Document 191559

TO
HOW
MAKE
SHOW
CARDS
A
practical treatise
principles of
pen
and
on
for
Associate
BOSTON,
of
use
and
clerks.
CHARLES
SPATULA
the
merchants
their
fundamental
lettering with
artistic
brush
retail
THE
the
A.
MILLER
of the
Editor
Spatula
PUBLISHING
MASSACHUSETTS,
1911
CO.
U
S.A.
Copyright,
191
1,
by
Spatula
"CI.A30099G
Publishing
Co.
TABLE
CONTENTS.
OF
CHAPTER
Genius
Not
All
of
different
this"
from
The
Reasonable
Work.
Hhnd
work
be
may
professionals
Guide
"
"
say
lines
with
which
skill
Methods
of
holding
"
It's
dead
easy
t00ls
What
_
The
"
"
use
The
Tools.
brushes
importance
Dont's""
paint.
Show
card
"-The
in
free
hand
-Why
tools
tion
imagina-
of
use
III.
better
to
of
value
discarded.
soon
CHAPTER
Necessary
The
"
II.
Ease
acquired
acquired
practice.
CHAPTER
Free
ject"
sub-
on
be
may
experience
"
writing"
books
of
art
author's
The
anyone
card
show
Multiplicity
Required.
almost
by
I.
buy
"
taking
paint
the
How
good
"
workman
How
to
care
to
tell
of
mix
a
the
fewer
good
brush
tools
paint
"
Brush
How
to
TABLE
6
CONTENTS.
OF
CHAPTER
Principles
Practice,
obtained
and
monograms
T-square
and
practice
lines
oblique
of
necessity
Pencil
"
Strokes.
strokes
pencil
letters
not
of
Use
"
Table
"
necessary
"
outline
showing
various
round
How
to
lel
paral-
curves,
V.
to
the
board
drawing
outlining.
How
"
of
practicing
CHAPTER
Practise
cidated
elu-
principles
Importance
"
The
"
Constructive
"
results
Surprising
Pencils.
and
through
by
IV.
writing
make
letters
strokes
pens
them
with
A
"
composing
Perfect
"
light
circles
of
"secret"
the
art.
CHAPTER
Geometry
each
other
All
"
Letters
"
courses
Z
Letters.
of
into
five
monograms
in
sized
same
gle
rectan-
Correspondence
"
I, L, F, E, H, T, V,
"
to
and
A
analized.
Geometry
the
letters
Peculiarities
W
"
The
make
of
VII.
Continued.
Letters,
of
of
N
X, Y,
and
K
of
J, U,
punctuation
by
rounded
The
"
C, G, Q, P, B, D,
O,
characteristics
R,
letters
and
S, M
and
points
ogram
mon-
how
to
them.
Geometry
VIII.
analized
"
how
Easy
"
The
to
to
make
it
with
the
ampersand
make
-The
Concluded.
Letters,
of
numerals
Just
Analysis
"
CHAPTER
of
letters
capital
classes
CHAPTER
"
of
drawn
three
except
of
Relation
"
grouped
Use
"
VI.
practice
The
"
difficult
most
the
-How
peculiarities
character
obtains
expert
digits
ten
"
pleasing
results.
CHAPTER
Round
gain
Writing
Purposes
making
for
small
Practice.
Pen
proficiency
in
which
card
IX.
the
it
signs
use
may
for
"
of
be
the
round
used
interior
best
The
"
of
method
writing
to
Pen
for
Unsurpassed
show
cases,
"
etc.
TABLE
OF
CONTENTS.
7
CHAPTER
Forms
Simple
The
of
entirely
Lettering
of
divided
Alphabet
of
horizontal
lines
straight
of
lines.
and
lines
curved
lines
Stroke
The
"
differences
of
Value
The
easiest
between
in
practice
lower
making
A
Spacing.
and
and
arranged
Mental
required
Space
"
Conception
a
Paints.
and
paints
own
your
Formulas
"
for
Moist
Colors
White
ink.
of
numbers
colors
of
and
"
Colors
"
"
analysis.
to
produce
color
How
to
mix
the
be
The
"
trade."
ink
"
How
"
paints
and
Dry
"
for
Paints
mix
to
white
and
mixtures
Colors.
Two
should
"
oil
cloth
"
XIV.
Secondary
How
black
useful
CHAPTER
Primary
layout
letters
of
paints
of
Waterproof
"
"
XIII.
Foundations
"
card
1 1
"tricks
not
Ready-to-use
"
x
7
the
of
different
the
by
CHAPTER
Inks
letters
letters.
principle
how
Facts,
"
these
are
case
upper
are
XII.
showing
example
concrete
cards
make
to
stroke
single
General
"
of
composed
where
letters
CHAPTER
Layout
used
Mostly
"
"
cal,
verti-
composed
5, Letters
"
posed
com-
XL
Letters.
changed
frequently
composed
combining
Letters
4,
"
"
2, Letters
"
Letters
CHAPTER
Single
i, Letters
"
3,
"
Outline.
to
right angles
oblique
and
combined
curved
Groups
and
oblique
How
and
into
lines
straight
wholly
X.
The
"
colors
secondary
combinations
colors
"
"
Test
three
"
Three
of
colors
primary
Harmony
color
and
binations
com-
their
TABLE
8
OF
CONTENTS.
CHAPTER
Flitter,
Bronze,
and
smalt
applied
chalk
flock
What
"
they
used
be
The
"
of
for
a
with
Use
of
the
Card
book
scrap
letters
legends
and
Scintilating
they
flitter,
be
may
The
"
of
use
The
"
"
A
be
may
sentences
that
and
board
drawing
to
of
of
edge
lines
lected
col"
etc.
"
advantage
awaken
Ul'
of
scores
on
curiosity
trade.
figuring
made
XVII.
collection
used
importance
be
may
Borders
"
The
"
that
Uses
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pictures
atomizer
Phrases.
that
how
judgment
Writer.
CHAPTER
Catch
bronze,
XVI.
Show
the
good
and
are
CHAPTER
Hints
of
use
removed.
Easily
"
Etc.
Smalt,
Should
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XV.
profits.
ready
made
show
cards
and
stimulate
"
-Are
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you
^jhis
the place
is
b*"ateh
to
on"
CHAPTER
of
Multiplicity
The
art
books
be
may
experience
I.
NOT
GENIUS
acquired
The
"
REQUIRED.
subject
on
hat
"ood
a
value
by
almost
of
show
anyone
card
this
from
different
All
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author's
The
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writing
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able
Reason-
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practice.
HE
:
of
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artistic
ability in
execution
majority
of
the
basic
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to
facts
quick
meet
the
skill, there
sail
clear
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are
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construction
requirements
of
to
of
neat
of
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idea
tical
prac-
Books
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and
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small
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mer-
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the
galore, denoting
are
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away
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and
explanations.
day practical
every
make
for
clearer
a
of
up
with
Writing
greatly exceeding
them
Those
to
Card
it in
call
may
examples
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presenting
way,
fail
of
subject
k
taking
the
attending"
temerity
principles
an
and
busy
aid
in
simple
merchant.
the
and
ready
lettering
mrm"im\
of
GOES
WITH
Purchase.
