspired by the
best-selling autobiography, “Finding Fish,” follows
Fisher, a troubled young sailor played by Derek
Luke, as he comes to terms with his past. The film
won critical praise, was awarded the Stanley Kramer
Award from the Producers Guild of America and
won NAACP Image Awards for Outstanding Motion
Picture and Outstanding Supporting Actor. Also in
2002, Washington was seen in John Q, a story about
a down-on-his-luck father whose son is in need of
a heart transplant. The film established an openingday record for Presidents’ Day weekend, grossing
$24.1 million. The film garnered Washington an
NAACP Image Award for Outstanding Actor in a
Motion Picture.
One of Washington’s most critically acclaimed
performances to date was his Academy Award®winning performance in Antoine Fuqua’s Training Day.
The story revolves around a grizzled LAPD veteran
(Washington), who shows a rookie narcotics cop (Ethan
Hawke), the ropes on his first day of the soul-city beat.
The film was only one of two in 2001 that spent two
weeks at the No. 1 spot at the box-office.
In September 2000, Washington starred in Jerry
Bruckheimer’s box-office sensation Remember the
Titans, which took in $115 million at the domestic
box-office. Earlier that year, he starred in Universal
Pictures’ The Hurricane, reteaming with director
Norman Jewison. Washington received a Golden
Globe Award for Best Performance by an Actor in
a Motion Picture–Drama and his fourth Academy
Award® nomination for his performance.
In November 1999, Washington starred in Universal
Pictures’ The Bone Collector, the adaptation of Jeffery
Deaver’s novel about the search for a serial killer,
which co-starred Angelina Jolie and was directed by
Phillip Noyce.
In 1998, Washington starred in the Warner Bros.
Pictures crime thriller Fallen for director Greg Hoblit,
and in Spike Lee’s He Got Game, for Touchstone. He
reteamed with director Ed Zwick in the 20th Century
Fox terrorist thriller The Siege, which co-starred
Annette Bening and Bruce Willis.
In the summer of 1996, Washington starred in the
critically acclaimed military drama Courage Under
Fire, for Glory director Edward Zwick. Later that
year, he starred opposite Whitney Houston in Penny
Marshall’s romantic comedy The Preacher’s Wife.
In 1995, Washington starred opposite Gene
Hackman as Navy Lt. Cmdr. Ron Hunter in Tony Scott’s
underwater action-adventure Crimson Tide; as Parker
Barnes, an ex-cop released from prison to track down
a computer-generated criminal, in the futuristic thriller
Virtuosity; and as World War II veteran Ezekiel “Easy”
Rawlins, in the 1940s romantic thriller Devil in a Blue
Dress, which Washington’s Mundy Lane Entertainment
produced with Jonathan Demme’s Clinica Estetico.
Another critically acclaimed performance was
his portrayal of Malcolm X in director Spike Lee’s
biographical epic, Malcolm X. For his portrayal,
Washington received a number of accolades, including
an Academy Award® nomination for Best Actor.
In addition to his accomplishments on screen,
Washington took on very different types of roles in
2000. He produced the HBO documentary Half Past
Autumn: The Life and Works of Gordon Parks, which
was subsequently nominated for two Primetime
Emmy Awards. He served as executive producer on
Hank Aaron: Chasing the Dream, a biographical
documentary for TBS, which was nominated for a
Primetime Emmy Award. Additionally, Washington’s
narration of the legend of John Henry was nominated
– 31 –
for a 1996 Grammy Award in the category of Best
Spoken Word Album for Children, and he was awarded
the 1996 NAACP Image Award for his performance
in the animated children’s special Happily Ever After:
Fairy Tales for Every Child.
A native of Mt. Vernon, New York, Washington
had his career sights set on medicine when he attended
Fordham University. During a stint as a summer
camp counselor, he appeared in one of their theater
productions. Washington was bitten by the acting bug
and returned to Fordham that year seeking the tutelage
of Robinson Stone, one of the school’s leading professors. Upon graduation from Fordham, Washington was
accepted into San Francisco’s prestigious American
Conservatory Theater. Following an intensive year
of study in their theater program, he returned to New
York after a brief stop in Los Angeles.
Washington’s professional New York theater career
began with Joseph Papp’s Shakespeare in the Park
and was quickly followed by numerous off-Broadway
productions, including Ceremonies in Dark Old Men;
When the Chickens Came Home to Roost, in which he
portrayed Malcolm X; One Tiger to a Hill; Man and
Superman; Othello; and A Soldier’s Play, for which
he won an Obie Award. Washington’s more recent
stage appearances include the Broadway production of
Checkmates and Richard III, which was produced as part
of the 1990 Free Shakespeare in the Park series hosted
by Joseph Papp’s Public Theater in New York City.
In 1979, Washington was “discovered” by Hollywood
when he was cast in the television film Flesh & Blood.
But it was Washington’s award-winning performance on
stage in A Soldier’s Play that captured the attention of the
producers of the NBC television series St. Elsewhere,
and he was soon cast in that long-running hit series as
Dr. Philip Chandler. His other television credits include
The George McKenna Story, License to Kill and Wilma.
In 1982, Washington recreated his role from A
Soldier’s Play for Norman Jewison’s film version.
Retitled A Soldier’s Story, Washington’s portrayal of
Pfc. Peterson was critically well-received. Washington
went on to star in Sidney Lumet’s Power; Richard
Attenborough’s Cry Freedom, for which he received
his first Academy Award® nomination; For Queen
and Country; The Mighty Quinn; Heart Condition ;
Glory, for which he won the Academy Award® for
Best Supporting Actor; and Spike Lee’s Mo’ Better
Blues. Washington also starred in the action-adventure
film, Ricochet, and in Mira Nair’s bittersweet comedy
Mississippi Masala.
Additional film credits include Kenneth Branagh’s
film adaptation of Much Ado About Nothing; Jonathan
Demme’s controversial Philadelphia , with Tom Hanks;
and The Pelican Brief, based on the John Grisham novel.