JRvery
EINSON
SIGNS
813
BWAY
NY.
AN
EINSON
SHOW
CAKU.
HOW
My
which
visits
thousands
to
with
me
facts
many
requirements,
think
Many
commendable
who
failed
has
acquainted
successfully produce
can
well
take
of
pen
all
by practice
"
and
the
and
the
and
formed
are
"tricks
of
card
signs
in which
lettered,
"
trade
the
he
may
is
A
but
retail
merchant
value
of show
card
method
of
also
farther
writing
instruction,
ing
"spac-
executed.
argument
no
as
an
interested
as
to
promoting
aid
in
in
any
practical
reasonable
within
even
satisfaction
from
needs
greatly
the
upon
crudely
more
of
reach
the
poorly balanced,
card
always
The
is
within
and
control
acquiring
in
is well
out."
balanced
busine'ss,and
skill
patience,
"laying
if well
than
one
which
upon
the
upon
which
brush,
or
if well
Any
pride.
Quality depends
his
principles
with
produce
can
writing.
punctuations
and
letters, figures
artist
an
card
in
the
masters
once
becomes
only
results
regarding
close.
to
that
which
gap
information
of
lack
the
to
me
my
familiarized
have
stores
lead
that
ability, or
greater
retail
of
tical
iden-
the
travels, and
merchant
small
the
11
along
practical experience
own
path
CARDS.
SHOW
MAKE
TO
limits
of
requirements.
A
series
covering
of short
the
subject, to
show
than
greater
much
little
value
path
cards
their
to
him
time, thought
My
experience
that
instructive
all
active
enable
without
value,
he
been
retailers
to
sufficiently
produce
expenditure
an
study
has
him
however
cannot
unless
and
lessons,
is
to
along
of time
prove
willing
the
mendable
com-
to
devote
of
a
subject.
the
travel,
and
busy
same
I
know
diamond
A
-
The
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Jov
A
(Courtesy
of
the
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the
Times,
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++"*
CARD.
SHOW
of
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woman
a
GOOD
t
Cincinnati,
Ohio.)
HOW
TO
all
exactly
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failure
the
first, lack
:
of
So, if
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nor
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time
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on
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acquire
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of
be
card
in
are
you
too
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proofs
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own
my
sub
which
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art
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making
neat
of
purposes
and
retail
the
the
of
be
executed
almost
generally
most
his
card
own
neat,
as
the
their
student
used
or
anyone.
has
further
by
the
along
he
will
familiar
readily
with
the
busy
and
no
effective
acquired
geometrical
like the
mechanical
more
a
attain
Gothic
means.
merchant
other
in
free
edge
knowl-
(which
will
he
will
subject)
our
bet
alpha-
cards.
practical
construction
in
does
training,
by
writing
signs
it
store,
methodical
reach
to
nature
creditable
and
somewhat
within
gifted
a
only require practical experience
becoming
meet
born
are
simple style of plain lettering
as
artist
an
would
error,
many
require
illustrated
such
only
writers
not
produces
Once
that
does
is well
letter
know
proper
The
results
it
ordinary
require
that
words.
my
While
opinion
that
or
furnishes
experiences
stantiate
the
satisfactory
requirements
your
neither
spend
you
Required.
not
harbor
you
that
backbone
your
subject.
Genius
But
sion
submis-
first attempts.
is where
advise
for
seasons
second,
;
over
wishbone
"
and
signs.
store
real
two
application
early discouragement
to
can
only
are
of
making
the
13
limitations
perplexities,
there
sure
CARDS.
SHOW
attending
interruptions
I
MAKE
hand
by practice
geometrical
features.
ing
drawwhile
CHAPTER
HAND
FREE
which
with
Ease
of
Methods
dead
skill
in
The
"
WORK.
hand
free
tools
holding
easy"
II.
be
may
acquired
professionals
Why
"
imagination
of
use
work
"
It's
say
Guidelines
"
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soon
discarded.
should
fl|[
we
^^"
of
the
the
of
pencil, for
which
Nearly
method
take
up
proceeding
the
subject,
handling
but
given
advisable
trifle
a
pencil
illustrations
or
more
sign
slight
in
using
upright
or
One
hand
writer
and
have
has
be
his
those
consideration.
pen
this
or
point
or
pen
about
own
of
tions
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to
to
way
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pencil.
only
individual
special
however,
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substituted.
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It
brush,
with
their
therefore
control
if he
own
who
if
surprised
practice
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regarding
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work,
acquired
pen,
the
"acquiring"
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brush
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it
for
moments
later
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brush."
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uses
work
hand
fTT/REE
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found
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a
GoodAll
^
Exactly
a-c
I Represented
Goods
Our
are
Money
or
Absolutely
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Reliable.
!
SIGNS
813
t
AN
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SHOW
CARD.
HOW
in
writers
Many
back
of
left
the
(palm down)
rolling
of
movement
stroke
bolder
is
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easily controlled.
mahl-stick
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of
execution
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his
shell
wise"
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he
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than
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be
few
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which
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admiration.
him
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have
If so,
he
of
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become
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have
you
minutes
a
His
artist.
only
the
to
trade."
especially good humor,
in
letters
more
fol-de-rol
drawing
"trick
important
to
he
; that
plate
with
a
pencil
formed,
are
delineator
of
so
the
that
geometry,
artist.
His
discard
ability to
be
may
in
?
easy"
principles by
the
for
and
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sufficientlyto
in
more
covers
excites
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perceive
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stroke
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dub
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basic
as
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and
longer
a
flowers
flourish,
blue, you
it is "dead
that
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of
of reticence
confidential
you
decorator
never
you
slight
a
prefer.
window
letter
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substitute
really a
Easy."
and
red, yellow
and
lighter
"Dead
array
board.
wrist
a
or
is
many
itinerant
with
glass
This
which
The
left
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the
over
partially closed
stroke
the
gives stabilityto
This
brush, especially
drawing
or
17
hand
lies
which
table
the
brush
the
rest
hand,
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on
CARDS.
with
working
large letters,
on
SHOW
MAKE
TO
an
skill
acquired
You
can
dexterity
aid
well
understanding
application.
a
as
lines
spacing
correct
by familiarity with
acquire
as
to
guide
is
and
after
of
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rules
and
of
facts.
satisfactory
he, by practice,
the
because
basic
these
commendable
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except
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study
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their
Our
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;
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Einson,"
SIGN.
125
Fulton
St.,
New
York.)
AN
OUTDOOR
SIGN
THAT
CREATED
A
SENSATION.
HOW
TO
HOLD
MARKING
PEN.
CHAPTER
III.