MARK WAHLBERG (Michael “Stig” Stigman)
earned both Academy
Award® and Golden Globe
nominations for his standout
work in the family boxing
biopic The Fighter and
Martin Scorsese’s acclaimed
drama The Departed .
Wahlberg has enjoyed
playing diverse characters
for visionary filmmakers
such as David O. Russell, Tim Burton and Paul
Thomas Anderson. His breakout role in Boogie Nights
established Wahlberg as one of Hollywood’s most
sought-after talents.
Wahlberg’s remarkable film career began with
Renaissance Man, directed by Penny Marshall, and The
Basketball Diaries, with Leonardo DiCaprio, followed
by a star turn opposite Reese Witherspoon in the thriller
Fear . He later headlined Three Kings and The Perfect
Storm, with George Clooney, and The Italian Job, with
Charlize Theron. Wahlberg then starred in the football
biopic Invincible, with Greg Kinnear, and Shooter,
based on the best-selling novel “Point of Impact.” He
reunited with The Yards director James Gray and co-
– 32 –
star Joaquin Phoenix in We Own the Night, which he
also produced. Other projects include The Happening,
Max Payne, The Lovely Bones, Date Night and The
Other Guys. He most recently starred in Allen Hughes’
Broken City, with Russell Crowe and Catherine ZetaJones; Seth MacFarlane’s Ted; Baltasar Kormákur’s
Contraband, with Kate Beckinsale; and Michael Bay’s
Pain & Gain, with Dwayne Johnson. Next, Wahlberg
can be seen in Peter Berg’s Lone Survivor.
Also an accomplished film and television producer,
Wahlberg has received a Peabody Award, two Oscar®
nominations, two Golden Globe nominations and five
Primetime Emmy nominations. In addition to Broken
City, Contraband, The Fighter and We Own the Night,
Wahlberg is executive producer of the HBO series
Boardwalk Empire. He also executive produced HBO’s
Entourage, In Treatment and How to Make It in America.
A committed philanthropist, Wahlberg founded
The Mark Wahlberg Youth Foundation in 2001 to
benefit inner-city children and teens.
PAULA PATTON (Deb Rees) emerged as an
unforgettable talent with her
leading roles in Tony Scott’s
Déjà Vu, where she starred
opposite Academy Award®winning actor and 2 Guns
co-star Denzel Washington,
and Bryan Barber’s original
musical Idlewild. However,
it was Patton’s memorable
performance as the com­
passionate Ms. Rain in the critically acclaimed drama
Precious that quickly made her a household name.
Patton’s body of work is proof that she is one of today’s
most gifted actresses.
Patton was last seen in the fourth installment of
the popular Mission Impossible franchise, Mission:
Impossible—Ghost Protocol, where she starred
alongside Tom Cruise and Jeremy Renner. The film
grossed more than $693 million worldwide. She
recently starred in the independent drama Disconnect,
which was directed by Henry Alex Rubin and costarred Alexander Skarsgård and Jason Bateman.
Patton will soon be seen in David E. Talbert’s
comedy Baggage Claim, with Taye Diggs, where she
plays flight attendant Montana Moore who, in pledging
to keep herself from being the oldest daughter and
the only woman in her entire family never to wed,
embarks on a 30-day, 30,000-mile expedition to charm
a potential suitor into becoming her fiancé.
In May 2011, Patton co-starred in the weddingthemed comedy Jumping the Broom, opposite Angela
Bassett, Laz Alonso and Loretta Devine. Patton
received a 2012 NAACP Image Award nomination for
Outstanding Actress in a Motion Picture for her role in
the film. Patton also appeared opposite Queen Latifah
and Common in Just Wright.
Patton starred in the critically acclaimed and
award-winning film Precious, directed by Lee Daniels.
The film premiered at the 2009 Sundance Film Festival
where it won both the Grand Jury Prize and the Audience
Award. Additionally, it was shown at the Cannes Film
Festival in Un Certain Regard. Precious is the story of
Claireece Precious Jones, a young African-American
girl who has endured unimaginable hardships in her
life. Patton played the challenging role of Ms. Rain, a
teacher who tries to make a difference in Claireece’s
life and reveals to her the opportunity that still awaits
her. The film garnered numerous award nominations
including six Academy Award® nominations, a Golden
Globe Award nomination for Best Motion Picture–
Drama, a Screen Actors Guild Award nomination
for Outstanding Performance by a Cast in a Motion
Picture and a BAFTA Award nomination for Best Film.
Patton was nominated for an NAACP Image Award for
Outstanding Supporting Actress in a Motion Picture for
her pivotal role in the film.
In 2008, Patton appeared in the thriller Mirrors,
opposite Kiefer Sutherland. That same year, audiences
– 33 –
saw Patton in the light-hearted political satire Swing
Vote, alongside industry veterans Kevin Costner,
Dennis Hopper and Kelsey Grammer.
In August 2006, Patton starred in Idlewild, alongside
Outkast’s André Benjamin and Antwan A. Patton,
Terrence Howard, Ving Rhames and Patti LaBelle. The
musical, set in the Prohibition-era American South,
was directed by Bryan Barber and produced by Charles
Roven. Patton played a diva from St. Louis who travels
to Idlewild and, with the help of Benjamin’s character
as her piano man, the two develop a stage act as well as
a love affair. Patton was previously seen in the romantic
comedy Hitch, in which she co-starred opposite Will
Smith, Eva Mendes and Kevin James.
Patton grew up in Los Angeles, attending the
Hamilton High School for the Performing Arts. She
always had a passion for acting and filmmaking. Upon
graduating from high school, Patton was chosen as one
of four young filmmakers for a PBS documentary series
titled The Ride, which followed the four filmmakers as
they directed their own documentary films about young
people across America. After spending her freshman
year of college at UC Berkeley, with an increasing
passion for filmmaking, Patton transferred to the
prestigious USC Film School, where she graduated
magna cum laude. Upon graduation, she began doing
various production assistant work and eventually
worked her way up to shooting and producing a show
titled Medical Diaries, for the Discovery Channel.
When the show was completed, Patton realized her love
of acting and immediately enrolled in acting classes.
After a year of studying, she decided to pursue a career
in professional acting.
Patton currently resides in Los Angeles.
BILL PAXTON (Earl) was last seen in the History
Channel miniseries Hatfields
& McCoys, opposite Kevin
Costner. The show set a
ratings record as the toprated entertainment telecast
ever for ad-supported basic
cable. He was nominated for
a Primetime Emmy Award
and a SAG Award for his
work as Randall McCoy.
His upcoming films include Doug Liman’s All You
Need Is Kill, opposite Tom Cruise, and Jeff Renfroe’s
The Colony, starring Laurence Fishburne.
Paxton was honored with three Golden Globe
nominations for his work on HBO’s critically
acclaimed series Big Love, where he played Bill
Henrickson, a loving father and a husband to three
wives, played by Jeanne Tripplehorn, Chloë Sevigny
and Ginnifer Goodwin.
After gaining critical attention in John Hughes’
comedy Weird Science and James Cameron’s scifi Aliens, Paxton’s performance as the small-town
sheriff in Carl Franklin’s One False Move marked his
emergence as a leading man. He went on to star in a
host of blockbusters, including Tombstone, True Lies,
Apollo 13, Twister, Mighty Joe Young, Titanic, U-571
and Vertical Limit.
In 1998, Roger Ebert cited Paxton as his Best Actor
choice for his turn as Hank Mitchell in Sam Raimi’s
A Simple Plan. In addition, Paxton received a Golden
Globe nomination that same year for his performance
as Lt. Colonel John Paul Vann in HBO’s A Bright
Shining Lie.
Paxton segued from being on camera to directing
feature films. In 2001, Paxton made his directorial
debut with the gothic thriller Frailty, in which he also
starred alongside Matthew McConaughey. In 2005,
he directed the sports drama The Greatest Game
Ever Played, which starred Shia LaBeouf. Both films
– 34 –
are considered modern classics of their respective
genres. In 2002, Frailty received special recognition
from the National Board of Review for excellence
in filmmaking. Additionally, Paxton served as a
producer on the features The Good Life and Traveller,
in which he starred along with Mark Wahlberg and
Julianna Margulies.
Paxton began his career as a set dresser on producer
Roger Corman’s Big Bad Mama in the mid-’70s. After
working in the art department on several features,
Paxton moved to New York to study acting with Stella
Adler. Returning to Los Angeles in 1980, he met James
Cameron while moonlighting as a set dresser on the
low-budget sci-fi movie Galaxy of Terror. Subsequently,
Paxton landed acting jobs in movies such as Mortuary
and Night Warning. He earned a cult following for his
work in movies such as Near Dark, Boxing Helena,
The Dark Backward and Broken Lizard’s Club Dread.
His other credits include Trespass, Indian Summer,
The Evening Star, Streets of Fire, Frank & Jesse, Navy
Seals, Predator 2, The Vagrant, Pass the Ammo and
Steven Soderbergh’s Haywire.
In addition to his awards for acting and directing,
Paxton holds the distinction as the only actor to have
visited the wreck site of the Titanic with Cameron for
the documentary Ghosts of the Abyss. Paxton completed
four descents to the site, 2.5 miles below the surface of
the North Atlantic.
A native of Fort Worth, Texas, Paxton resides with
his wife and children in California.
Having appeared in a wide range of films over
the course of his career,
JA M E S M A R S D E N
(Quince) continues to carve
out a dis­tinctive place in
Hollywood.
Marsden will next be
seen in Lee Daniels’ The
Butler, in which he portrays
the iconic John F. Kennedy.
The Weinstein Company film
is set to be released on August 16.
This fall, Marsden will star opposite Elizabeth
Banks in FilmDistrict’s comedy Walk of Shame, to be
released on September 20. Finishing off a busy year,
Marsden will also appear in Paramount Pictures’
highly anticipated Anchorman: The Legend Continues
alongside, Will Ferrell, Paul Rudd and Steve Carell,
which will hit theaters on December 20.
Most recently, Marsden was seen in Jack Schreier’s
critically acclaimed Robot & Frank, opposite Frank
Langella, Liv Tyler and Susan Sarandon. He also starred
in Leslye Headland’s hit comedy Bachelorette, opposite
Kirsten Dunst, Isla Fisher and Adam Scott. The film,
which was released on iTunes and Video on Demand
prior to its theatrical release, quickly climbed to No. 1
on iTunes.
In 2011, Marsden appeared in Sony Screen Gems’
remake of Straw Dogs for director Rod Lurie, opposite
Kate Bosworth. He was also seen in Universal Pictures
and Illumination Entertainment’s box-office hit Hop, in
which he played the lead role opposite Russell Brand.
The film grossed more than $180 million worldwide.
That same year, Marsden was honored with the Spotlight
Award at the Savannah Film Festival alongside fellow
honorees Oliver Stone, Lily Tomlin and Ellen Barkin.
Other film credits include the box-office smash
Enchanted; 27 Dresses, opposite Katherine Heigl;
X-Men, X2 and X-Men: The Last Stand, in which he
starred as Scott Summers/Cyclops; Adam Shankman’s
– 35 –
musical Hairspray; Nick Cassavetes’ romantic drama
The Notebook; Superman Returns, opposite Bosworth;
the comedy Death at a Funeral; the romantic comedy
Sex Drive; The Box, opposite Cameron Diaz; Disturbing
Behavior, alongside Katie Holmes; the crime drama
10th & Wolf; and Sugar & Spice. Beyond film, Marsden
appeared in NBC’s hit comedy series 30 Rock, for a
multi-episode arc as Tina Fey’s love interest.
Marsden currently resides in Los Angeles.