NECESSARY
The
better
buy
the
workman
How
"
paint
How
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OOD
tools
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and
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point
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flat
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the
absolutely
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point
observe
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for
the
store
brush
for
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ferule
wet
upon
good
and
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It
fastened.
retain
A
use.
while
and
with
12
hair
in
when
of
ing
"fill-
outfit.
a
the
fine
best
brushes
convenient
a
paint.
ordinarily required
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breaking
the
is
No.
4,
four
or
that
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ing
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Three
Show
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use
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requires
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paint
work
tools
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of
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the
test
the
should
point
without
is
moisten
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to
holding
thumb-nail,
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gether,
to-
making
AN
EXCELLENT
SHOW
CARD
BY
E1NSON.
HOW
MAKE
TO
SHOW
THE
all kinds
splits
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BRUSHES.
circles
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spreads
23
CARDS.
and
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curves,
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make
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selection.
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spring
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clean
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will
qualities you
difficultyin getting sharp
solidity
have
edges
to
much
ance
import-
your
lines.
Care
The
unless
and
As
to
really good
consider
To
be
and
be
cleaned
do
not
of
care
proper
given
brushes
what
always
every
under
Brushes.
of
it
are
is said
in
brushes
they
any
soon
regarding
you
order
are
it will
the
they
must
them.
always
using
allow
you
pay
of
care
through
consideration
useless.
become
expensive,
perfect
time
is of
them
color
to
"j"arSgfilB
Cleanliness
L,lhe
Our
Goods
have
SIGNS
813
B"vVAY
N.Y
AN
EINSON
SHOW
made
famous.
us
EINSON
of
Purity
and
CARD.
HOW
dry
are
on
toward
the
Our
has
his
on
for
"pet,"
a
friend
clean
(if you
forefinger
it to
which
I have
bestows
the
Almost
brushes.
he
oil with
in
whom
and
water
and
used
(of
and
highest regard
imaginable
in
brushes
Clean
itinerant
the
and
water
thumb
the
25
point, carefully moulding
shape.
proper
has
brush
in
well
slide
pressure
CARDS.
it out
color) rinse
water
gentle
with
SHOW
wash
brush,
your
using
MAKE
TO
its
pentine.
tur-
spoken)
greatest
care
he
-invariably
cherishes
almost
an
thetic
pa-
love.
If
times
have
you
in
him
drawing
"
"
"don't
succeeded
that
it will
as
allow
he
has
you
not
to
forget.
the
brush.
pay
color
Don't
fail to
Don't
stand
I have
as
out,"
Brush
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it for
mix
thin-bladed
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it flat when
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ready
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purpose.
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inexpensive,
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products
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ordinary
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use
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of
preferred.
colors.
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4
BOARD.
DRAWING
THE
IV.
CHAPTER
PRINCIPLES
PRACTICE,
AND
PENCILS.
results
Surprising
board
and
T
parallel
through
by
elucidated
principles
curves,
obtained
monograms
square
and
practice
oblique
of
necessity
lines
ing
draw-
practicing
outlining.
Pencil
"
of
Importance
"
The
"
Constructive
"
Practice.
show
iw)HEN
KH^W
the
^^^
skill
"
many
artist
to
about
an
that
not
:
say
do
the
in
free
Wish
result
study
with
acquiring
do
that
as
difficult
and
analysis
practice.
It
is
of
requires
all
we
usual
natural
unusual
and
an
it
and
unattainable,
qualities
but
fundamental
true
an
possess
condition,
equally
of
considered,
is
it, but
and
degree
a
work
forgetting
very
of
of
hand
ability
is mentioned
writing
I could
that,"
looks
systematic
combined
necessity
average
what
card
is
of
facts,
that
any
AN
EINSON
SHOW
CARD.
HOW
who
one
or
TO
can
paint
MAKE
SHOW
learn
to
write
for
the
show
letters
series
a
relations
other
each
The
with
though
in
elementary
character,
letters
to
with
attain
of
board
after
detailed
he
has
of
Drawing
that
It is not
the
practice
in
essential, but
I
if
applied
and
a
acquired by
accuracy,
in
practice
to
if
quicker
bold
once
be
of
ing
sketch-
lines.
impression
the
sketching
not
are
limits
the
work
be
may
connection
in
of
strokes
is
which
plished
accom-
the
usually
the
these
greater
the
at
very
with
for
assure
acquisition
established
possible
desultory
convey
hand
careless
forming
be
understood,
free
by
Etc.
creditable
letters
a
within
purpose
suggestions
of
geometry
the
more
the
or
to
and
that
complete
a
would
oblique
intention
for
covering,
am
than
Board,
copying
drawn
readiness
a
and
find
letter, character
copying
parallel
rule,
convenience
great
a
has
each
accuracy
by rambling
first, will
is
he
monograms
letter, using
at
acquired
more
curves,
mechanical
the
these
each
assistance
efforts
as
follow
of
drawing
mechanical
alphabet
will
who
study
and
compass
in detail
to
them.
drawing
reasonable
bear
alphabet
an
nite
defi-
the
monograms
of
and
shown
student
draw
to
Principles.
all letters
be
how
card.
geometrical
which
will
of
method
of
31
learn
can
Constructive
By
CARDS.
if
racy
accu-
Speed
art.
expense
difficult
of
to
correct.
It will
a
good
sized
be
found
drawing
to
be
board
of
great
suitable
convenience
for
the
if
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8
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card
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dozen
desk,
will
found
be
simple
for
and
it when
from
for
or
removed
or
on
damage,
completion
has
odd
ments
mo-
practised
with
ambition
laudable
a
few
practised
are
be
may
who
one
any
be
There
exercises
the
are
should
that
mastered.
these
by
lines
oblique
strokes
been
have
pen
or
Learn
draw
to
it is
speed
that
gradually
and
strained
for
T
the
they
be
work
rectangle,
dot
or
be
stroke,
fearless
made
fair
a
to
acquire
to
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degree
it
secure
sign awaiting
drawing
understood
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actness
ex-
through
a
a
been
lines.
denote
after
may
"cleaning
the
draw
the
their
four
to
slight pencil
This
the
understood,
necessary
short
of
in
spacing
various
by sketching.
that
simply
up"
be
stroke
principle
that
in
lines
of
corners
crossing
observed
which
in the
is attached
board.
Pencil
The
indicated
are
aid
position
exact
it is not
the
convenient
very
has
better,
horizontal
a
the
denoting
monograms
general
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but
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is
square
It should
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by attempting
before
letters
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careful
a
effort.
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and
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better
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to
table
a
work
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same
square.
over
protected
a
succeed.
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in the
important
they
pencil
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angles
various
at
better
parallel
when
of
placed
hastily is
Curves,
to
wooden
advantages
many
half
with
together
large
a
33
time.
any
until
procured,
locations, uncompleted
aside
and
be
CARDS.
SHOW
and
has
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different
put
at
it
is
tacks
board
as
MAKE
used,
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The
to
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student
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--
CHAPTER
V.
STROKES.
PRACTISE
How
to
letters
outline
strokes
various
writing
"
A
"
AVING
ruled
the
inches,
size
at
this
for
first
of
The
of
stroke
and
Then
be
must
as
this
No.
its
is
No.
one
use
(see
(see
2
to
a
38)
the
more
may
tion
direcness
bold-
confidence.
4
brush
making
all
cility
fa-
acquired.
page
permitting
lines)
and
lines
control
may
dotted
discarded
guide
from
convenient
a
strokes
pencil
half
a
design
intended
without
enables
better,
the
which
in
pen
to
denoting"
and
one
original
eventually
them
establishing
try
of
the
line
pencil
be
made,
indicated
How
"
art.
light
height
Soennecken
used
the
round
the
necessary
should
was
executing
be
a
strokes,
lightly
this
though
first
plate
practice
be
of
which
height,
which
"
secret
of
Use
"
not
"
them
make
circles
Perfect
pens
ing
show-
"
letters
composing
Table
strokes
light pencil
with
the
strokes
TO
HOW
as
with
the
explanation.
will
to
and
pen
Figures
arrows.
be
is the
stroke
difficult
strokes
G,
to
hold
brush
The
of
1, 2,
the
strokes
3, the
S,
and
Figure
when
they
for
combined
for
letters
9
be
control.
In
pendicular
per-
and
should
be
O,
like
more
ially
especthem
attempting
upright
cessfully
suc-
easier
much
designed
are
are
be
can
required
or
right
the
These
2.
it
right
to
to
indicated
first
direction
the
of
further
no
left
the
well
it
have
color.
just enough
make
of
found
nearly
with
charged
and
8
need
stroke
letters
brush
secure
the
be
39
direction
36)
page
but
acquire,
curved
the
part
it will
Figures
etc.
in
of
strokes
and
CARDS.
The
7.
center
to
the
execute
(see
middle
the
handled,
to
6
to
i
SHOW
always
Figure
noted
left
MAKE
stopping
of
the
clear
to
stroke
brush,
the
where
the
beyond
the
junction
lines.
These
two
figures
stroke,
and
skill
Without
but
simply raising
connect.
order
should
has
ing
chang-
be
been
and
Pass
the
clean
insure
to
with
made
one
will
this
acquired,
it
B
it to
swing
parts
in
order
A.
paper,
brush
when
at
in
made
.
not
test
be
found
of
difficult,and
10
used.
that
is
Considerable
one,
but
when
a
the
be
found
drawn
the
necessary
skill is
an
trials
attempts
with
use
of
the
slight retouching
a
excellent
brush
circle.
is
always
to
make
a
fairly
factory.
surprisingly .satis-
are
the
pencil
is taken
brings
perfect
compass
required
repeated
First
and
hardly
can
perfection
good
be
control.
Figure
When
will
up,
it into
are
best
it is often
symmetrical
line.
A
good
way
to
do
it is
to
draw
a
small
circle,
ITs
tbc
hfnb
Swcctbcart
JJour
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HOW
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another,
four
five
or
be
made
A
B
to
a
for
will
used
important
is
in
a
secret
from
strokes
of
the
important
an
be
given
the
the
the
when
stroke
factor
especially
and
12
are
but
readily
it
lends
more
seen
combined.
to
and
in
learn
skillfully raise
adroitly replace
to
all
careful
to
practice
attention.
gars
SHOW
not
may
and
Xshr
shmore
OF
2
and
try
that
Qmoke-
SAMPLE
No.
to
easier
other
11
art
with
movement
to
from
results,
pleasing
until
on
brush
This
stroke.
a
it
ought
practice
wrist
strokes.
so
completing
one
to
and
circle
swinging
very
and
41
surrounding
larger
"control"
good
hand
then
The
and
stroke)
confidence
brush
should
is
CARDS.
made.
strokes,
i
the
It is
this
been
produce
frequently
the
inch
time
and
be
one-fourth
circle
give
ease
and
perfect
some
SHOW
diameter
two
(No.
It
make
MAKE
have
in
stroke.
to
TO
CARD
LETTERING.
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By constructing
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of
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no
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larger
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by correspondence.
be
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method
purposes
courses
There
has
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practical
the
the
in the
and
ception
con-
Courses.
according
accuracy
of
signs
expert
an
Correspondence
and
clear
a
number
and
become
to
expect
45
them.
neat
very
CARDS.
establishing
as
exceedingly
constructing
by
SHOW
is valuable
the
While
do
TO
a
cover
practical store
work.
facts
These
usually
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retail
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Third,
he
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Fourth,
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First, for purposes
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Second,
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3.T
4
MONOGRAM
(Showing
how
the
letters
NO.
I, L,
correctly
F,
E,
H,
drawn.)
I.
T,
V,
A
and
Z
may
be
HOW
and
accuracy
these
TO
how
he
of
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It is not
the
letters
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conception
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to
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i,
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a
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and
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to
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aid
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monogram
paper,
difficult
it is not
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the
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purpose
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of doubt
period
They
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heavy
on
relation
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letter
each
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made
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lines
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parallel
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And
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Two
as
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subtraction,
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If
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of
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are
show
to
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monograms
and
that
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edge
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criticallyas
as
subject by drawing
and
paper
the
in
Monograms.
monogram,
the
and
efforts
the
rectangle.
separate
manila
the
is embodied
means
rectangle
a
47
"expert."
of
in
the
own
essential
all
shown
as
his
an
Use
has
CARDS.
it, which
reach
to
monograms,
could
SHOW
MAKE
No.
on
limb
2
or
to
construct
obtain
student
pencil, rule
the
width
height
be
of
and
the
one-sixth
A
(Courtesy
of
the
GOOD
Signs
SHOW
of
the
CARD.
Times,
Cincinnati,
Ohio.)
TO
HOW
limb
the
If
height.
of its
each
be
letter
I.
It
is
and
height
merely
width
Suppose
49
6 inches
3
or
5^
or
in
the
as
height
our
inch, respectively.
1
order
of
simplicity
determine
select
we
pencil,
the
construct
width
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rectangle
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that
of
be
the
height,
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With
inches.
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inch.
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whose
all the
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rectangle.
of
^
character
rectangular
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(one-sixth) would
width
the
CARDS.
with
begin
rule
good
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Now
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top
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only
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only
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also
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above
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select
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one
he
at
Z
the
at
to
instead
of
the
other
become
If these
same
in
from
touching
is
left
of
by letter,
of
and
a
of
times
some-
right
to
we
he
letter
MARKING
have
to
ALPHABET.
down
instructed,
all
and
could
that
separate
words
estiva
PEN
lays
will
have
leads
construction.
^v
3, s.c
it
cult
diffi-
very
confidence
applied
are
monogram,
as
knowledge
master
rules
a
student
simplicity
way
a
seems
the
as
letter
possessed
no
line
mistake
slant
it
But
surprised
on
the
task.
another,
in
a
The
monogram
after
acquired
draw
1 2
53
left.
to
line
himself
CARDS.
bar.
drawing
intricate
is
from
;
upper
and
find
him
of
the
to
SHOW
MAKE
as
spaces
a
result.