Known for giving consistently well-wrought,
realistic performances,
FRED WARD (Admiral
Tuwey) became an actor after
a three-year Air Force stint
and time spent studying at
New York’s Herbert Berghof
Studio and in Rome. In Italy,
he dubbed Italian movies and
worked as a mime until he
made his acting debut in a
Roberto Rossellini film. Upon returning to the U.S. in
the early ’70s, Ward spent time working in experimental
theater with Sam Shepard. His first major film role
came in the 1979 film Escape From Alcatraz, in which
Ward played fellow escapee John Anglin, alongside
Clint Eastwood. For Ward, 1983 was a very good year
as he played key roles in three major films: Uncommon
Valor, as an anguished Vietnam vet-turned-sculptor;
Silkwood, as a brave union activist; and, in a scenestealing performance, as Virgil “Gus” Grissom in Philip
Kaufman’s The Right Stuff. In 1985, Ward starred in
Remo Williams: The Adventure Begins, a James Bondlike spy thriller. Notable performances include Ward’s
role as Sgt. Hoke Moseley, a beaten-down, humiliated
cop in 1990’s Miami Blues, which he co-produced; a
fascinating portrayal of author Henry Miller in 1990’s
Henry & June; and as Walter Stuckel, the studio security
chief, in 1992’s The Player. Ward co-starred with Kevin
Bacon in the 1990 comedy Tremors; in Tim Robbins’
1992 satire Bob Roberts; in 1994’s The Naked Gun 33
1/3: The Final Insult; and in the 1996 Keanu Reeves
thriller Chain Reaction. Increasingly busy into the
new millennium, Ward continued to move effortlessly
between television and film roles, displaying his sense
of humor in 2001’s Joe Dirt and Corky Romano, as well
as his penchant for action in The Chaos Factor and Full
Disclosure. He worked continuously in projects such
as Enough, Sweet Home Alabama and the Bob Dylan
vehicle Masked and Anonymous, and appeared briefly
on the hit television series Grey’s Anatomy. In 2010 and
2011, Ward was part of the cast of Showtime’s United
States of Tara and the comedy 30 Minutes or Less, with
Jesse Eisenberg.
EDWARD JAMES OLMOS (Papi Greco) has
achieved extraordinary suc­
cess as an actor, producer
and humanitarian. The Tony-,
Primetime Emmy- and
Academy Award®-nominated
actor is probably best
known to young audiences
for his work as Admiral
William Adama on the Syfy
television series Battlestar
Galactica. Although the series kept the actor busy
during its run in 2003-2009, it didn’t stop him from
directing the HBO movie Walkout in 2006, for which
he earned a DGA Award nomination in the Outstanding
Directorial Achievement in Movies for Television and
Mini-Series category.
Olmos’ career in entertainment spans more than
30 years. In that time, he has created a signature style
and aesthetic that he applies to every artistic endeavor,
often grounding his characters in reality and gravitas.
His dedication to his craft has brought him attention
from the industry and audiences worldwide.
Originally a musician, Olmos branched out into
acting, appearing in many small theater productions
– 36 –
until he portrayed the iconic El Pachuco in Zoot Suit.
The play moved to Broadway and Olmos earned a Tony
nomination for the role, which he reprised in the 1981
film version.
Olmos went on to appear in the films Wolfen,
Blade Runner and American Playhouse’s The Ballad
of Gregorio Cortez, before starring in his biggest role
to date: Lieutenant Martin Castillo in the iconic ’80s
television series Miami Vice, opposite Don Johnson
and Philip Michael Thomas. During his time on the
Michael Mann series, Olmos earned two Golden Globe
and Primetime Emmy Award nominations, resulting in
a win from each.
In 1988, Olmos was nominated for an Academy
Award® and won a Golden Globe for his portrayal
of teacher Jaime Escalante in Stand and Deliver. He
directed and starred in his film directorial debut,
American Me, in 1992.
Olmos’ passion for the arts grows every year, and
he never forgets to give back to the communities that
support him. He is an international advocate, spokesman
and humanitarian working with organizations such as
Thank You Ocean, Project Hope Foundation, Children’s
Hospital Los Angeles, Boys & Girls Clubs of America,
Riverkeeper and the Diabetic Foot Global Conference.
Olmos speaks at schools, universities and corporations
up to 150 times a year.
Olmos’ other acting credits include the motion
pictures My Family; Selena, opposite Jennifer Lopez;
and In the Time of Butterflies, in which he played
Dominican Republic dictator Rafael Leonidas Trujillo.
On television, he enjoyed a recurring role as U.S.
Supreme Court Justice Roberto Mendoza in the NBC
drama The West Wing; portrayed a widowed father in
the PBS drama American Family: Journey of Dreams;
and directed the YouTube phenomenon “The Short
Film BP Doesn’t Want You to See,” featured on CNN’s
Larry King Live.
ABOUT THE
FILMMAKERS
BALTASAR KORMÁKUR (Directed by) is an
actor, producer and director
whose work spans theater,
movies and television.
Born in Reykjavik, Iceland,
Kormákur graduated as
an actor from the Iceland
Academy of the Arts in 1990.
He immediately signed on
with the National Theatre
of Iceland, where he worked
as one of the leading young performing artists until
1997. During the last two years of his assignment,
Kormákur also directed several ambitious works, after
producing and directing highly popular independent
stage productions alongside his acting projects with the
National Theatre.
In 2000, Kormákur wrote, directed, acted in
and produced the feature film 101 Reykjavík, which
became an international hit and earned the Discovery
Award at the Toronto International Film Festival.
Subsequently, Variety selected him as one of the
10 Directors to Watch, with Alejandro González
Iñárritu, Lukas Moodysson and Christopher Nolan,
among others. Soon after, Kormákur started Blueeyes
Productions and, since then, has maintained his focus
on writing, producing and directing feature films. His
films The Sea, A Little Trip to Heaven, Jar City and
Brúðguminn have all been very successful in Iceland
and won numerous international awards. Kormákur’s
The Deep, which eerily captures the tragic real-life
story of the lone survivor of a capsized fishing boat
off the frigid Icelandic coast, premiered at the 2012
Toronto International Film Festival. The film went
on to become Iceland’s Official Oscar® entry for the
foreign language category. It opened in Iceland on
– 37 –
September 21, 2012, and took in more than 50% of
the country’s box-office receipts that weekend.