3
t
MONOGRAM
(Showing
how
the
letters
X,
NO.
Y,
N
and
K
2.
may
be
correctly
drawn).
SIGN
WRITING
ROUND
WITH
MADE
PEN.
VII.
CHAPTER
GEOMETRY
OF
LETTERS,
Continued.
Analysis
by
rounded
U,
letters
R,
S,
points
of
monogram
and
W
how
IS
make
to
whose
apart.
of
the
points
Place
the
rectangle
then
draw
page
54).
the
2,
the
3, 4
K,
touch
to
1,
bottom
Y
is the
upper
half
all sorts
of
makes
the
mistake
lines
the
lines
and
pass
corner
circle
the
the
the
2,
same
corners
limits
of
6, 7, 8.
at
of
to
width
No.
in
from
circle
the
Monogram
3,
course
the
touch
lines
three
of
is
2,
limb
half
just
(See
other
this
through
it to
circle
be
and
the
draw
to
5.
1,
4
i,
width,
pass
move
and
cuts
J,
which
D
center
compass
to
drawing
the
The
"
punctuation
of
lines
compass
top
N
he
for
as
the
is limb
rule
line
K
Q, P, B, D,
C, G,
O,
the
the.
of
at
the
Complete
manner
where
diameter
the
requires
and
N
Y,
them.
With
cross.
shown,
of
by finding
point
X,
characteristics
The
"
made
the
letters
Peculiarities
"
and
M
the
X
and
the
lower
half
of
I
.
antics
of
with
drawing
a
beginner.
the
slanting
Often
limb
loi
I (2
MONOGRAM
(Showing
how
to
draw
the
letters
NO.
O,
C,
G,
3.
Q,
P,
B,
D,
J,
U,
R
and
S
)
HOW
from
top
place
its
right
and
fail
after
in
the
limb
of
X
make
the
ability
for
he
so,
To
work.
simply
need
draw
N
the
place
instruction
which
If
from
times
do
to
he
point.
few
uprights
two
does
correct
a
hand
57
seldom
the
lines
free
the
and
at
proper
future
CARDS.
left
angles
acquires
placing
proper
SHOW
bottom
to
the
place
memory,
never
MAKE
connecting
will
he
TO
been
has
given.
K
stop
G
at
and
and
towards
by
Remember
slant
to
it
of
the
the
lower
lower
limb
of
is sometimes
shortened
to
adding
with
junction
a
limit
upper
the
at
parallel
line
the
completed
upper,
a
draw
then
upright,
does
It is
of
X.
join
the
half
not
lower
The
the
slightly or
of
appearance
an
apart
rectangle.
right
3 to
2,
width
upright.
lengthened
prevent
line
limb
a
K
the
the
upper
being
top-
heavy.
The
The
field
to
of
place
12.
(See Monogram
in
our
to
%
from
lines
6-inch
the
1^
; or
right
the
and
points
a
each
as
viously
pre9,
56).
of one-fourth
width
which
1^
inches
added
distance
each
be
side
1, 3, draw
3, page
of limb
the
2, 4,
given
5, 6, 7, 8 and
distance
would
inches,
and
from
No.
fourth
a
rectangle
top, bottom
From
to
rectangle
lines
at
be
a
construction.
dotted
drawn
are
added
height
inch
the
should
sized
same
into
student
care
their
and
These
of letter
the
out
the
much
governing
First, lay
n,
take
lines, and
instructions
10,
letters
rounded
curved
Letters.
Rounded
line
is
respectively.
draw
quarter
quarter
circles
circles
to
to
the
I
=#
m
$
Ni
23
I
3
2
NO.
MONOGRAM
(Showing
how
II
to
draw
II
4.
M
and
W.)
HOW
limb
lower
TO
MAKE
best
looks
In
attempting
there
curve
S
is apt
given
its
mastered
W
and
have
M
it 6 inches
No.
Monogram
To
from
the
that
W
wider
are
M
than
between
side
of
2, 3
towards
but
4
height.)
a
Then
line
is
of
of
limb
draw
is
H's
usually
part
ters
cen-
bar.
cross-
drawn
a
than
rectangles
wider
A
than
B,
or
5 inches
6-inch
so
A
we
T/i, making
for
M.
(See
2
and
left
uprights
the
bottom
of
mark
2,
3,
to
limbs
as
be
of
3, 4
6
the
line
a
(5
is
as
far
limb
finding
rectangle,
that
so
5.
and
the
Draw
towards
8, 9, parallel
It will
left.
the
far
measuring
inside,
and
place
M.
width.
as
rectangle
right
upper
which
only
of
rectangle
right
at
those
point
the
part
width
by drawing
middle
each
the
around
than
the
limb
a
once
60).
lines
only
is formed
1, the
Draw
half
be
when
lower
one-third
and
within
outside
noted
on
M
uprights
W
writers
the
O,
wider
inch
/\%
4, page
make
of
S
wider
for
look
it
curve.
in
one-ninth
in width
of
being
our
lower
easily constructed.
drawn
lower
W
increase
to
the
so
should
parts,
top
part
drawn
are
Care
middle
the
the
letters.
other
B
than
and
M
the
curved
top
smaller
it is
to
B's
card
most
component
circles
joined
4
of
form.
to
of
quarter
The
or
to
block
letter
consist
two
and
i
the
it conform
to
letter.
understood
parts
and
trifle
it is easier
difficultyin making
block
a
peculiar
and
Its
be
to
hardest
to
make
stumbling
the
is
the
J
61
and
straight
to
well, especially in
of
CARDS.
it.
construct
and
SHOW
space
from
half
width
3
letter
only
as
7.
distant,
A
The
will
publishers
Cut
Spatula
there
picture
good
are
to
send
Catalogue
hundreds
paste
on
a
(50
of
beautiful
good
cents)
to
a
well
copy
and
pictures
for
this
the
Spatula
that
for
purpose
could
In
cents.
10
Beauty
Book
be
in
used
card.
show
designed
and
worded
(36
this
way.
the
cents)
HOW
the
W
from
parallel
made
is
right
Draw
corner.
Find
way.
line
a
and
Then
parallel
22,
of
is
24
14,
15
point
of
top
will
parallel
to
same
the
tangle,
rec-
From
16.
through
pass
width
limb
to
14
at
stop
in the
and
15
hand
20.
19,
14,
width
the
of
At
towards
21
in
right
only.
18
;
rule
right
top
to
V
letter
limb
a
line
it, draw
to
half
to
rule
the
the
10;
quarter
off
width
as
line
the
22
;
tion
direc-
23.