Since 2008, Kormákur has directed two other
feature films in the U.S. Inhale, an independent film
produced by the Los Angeles-based 26 Films that
starred Dermot Mulroney, Diane Kruger and Sam
Shepard, was released in October 2010. Universal
Pictures and Working Title Films’ Contraband,
which starred Mark Wahlberg, Ben Foster, and Kate
Beckinsale, took first place at the U.S. box office during
its opening weekend in January 2012. Contraband was
a remake of Óskar Jónasson’s Reykjavik-Rotterdam,
written by Arnaldur Indridason. Kormákur played
the leading role and produced with Agnes Johansen
through Blueeyes Productions.
Kormákur’s next projects include the HBO pilot The
Missionary, a spy thriller he directed, to be produced by
Wahlberg, Steve Levinson and Malcolm Gladwell; and
Everest, a cautionary tale about the 1996 disaster on
the mountain that killed eight climbers over two days
amid horrific mishaps and bad decisions. Working Title
Films will produce Everest with Kormákur. His other
upcoming projects are Viking, a big-budget actionadventure set in the world of the famed Norse warriors,
which will film in Iceland; the American remake of
Jar City, which Kormákur will produce along with
the CEO of Lava Bear Films, David Linde; and Dagur
Kári’s Icelandic drama Rocketman, which Kormákur
will produce. Recently, Kormákur optioned Iceland’s
beloved Nobel Prize-winning book “Independent
People” to develop as a feature film.
Kormákur partnered with CCP Games, the world’s
leading independent developer of massive multiplayer
games, to bring the EVE Online game to television.
The new series will take its inspiration from the
millions of people who have left their mark on the
EVE universe via stories submitted to the Web site
truestories.eveonline.com. The RVK Studios team,
in collaboration with CCP, will create an original
concept and storyline set in the EVE universe, a future
history of rival societies trapped beyond a wormhole
in a dystopian sci-fi world.
All of Kormákur’s films are made under his Blueeyes
Productions, which recently opened a television arm
and partnered with Dadi Einarsson and the Icelandic
team at the visual effects company Framestore.
BLAKE MASTERS (Screenplay by) was raised in
New York City and Mill River, Massachusetts. During
college, Masters landed his first job in the film industry,
working as a grip for low-budget maestro Roger
Corman on such genre fare as Body Chemistry II:
Voice of a Stranger and The Liars’ Club. Later, Masters
borrowed lighting equipment from Corman’s studio and
shot a short film that opened the door for an internship
at Sam Raimi’s production company, Renaissance
Pictures. While working there, he wrote a script that
was optioned by Warner Bros. Pictures. That script, in
turn, allowed him to become a full-time writer.
Some years later, Masters pitched a nascent film idea
to a producer who suggested that it might make a good
television show instead. That idea became Brotherhood,
a critically lauded drama about two Providence, Rhode
Island brothers, one a local politician, the other a
local gangster. Brotherhood ran for three seasons on
Showtime and won the network its first Peabody Award
for drama.
After Brotherhood, Dick Wolf tapped Masters to
write the pilot for Law & Order: Los Angeles, which ran
for one season on NBC. Currently, Masters is working
on Line of Sight at AMC and has multiple projects in
active development at Showtime.
A fixture in the world of comics since the late ’70s,
STEVEN GRANT (Based on the BOOM! Studios
Graphic Novels by) has written for Marvel, DC Comics,
First Comics, Dark Horse Comics and Wildstorm. Grant
is perhaps best known for his seminal collaborations
with Mike Zeck on “The Punisher,” which transformed
the superhero genre and generated numerous imitators.
– 38 –
Grant has written film and television reviews, short
stories and teen novels. In addition, he wrote two longrunning Web columns, “Master of the Obvious” and
“Permanent Damage,” at www.comicbookresources.
com, in which he covered comics, culture, politics
and writing.
Grant is the creator of several crime comics,
including “Whisper” and “Badlands,” and is currently
working on the sequel to 2 Guns, as well as several
other series and film projects.
MARC PLATT (Produced by) stands among
the few producers who have successfully bridged the
worlds of theater, film and television. His projects
have garnered eight Oscar® nominations, 16 Tony
nominations, 13 Golden Globe nominations and 19
Primetime Emmy nominations.
Platt’s most recent film was Drive, which starred
Ryan Gosling and its director, Nicolas Winding
Refn, was awarded the Best Director prize at the 64th
Annual Cannes International Film Festival in 2011.
Among the other films Platt has produced are Scott
Pilgrim vs. the World, directed by Edgar Wright; the
smash hits Legally Blonde and its sequel, Legally
Blonde 2: Red, White & Blonde, which starred Reese
Witherspoon; the critically acclaimed Rachel Getting
Married, which was directed by Oscar ®-winner
Jonathan Demme and starred Anne Hathaway; the
2008 summer hit Wanted, which starred Angelina
Jolie, James McAvoy and Morgan Freeman; the
musical Nine, which was directed by Rob Marshall
and starred Daniel Day-Lewis; Cop Out, which
starred Bruce Willis and Tracy Morgan; Charlie St.
Cloud, which starred Zac Efron; The Other Woman,
which starred Natalie Portman; Honey; Josie and the
Pussycats; and The Perfect Man.
Platt’s upcoming films are Winter’s Tale, starring
Colin Farrell and Russell Crowe, and written and
directed by Academy Award® winner Akiva Goldsman;
Ryan Gosling’s directorial debut, How to Catch a
Monster, starring Christina Hendricks; Rob Marshall’s
Into The Woods, starring Meryl Streep and Johnny
Depp; and Song One, starring Anne Hathaway.
Platt is the producer of Broadway’s blockbuster
Wicked, which The New York Times called “the defining
musical of the decade.” The musical has four companies
now playing worldwide including Broadway, London
and two North American tours, with three additional
companies opening internationally later this year. He
also produced the Broadway debut of Three Days
of Rain, which starred Julia Roberts, Paul Rudd and
Bradley Cooper; Matthew Bourne’s musical theater
adaptation of Edward Scissorhands, which won two
Drama Desk Awards; and the 2008 Broadway revival
of Pal Joey, which starred Stockard Channing.
In television, Platt executive produced HBO’s
Empire Falls, which won the Golden Globe Award
for Best Miniseries. He also executive produced Once
Upon a Mattress for ABC; the Primetime Emmy
Award-winning miniseries The Path to 9/11, also for
ABC; and the MTV hit series Taking the Stage.
Prior to establishing his company, Marc Platt
Productions, he served as president of production
for three movie studios (Orion, TriStar and Universal
Pictures). Platt is a member of the Academy of Motion
Picture Arts & Sciences, the Academy of Television
Arts & Sciences and The Broadway League.
As one of the entertainment industry’s most prolific
film producers, RANDALL EMMETT (Produced
by) has produced more than 50 feature films since
his start as Mark Wahlberg’s assistant in the 1990s.
Combining financial acumen with an incisive creative
sensibility, Emmett is partner and co-founder alongside
George Furla of Emmett/Furla Films, a production
company dedicated to the development, financing and
production of top-tier filmed entertainment for the
theatrical marketplace with its own equity fund. He is
also founder and partner of Curtis “50 Cent” Jackson’s
production company, Cheetah Vision Films.
– 39 –
In the past decade, Emmett’s ability to package
films with well-known actors and filmmakers has
resulted in major box-office success—netting more
than $250 million dollars at the U.S. box-office alone.
Additionally, he has forged strong partnerships with
major Hollywood studios to finance and distribute
commercial films to audiences both domestically and
internationally. Aside from high-concept films, Emmett
has produced smaller, critically acclaimed indie fare
such as Narc and Wonderland. These films, and others,
have played at acclaimed film festivals worldwide,
including Sundance, Toronto, Berlin, Venice and
Telluride. Many have also been nominated for
Independent Spirit Awards and Golden Globe Awards.
In the past year, Emmett finished shooting Peter
Berg’s Lone Survivor, starring Mark Wahlberg, Taylor
Kitsch and Emile Hirsch; Empire State, which was
written by Adam Mazer, directed by Dito Montiel,
and starred Liam Hemsworth, Dwayne Johnson and
Emma Roberts; The Tomb, written by Miles Chapman,
directed by Mikael Håfström and starring Arnold
Schwarzenegger and Sylvester Stallone; and The
Frozen Ground, written and directed by Scott Walker,
starring Nicolas Cage, John Cusack, Vanessa Hudgens
and 50 Cent.
Most recently, Emmett signed on to finance and
produce Martin Scorsese’s highly anticipated Silence;
as well as Expiration, starring Bruce Willis. Other
projects he is set to finance and produce include Everest
for Universal Pictures and Working Title, and The Last
Witch Hunter for Summit Entertainment and Lionsgate,
starring Vin Diesel.
Emmett/Furla’s recently released films include
End of Watch, written and directed by David Ayer,
which starred Jake Gyllenhaal and Michael Peña; Lay
the Favorite, directed by two-time Oscar®-nominated
Stephen Frears, which starred Bruce Willis, Catherine
Zeta-Jones, Rebecca Hall and Vince Vaughn; and
Freelancers, which starred Robert DeNiro, 50 Cent
and Forest Whitaker.
Emmett/Furla’s past films include Bad Lieutenant:
Port of Call New Orleans, Righteous Kill, 88 Minutes,
King of California, 16 Blocks and The Contract.
Born and raised in Miami, Emmett graduated from
the respected performing arts high school New World
School of Arts. As an undergraduate, he attended the
prestigious School of Visual Arts in New York City.
Presently, he speaks at various industry conferences
and mentors up-and-coming filmmakers at UCLA’s
school of continuing education.
Emmett lives in Los Angeles with his family.
NORTON HERRICK (Produced by) is chairman
and CEO of The Herrick Company, Inc., one of the
nation’s most successful real estate investment firms.
Several years ago, the company formed Herrick
Entertainment and began its foray into the financing
and production of major motion pictures with My One
and Only, which starred Renée Zellweger and Kevin
Bacon. Herrick Entertainment’s coming-of-age film,
Very Good Girls, was written and directed by Naomi
Foner. The film starred Dakota Fanning, Elizabeth Olsen
and Demi Moore, and premiered at the 2013 Sundance
Film Festival. Herrick Entertainment is currently in
postproduction on the action-thriller Lone Survivor,
starring Mark Wahlberg and set for a December 27
limited release, as well as the horror-thriller Nightlight.
Other films Herrick produced include Lee
Tamahori’s The Devil’s Double, which featured
Dominic Cooper’s chilling interpretation of Saddam
Hussein’s son and his body double; Vanishing on 7th
Street, which starred Hayden Christensen; Madison,
which starred Jim Caviezel; and The Moth Diaries,
directed by Mary Harron.
Herrick was the producer of the Las Vegas stage
show Hairspray, which was performed at the Luxor
hotel; and the theater adaption of J.R.R. Tolkien’s “The
Lord of the Rings.” Herrick produced the Broadway
revivals of Exit the King, which starred Geoffrey Rush
and Susan Sarandon; Eugene O’Neill’s Desire Under
– 40 –
the Elms, which starred Brian Dennehy and Carla
Gugino; American Buffalo; Promises, Promises, which
starred Kristin Chenoweth and Sean Hayes; Hair; and
Pippin. Herrick won Tony Awards for each show for
Best Revival of a Musical. Herrick produced Dolly
Parton’s 9 to 5: The Musical; Bloody Bloody Andrew
Jackson; and the currently running Spider-Man: Turn
Off the Dark. He is an investor in the Broadway revival
and touring show of West Side Story.
Announced in early 2013, HerrickTV will
develop, produce and deficit finance both scripted and
unscripted programming, including adaptions of inter­
national formats.