The
Punctuation
is
period
The
The
a
far
as
draw
line
the
limb
a
for
as
respectively.
one
13,
middle
(that is,
12
distance
side
17 half
towards
draw
and
the
16
mark
12)
12,
to
3
11,
mark
draw
8
and
2
finding
left
angles
6, from
2,
corner,
and
(12)
63
right
at
points
by
bottom
right
to
the
through
pass
SHOW/CARDS.
being
line
a
will
17
MAKE
measurement
also
to
TO
a
period
a
The
attached.
period
; limb
square
is
comma
Points.
wide.
with
diagonal
half
diagonal
a
of
is below
part
the
line.
half
The
colon
is two
limb
width
apart.
The
semicolon
The
to
The
a
on
a
limb
left
of
is
the
from
hyphen
a
is
words
which
is the
of
are
period
a
an
cross-bar
of
separated
of
drawn
H.
is
letters.
the
commas
it.
edge
quotation
upright
other,
below
upper
top
by
occupied
is
part
its
the
the
comma
a
comma,
with
even
above
one
and
period
a
exclamation
width
The
line
position
same
the
is
apostrophe
placed
The
periods
marks
reversed.
by
above
half
it.
MONOGRAM
(Showing
the
drawing
and
NO.
relative
points
5.
of
the
Arabic
numerals.)
ffU"ACH
far.254
3
MADE
WITH
WRITING
ROUND
CHAPTER
PEN.
VIII.
GEOMETRY
OF
LETTERS,
Continued.
The
peculiarties
The
"
ten
of
numerals
digits
analized
character
obtains
Just
"
pleasing
"^HE
make
with
ampersand
the
Easy
"
The
"
how
to
do
not
to
make
it
ficult
dif-
most
the
How
"
practice
expert
results.
numerals
portions
have
letters, but
block
as
definite
such
the
pro-
student
,
having
fast
rules
free
hand
of
slight
eight
and
One
is
portion
its
bar
of
line
L.
lines
may
and
be
can
its
experience
rules
same
the
to
as
by
left
upper
is the
It's
in
part,
No.
upper
part
of
central
part
is almost
this
thin
line
or
is
easily placed.
3 and
usually
elongated
connecting
O
It
i.
points
from
his
and
out
with-
drawing
to
S.
and
has
a
nel
ker-
3, 4,
5
give
usually
i, 2,
64).
5, page
having
the
wholly
a
given
figures.
are
and
needed,
apply
letters
hard
appreciate
deviation
(See Monogram
although
curve
construction,
necessary
represented
at
outline.
Two
and
The
difficulty,
naught
of
a
geometrical
practice
the
execute
knowledge
acquired
a
straight
slight
The
plainly
lower
ful
grace-
straight
shown
and
A
SHOW
CARD
WINDOW
SUGGESTION.
MONOGRAM
(Ampersand.
Showing
NO.
a
sure,
correct
6.
method
of
drawing
".)
HOW
TO
MAKE
circle
and
proceed
wide
the
is
Eight
drawn
in
Nine
same
is
inverted
an
is
Naught
a
X
and
and
6
3,
letter
for
69
for
shown
of
as
way
CARDS.
as
foundation
the
the
SHOW
Z.
and
9
is
S.
6.
letter
O
it will
be
and
its outline
is
readily
2, 3,
6, 8, 9
placed.
To
and
be
brief
have
o
more
less
or
observed
the
that
lines.
same
4, 5 and
1
,
7
odd.
are
know
It is these
how
for
place
to
much
of
odd
them
the
if
features,
which
properly,
of
feeling
does
one
not
is responsible
and
disappointment
dissatisfaction.
The
The
by
mechanical
art
of
"
:
It is
in
experienced
often
line
"
how
hand
the
but
do
to
it
hand
to
the
show
The
is
lines
the
card
of
it attention
difficulty
ating
devi-
the
of
The
results.
its
have
writing may
detailing exactly
aid
an
as
how
knowledge
by
alteration."
placing
value
great
the
on
little
of
information
is
free
to
directs
what
do.
devoted
special plate
is
its
"
writers
and
8
of
delineation
its
disappointing
correct
efforts.
The
of
of
is
giving
figure
adding
many
system
copy
a
attempted
with
advantages
"
avoid
difficult
most
Many
given.
nearly
the
seldom
and
means
I have
"
draw
to
lettering seemingly
saying
is
", is perhaps
ampersand,
all characters
Ampersand.
especially interesting
construction
this
to
and
evasive
the
easily perceived
glyph
hiero-
principles
and
readily
remembered.
To
the
draw
dotted
it construct
cross
lines
the
as
for
rectangle
the
letter
and
S.
lay
out
Place
-"CQP-
TWO
SUGGESTIONS
FOR
ORNAMENTED
CARDS.
HOW
the
TO
MAKE
p^int
compass
at
SHOW
and
i
CARDS.
draw
the
71
two
half
upper
circles.
For
draw
the
the
the
in
as
lower
right
hand
upper
circle
at
exactly
half
though
they
Draw
the
line
lower
left
inner
circle
width
distant
of
9,
to
and
the
meet
and
possibly
this
is
quite
The
with
will
here
of
the
laid
this
detail
brain,
rough
and
has
that
the
by
Close
the
too
aids.
text
may
the
find
such
soon
But
effort.
of
just
edge
knowl-
the
and
explanation
of
aid
The
results.
found
sketchy
limb
knowledge.
use
detailed
soon
he
lower
12
11,
labored
a
studiously
will
down
the
meet
dry, difficult, uninteresting
by
this
artistic
and
through
pass
explanatory
all substantial
is able
obtain
carefully
a
the
seemingly
in
rigid examples,
to
of
writer
expert
contained
lines
in
of
true
rectangle.
circle.
larger
(6, 7)
Expert.
reading
subject
the
present
line
the
line
may
bars.
slanting
mere
just
to
to
lines
base
rule
parallel
a
The
The
8)
at
9,
the
(having
10
inner
distant
These
within
from
the
meet
the
designated
line
a
is
Close
8.
width
6.
at
beyond
corner
at
the
width
Draw
and
2
radius
figure
or
limb
circle
at
The
exactly
line
a
outer
S
3, 4.
to
and
well
are
the
ends
A
limb
a
at
corner
point
circles.
letter
part
the
meet
extend
half
drawing
curved
upper
the
place
part
bottom
two
same
the
lower
follow
that
a
a
firm
sketchy
beginner
surprising
lodging
to
guide
if
the
he
lines
the
along
resorts
its
amount
place
in
use
of
T3oMolrlocak.
MADE
ROUND
WITH
WRITING
CHAPTER
ROUND
PEN.
IX.
WRITING
PEN
PRACTICE.
The
best
method
writing
gain
to
Pen
for
HE
small
making
best
drawing
shown
by
for
the
round
used
surpassed
Un"
interior
of
for
for
cards,
The
No.
outline
show
pen
stiffer
the
denoting
attempts
and
is
than
a
will
found
be
pens.
various
them.
widths
They
as
sively
exten-
are
and
ticket
writing,
border
price
lines.
be
can
of
the
given
excellent
brush
The
practice.
is
tool
best
the
with
made
quickly
very
pen
to
use
pencil.
Dispense
those
of
relative
Soennecken
the
lines
card
and
alphabet
2
being
show
student
with
illustration
and
concisely
the
produce
pens
the
been
for
alphabet
the
used
and
be
may
signs
of
use
formation
having
practice
These
after
it
card
shape,
proper
proportion
a
which
the
etc.
cases,
in
for
Purposes
"
in
proficiency
should
confidence
with
lines
guide
height,
be
though
lightly
gradually
if
in
indicated
acquired.
case
possible,
of
with
except
doubt
a
first
pencil
1
1
Group
1.
Group
2.
HOW
suit
his
the
skill
to
that
they
lines
other
various
drawn
as
2,
all
are
be
may
laid
"
the
these
of
point
without
First
height.
and
them
produce
"
in
with
their
preferred,
and
and
inches.
4
or
composed
drawn
denoting
brush,
3
is
reach
to
readily
then
carefully
as
be
those
of
letters
brush
Try
than
77
right angles,
at
may
pen,
CARDS.
first group
The
draw.
heights
These
the
SHOW
lines
straight
pencil, then
use
at
of
easiest
so
guide
MAKE
special ability.
entirely
are
TO
the
or
pen
outlines
being
one's
ability
skillfully as
permit.
may
They
and
any
been
then
are
be
to
with
the
result, in first "cutting
be
of
show
to
flat brush
the
These
intention
perfect letters, but
and
in with
corrected.
imperfections
drawn
filled
not
lutely
abso-
producing
usual
the
in"
have
procedure
intended
letters
to
"filled."
Mechanical
methods
but
them,
brains, hand
try and
and
brush,
fast
as
all aids
to
duce
pro-
except
possible.
as
Two.
letters
are
employed
with
dispense
Group
These
be
may
wholly
composed
of
oblique
lines.
Letters
short,
or
both
alter
to
vary
as
the
of
symmetry
remembered
again
rules
that
N
and
or
H.
slant
of
to
and
In
the
variations
W
order
legibility.
secure
about
are
V
drawing
uprights
or
times
some-
slightly in
dimensions
normal
M
these
tall
narrow,
or
construction
or
of
letters
wide
made
combined,
the
produce
For
be
may
;
be
they
it
half
may
as
careful
not
should
be
be
wide
to
the
Group
3.
Group
4.
HOW
TO
The
angle.
same
than
the
MAKE
lower
SHOW
top of X
horizontal
and
place
the
bar
letter
to
make
with
the
N
A
should
lower
small
v
this
top
curved
lower
its
well
Y
at
tion
junc-
a
shortened
to
is one-third
down
wider
first
carefully
a
line.
base
to
uprights
is
the
is sometimes
slightly
come
top
below
join
limb
M
hard
a
and
drawn
of
combined
straight
and
lines.
In
be
is
Four.
composed
are
K
not
and
sure
upright.
Group
These
does
by drawing
supporting
Be
tical,
ver-
Remember
one
line.
combined
upright
limbs
oblique
a
of
center.
appearance.
drawn
with
the
;
its middle
be
the
slant
the
or
the
adding
slightly smaller
lines.
pretty.
upright
and
N
below
joins
improved
than
letters
oblique
look
the
lengthened
obtain
of
slant
and
center
be
Three.
comprises
group
descending
should
79
part.
Group
This
CARDS.
slightly
lower
limbs
curve
which
well,
or
letters
B
making
smaller
of
is
a
be
of
easy
R
than
R
it may
are
and
bit
These
consist
are
of
should
the
five
curved
note
slight
a
to
the
outward
look
make
The
slant.
;
remaining
conception.
composed
are
portions
difficult
more
straight
a
lower
given
should
curves
upper
the
be
may
Group
These
the
hardest
lines.
the
arrows
Five.
chiefly
letters
In
curved
of
to
construct,
these
drawing
giving
lines.
the
the
direction
and
dent
stu-
of
Group
5.
HOW
TO
the
stroke.
With
in
securing
speed
O
is
brush
This
obtain
is
a
the
is
has
especially
practice
graceful
may
curve
aids
cross-bar
the
the
The
O
right
and
left
of
the
bar
about
said
and
lower
has
center.
a
order
in
for
to
circle
this
drawn
drawn
peculiar
begin
at
a
until
a
towards
twist
point
be
pupil
or
well
he
such
make
with
a
should
The
to
siduous
as-
secure
letter
sufficient
to
S, which
requires
portion.
curve
the
letters
letter.
lower
be
may
built.
are
curved
in
and
skill
tion
founda-
holding
curve
lines
guide
should
aid
pen.
hand
the
G
its
on
is the
letters
necessary
upper
than
necessary.
curved
the
free
confidence
acquires
essential
an
and
symmetrical
at
penciled
use
81
stumbling-block
; its
smaller
always
than
bothersome
most
is
ellipse
been
clean-edged
a
this
other
upright
CARDS.
accuracy.
perfect
a
what
more
brush
and
which
Remember
SHOW
the
usually
upon
MAKE
of
part
its
ter.
cen-
curve
toward
to
HOW
skill
in
TO
MAKE
work
which
are
apt
result
in
of
letter
a
make
to
if
well
clean,
short, jerky
jagged
stroke
sweeping
outlines
85
is desired.
Beginners
The
CARDS.
slow, steady sweeps,
working
written
SHOW
edges.
gives
and
edge
even
an
the
is
ments,
move-
of
secret
the
to
the
using
brush.
Do
of
edge
allow
not
letter
a
brush
your
unless
it
is
be
to
moving
the
outer
slow
even
on
at
a
rate.
Of
but
;
the
If
is
retain
to
alphabet
"
of
width
Lower
of
relation
lower
the
easily
more
than
so
as
read
the
of
those
small
the
with
used
Letters.
that
curved
lines
other.
is not
quite
capitals
the
They
etc.,
shown
knowledge
of
and
it
all
and
true
so
letters
they
of
the
formed
are
have
small
a
definite
letters,
or
case."
The
of
and
be
when
Case
each
to
This
"
been
straight
great
letters.
case
It has
letters
remove
placed
re-
from
it away
and
appearance
"
lower
and
throughout.
will
given, especially
draw
stroke
replace
to
even
neater
a
it
single
required
removed
be
to
removing
letter, however,
have
nor
has
making
line
a
No
or
before
edge.
dexterity
brush
the
course
will
be
smaller
are
ascending
a
by study
ready
aid
to
and
the
practice
tion
construc-
letters.
divided
descending.
the
gained
The
into
classes
short
b, d, f,
;
short, ascending
letters
and
all
are
a,
letters
c,
e,
whose
m,
bO
"3
"
I
4)
N
N
X
X
X
"
X
"
o
D
00
Q
o
w
CO
2
CN1
O
H
JC
HOW
is
height
TO
equal
decending
they
geometrical
of
the
will
but
have,
There
be
be
the
tendency
a
letter
other
is
The
almost
have
of
the
By
noted
b in
of
be
a
the
degree
acquired
easily and
the
joins
plate,
of
and
skill
which
quickly
Remember
circle
could
this
without
the
that
the
perpendicular.