With offices in Boca Raton, Florida; Cedar Knolls,
New Jersey; New Hampshire and Norwalk, Connecticut,
The Herrick Company, under Herrick’s direction, has
become a major force in the real estate marketplace
over the last 35 years with income property transactions
totaling more than $5 billion. Throughout the 1980s and
1990s, Herrick managed, purchased and sold hundreds
of apartment complexes throughout the eastern United
States. Today, he is considered a foremost authority on
net lease real estate transacting and financing, as well as
the construction, structuring and financing of net lease
and sale-leaseback transactions that include hospitals
and power plants.
An affiliate of The Herrick Company has been
involved with the financing, construction and
ownership of the world’s largest, and the first in
the United States, electric producing power plants,
which utilize biomass (turkey manure) to generate
electricity. The Herrick Company has been involved
in transactions involving plants and manufacturing
facilities that produce ethanol and utilize biomass
for building materials. He has earned the reputation
as one of the fastest builders, acquisition decision
makers and closers in the country.
Another affiliate of The Herrick Company has
investments in thoroughbred horse racing, which
reached new heights in 2011 when Animal Kingdom,
trained by Graham Motion, won the Kentucky Derby
and won $10 million at the 2013 Dubai World Cup.
Herrick is a longtime supporter of progressive
and humanitarian causes. He has served on the board
of directors of the People For the American Way, the
advisory board of the Make-A-Wish Foundation and
the advisory committee of the National Multi Housing
Council. Herrick is the recipient, along with former
President Ronald Reagan and Isaac Stern, of the
Jerusalem 3000 Award, presented by Prime Minister
Shimon Peres. He is the recipient of the President’s Medal
from the University of Miami, which was presented by
its president, Donna E. Shalala, and the Guardian Award
from The Hebrew University of Jerusalem.
ADAM SIEGEL (Produced by) currently serves
as president of Marc Platt Productions in Los Angeles.
Siegel previously produced Nicolas Winding Refn’s
Drive, which starred Ryan Gosling, Carey Mulligan,
Bryan Cranston, Albert Brooks and Christina Hendricks.
The film earned Best Film nominations at the 2012
BAFTA Awards and Film Independent Spirit Awards, in
addition to the Best Director prize at the 2011 Cannes
Film Festival. Prior to Drive, Siegel executive produced
films including Timur Bekmambetov’s Wanted, which
starred Angelina Jolie, James McAvoy and Morgan
Freeman, and Scott Pilgrim vs. the World, directed by
Edgar Wright.
Siegel is currently producing Ryan Gosling’s
directorial debut, How to Catch a Monster.
GEORGE FURLA (Produced by) began his
career with Cantor Fitzgerald, after graduating from
the University of Southern California with a degree
in business administration. At Cantor Fitzgerald, Furla
served as an equity trader from 1982 to1985. After his
run with Cantor Fitzgerald, Furla worked in a similar
capacity with Jones and Associates for three years.
In 1988, he left Jones and Associates to run a hedge
fund, that he established, specializing in risk arbitrage
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and equity trading. Furla ran the hedge fund for 10
years, after which he jointly formed a film production
company with his partner, Randall Emmett.
At Emmett/Furla Films, Furla utilizes his hedge
fund approach to model out film-financing scenarios.
Furla and Emmett share responsibility in both concept
development and arrangement of the financing of
the films. Emmett/Furla Films has produced a large
number of films, including End of Watch, Broken
City, Lone Survivor, Rambo, Conan the Barbarian
and 16 Blocks.
ROSS RICHIE (Produced by) founded the comic
book and graphic novel publisher BOOM! Studios in
2005, out of a spare bedroom in his apartment. Since
then, BOOM! has become an industry powerhouse,
twice winning Best Publisher from Diamond Comic
Distributors’ prestigious Gem Awards, as well as
numerous Eisner and Harvey awards. BOOM! series
have been translated into 30 different languages.
Richie is currently producing, with Arnold Rifkin
(Live Free or Die Hard), the feature film Jeremiah Harm,
based on the BOOM! graphic novel he co-created. The
fillm will be directed by Timo Vuorensola (Iron Sky).
BOOM! publishes an array of original and licensed
properties, with more than 20 different original series
sold to film and television. BOOM! works with some
of the most recognizable brands in the world, including
Charles Schulz’s “Peanuts” and Jim Davis’ “Garfield,”
along with some of the greatest names in fantasy
literature—from Clive Barker to Philip K. Dick and
Michael Moorcock. BOOM! currently publishes work
with 20th Century Fox Television and Cartoon Network.
A prolific screenwriter, producer and comic book
creator, ANDREW COSBY’s (Produced by) career
was jump-started in 2001 with his first television series,
Haunted. This was soon followed by Syfy’s Eureka,
which just ended its five-year run with a recordbreaking season.
In 2005, Cosby created his first comic book,
“Damn Nation,” which was immediately set up at
Paramount Pictures with Cosby attached to write and
produce. Since then, he’s been involved in numerous
other feature film projects for 20th Century Fox, Walt
Disney Studios Pictures, Universal Pictures, Paramount
Pictures, Warner Bros. Pictures, New Regency
Enterprises, Spyglass Entertainment, Phoenix Pictures,
Weed Road Pictures, The Canton Company, The Jim
Henson Company and Casey Silver Productions. In
2005, Cosby co-founded the award-winning BOOM!
Studios, which has since gone on to become the seventh
largest comic book publisher.
Cosby is currently producing BOOM! Studios’
first forays into film, television and animation. In
2010, he helped launch Big Air Studios, an innovative
motion picture production, distribution and acquisition
company focused on providing genre-targeted, highquality entertainment at lower budgets. Currently, Cosby
is launching a number of new series and film projects,
as well as preparing for his feature directorial debut.
OLIVER WOOD’s (Director of Photography)
recent projects include Universal Pictures’ action-thriller
Safe House, which starred Denzel Washington and Ryan
Reynolds, and Adam McKay’s cop comedy The Other
Guys, which starred Will Ferrell and Mark Wahlberg.
Prior to that, he served as director of photography
on director Jonathan Mostow’s Surrogates. He just
completed production on McKay’s much-anticipated
Anchorman: The Legend Continues. Wood’s other
collaborations with McKay include Step Brothers and
Talladega Nights: The Ballad of Ricky Bobby.
Born in England, Wood began his motion picture
career as a camera assistant on British television
series, commercials, documentaries and feature films.
After moving up to cinematographer on a small 1967
English satire, Popdown, he relocated to the U.S. and
entered the American film industry with the 1970
cult classic The Honeymoon Killers. He then made a
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variety of small features such as Alphabet City, Don’t
Go in the House and The White Slave.
In addition to his early feature film credits, Wood’s
camera work as director of photography, for three
seasons, on Michael Mann’s innovative NBC television
series Miami Vice helped define the groundbreaking
show’s acclaimed visual style.
Over the past two decades, Wood has compiled more
than 30 motion picture credits, most recently earning a
BAFTA nomination for his camera work on The Bourne
Ultimatum. Wood also directed the photography on
The Bourne Identity, for director Doug Liman, and
The Bourne Supremacy, his first collaboration with
filmmaker Paul Greengrass.
Wood worked with director Renny Harlin on two
projects (Die Hard 2: Die Harder and The Adventures
of Ford Fairlane) and also counts among his big-screen
credits such films as Rudy, 2 Days in the Valley, Bill &
Ted’s Bogus Journey, Mr. Holland’s Opus, U-571, Face/Off,
Switchback, Mighty Joe Young, I Spy, National Security,
Fantastic Four and Scooby Doo 2: Monsters Unleashed.
MICHAEL TRONICK, ACE (Edited by) was
twice nominated for an ACE Eddie Award from the
American Cinema Editors for his work on Adam
Shankman’s Hairspray and Martin Brest’s Scent of
a Woman.
Tronick most recently served as editor on Mike
McCoy and Scott Waugh’s Act of Valor, Garry
Marshall’s New Year’s Eve, Michel Gondry’s The
Green Hornet and the 3D feature documentary Jonas
Brothers: The 3D Concert Experience. His film editing
credits include Shankman’s Bedtime Stories, the highly
successful Hannah Montana & Miley Cyrus: Best of
Both Worlds Concert, Mr. & Mrs. Smith, S.W.A.T., The
Scorpion King, Remember the Titans, Blue Streak,
Meet Joe Black, Volcano, Eraser, True Romance, Days
of Thunder, Midnight Run, Less Than Zero and Beverly
Hills Cop II. Tronick also served as an additional editor
on the box-office smash Iron Man.
Prior to his film editing career, Tronick was a
successful film music editor, with notable credits
including Marshall’s feature directorial debut, Young
Doctors in Love, as well as Predator, Outrageous
Fortune, Nobody’s Fool, Ruthless People, A Chorus
Line, Streets of Fire, Star 80, 48 Hrs., Reds, Xanadu
and All That Jazz, among others.
Tronick is a member of the Board of Governors
for the Academy of Motion Picture Arts and Sciences,
representing the Film Editors Branch.
BETH MICKLE (Production Designer) is a
New York-based production designer. Mickle recently
wrapped production on Ryan Gosling’s directorial debut,
How to Catch a Monster. Her two films with director
Nicolas Winding Refn, Drive and Only God Forgives,
premiered in competition at the Cannes Film Festival.
Drive was later released to critical acclaim. Warner
Bros. Pictures will soon distribute Only God Forgives.
Additionally, Mickle has had five films in
competition at the Sundance Film Festival, including
Cold Souls, in 2009, Sugar, in 2008, and Half Nelson,
which starred Gosling and garnered him an Academy
Award® nomination, in 2006. Next, she begins
preproduction on Warner Bros. Pictures’ Focus, starring
Will Smith.
LAURA JEAN SHANNON’s (Costume Designer)
most recent credits include Little Boy, a soon-to-bereleased period drama; Craig Brewer’s remake of
Footloose; Edgar Wright’s Scott Pilgrim vs. the World;
and Jon Favreau’s Iron Man. The latter earned Shannon
a nomination for Excellence in Contemporary Film at
the Costume Designers Guild Awards.
Shannon’s work has a wide range. She began her
career in New York City designing independent cult
classics such as Darren Aronofsky’s Requiem for a
Dream; Rose Troche’s The Safety of Objects; and
Favreau’s Made. Over the years, she has had the pleasure
of designing many genres including family favorites
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such as Zathura and Elf, which afforded Shannon a spot
on the prestigious costume exhibition “50 Designers/50
Costumes: Concept to Character,” curated by the
Academy of Motion Picture Arts and Sciences.
Shannon enjoys working all over the globe and calls
a farm in central New York her home, which she shares
with her family.
CLINTON SHORTER (Music by) was recently
hailed by The Hollywood Reporter as one of the
“Young Composers to Watch,” and his original music
for the blockbuster District 9 was described by film
critic Kirk Honeycutt as a “magnificent score.”
Shorter followed that success with his score to the
Mark Wahlberg box-office hit Contraband. With
nearly a dozen feature films to his credit, Shorter has
also worked on more than 300 episodes of television,
numerous commercials, as well as original music for
the 2004 Summer Olympics in Athens.
The award-winning Vancouver native developed a
love for music at a young age. Shorter entered college
as a music major, specializing in jazz studies, but left
to pursue writing music with an experimental rock trio,
only to return years later to study music composition
and synthesis.
Shorter’s first break came when he landed a job as
an assistant to a prolific Canadian film and television
composer. After several years of honing his skills, he
left to pursue projects of his own. His first film, Come
Together, turned out to be an indie hit and led to more
work on the indie scene in Vancouver, including a short
directed by Neill Blomkamp, Alive in Joburg, which
was the catalyst for District 9. Academy Award®winning director Peter Jackson saw the short and came
in as the producer of the feature. Jackson referred to
Shorter’s music as a “brilliant score.”
Shorter currently resides in Vancouver and
Los Angeles.
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