The
and
the
direction
lower
lower
corner
right
of
the
corner
of
of
the
the
perpendicular.
few
the
which
the
by
to
toward
dotted
all these
symmetry
attained
be
never
so
knowledge.
limb
lower
join
a
composed
in
applies
tending
but
lines.
shown
which
are
by
being
manner
o
the
than
b, d, p, q, g
perpendicular
the
the
letters.
letters
the
be
rapidity.
construction,
and
except
made
are
metry
sym-
should
letters
capital
much
that
possess.
shorter
short
as
with
closely studying
letters,
can
tall
strokes
curved
perpendicular
lines
The
racies,
inaccu-
the
letters
slightly
haps,
per-
construction
in
letters
letters
identical
same
in
not
ascending
capital
as
do
disturb
case"
be
It may
features
slight
license
letters.
"lower
easily combined
in
execute
not
only
one-third
or
shown
by analysis
to
caps
it does
the
as
ascending
one-half
many
"
"
certain
The
line.
which
t
; the
line.
the
conceal
to
which
a
height
same
have
difficult
more
permissible, providing
the
below
readily recognized
bit
is also
of
letters
capital
successfully
they
advantage
an
the
87
divisions.
a
are
CARDS.
extending
cannot
respective
They
of
monogram,
that
common
SHOW
that
to
those
are
While
MAKE
upper
letter
slant
to
of
k
does
slanting
are
the
from
upper
not
limb
the
left
fe
O
w
"
etf
"
HOW
If
TO
the
noted,
MAKE
SHOW
similarity pertaining
shown
as
in
the
attending
the
writing
eliminated
and
confidence
Practice
and
pen
these
brush
in
pressure
the
pressure
ragged
edges.
will
other
any
of
successful
tried
the
art
to
of
this
to
his
a
using
line
wavy
thin
much
too
and
stroke
single
than
rapidly
more
a
of
him
best
outline
is to
"
principles
letters
all
which
on
The
depends.
author
successfully acquire
may
the
smaller
writing
for
the
or-,
Each
merchant.
carefully
strokes
enable
worked
and
out
has
able
to
to
suited
the
He
he
to
and
his
basic
will
analyze
judge
to
one
their
and
creditable
make
diligently endeavored
of
for
essential
are
any
all letters.
be
book
accurately simple
card
knowledge
to
this
correct.
alphabet,
correct,
once
pencil,
in
even
in
show
been
cards, if he
enables
for
student
one
of
will
any
at
with
apply
to
these
basic
how
practice
mastery
attempts,
of
building
show
be
The
of
the
has
to
applies
not
results
the
practical
illustration
show
always
is
letters
pen,
constructing
purpose
proven
the
Practice
letter
has
dinary
of
often
describe
to
letters
case
principal object
method
and
doubt
is
n
established.
careful
advance
and
m
r,
the
these
89
method.
The
a
of
be
use
to
plate,
lower
and
pencil^
letters
CARDS.
has
after
reached
select
the
execute
that
abilityand
a
a
most
few
letters
point
which
quire
ac-
which
principles
moreover,
and
to
that
is most
pleasing
taste.
No
subject.
claim
is
made
of
having
exhausted
the
0)
z
X
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S
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u
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IS
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or
a
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o
o
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o
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cv.
II
a
a
O
K
OS
6
Q
CN
HOW
word
it
"
"
E.
TO
we
MAKE
Consequently
on
farther
do
the
to
if
the
equal
right
word
W
spaces.
when
thus
Having
the
next
and
as
Were
and
This
borne
in
other
mind
between
be
any
Having
first, the
of
we
Y
and
Y
roughly
is not
exact
The
the
this
in
four
find
"
this
T
(right
letters
a
letters
each
the
space
has
trifle
If
and
the
here
the
spacing
contains
letters
it.
"
to
left
ing
left) indicat-
and
letters.
to
to
From
each, except
space
allowance
from
space
WANT.
BUSINESS
"
be
by indicating,
the
easily correct
equal
eight
then
in
respective
word
right.
it should
being
decide
we
the
can
the
to
W
the
points.
and
the
should
but
letters
distance
mind,
YOUR,
of
nine.
"WANT"
for, for
rule
to
between
we
trifle
a
is
have
centre,
space
a
rule
we
between
exact
directions
an
is
WANT
width
same
both
an
case
first
we
this
place
next
occupying
in
nearest
we
there
space
find
distance
the
equal,
of
in
"
two
then
work
the
give
to
that
should
the
the
place
difficult
is
sidered
con-
decided.
good
the
we
so
"space"
in
to
us
A
counting
of
our
"YOUR"
forces
be
between
space
a
Doing
letters
indicate
simply
be
to
WE,"
"
considered.
letter.
the
should
requiring
is. to
the
trifle
a
we
have
spacing
placing
W
the
letters
always
and
W
letters, also
a
in
than
or
than
YOUR."
be
to
words
E,"
B
of
matter
this
for
centre
M
"WANT
YOUR
the
the
"
is another
count
of
93
wider
by placing
lightly indicated
line
Here
do
and
the
allow
we
were
CARDS.
is one-third
must
we
card, which
our
W
that
note
we
SHOW
be
the
made
the
by placing
left.
center
I, and
By
of
the
ing
count-
word
o
O
X
O
Q
U
PQ
HOW
between
the
TO
I
for
difficult
than
find
to
round
All
this, which
applied
far
fact
it
is
constitute
when
which,
are
essential
of
In
Y
X,
appear
nearer
if
L
T,
in
lower
A
have
the
design.
only
conception.
which
facts
and
trade,"
the
explained
It is also
seared
L
to
cisely,
con-
these
into
the
brain
you
to
credit
where
N
by side,
of
obviate
H.
appear
shorten
this.
P,
they
peculiarity of
appearance
as
V, A,
W,
placed slightly
be
their
writers
to
as
words
in
space
side
card
of
letters
should
the
same
placed
limb
a
readily
followed
causes
especially
other, owing
Many
be
practice.
such
each
when
and
been
which
by side, they
given
in with
is
mental
of
are
side
spaced.
the
when
used,
V
done
ability.
spacing,
are
This
if
or
line
out-
tell, is easily
trivial
once
which
artist
the
so.
filled
to
to
"tricks
apply
do
ornament
the
to
have
abnormal
with
not
hand
understood
seemingly
tricks"
itinerant
our
him
"
is
carefully
to
space
rules
relate
to
easy
not
required.
considered
they
free
then
once
so-called
the
and
lettering,
these
to
other
pencil,
a
taken
when
they
as
is
This
may
wishing
pen
is
hand
be
to
are
so
In
off
to
I.
in
he
with
has
and
which
space
in"
if
done
writing
remembered
These
rule
retouching
no
little
a
center.
"paint
be
may
N
measurement
roughly sketched,
outlining
brush,
the
without
a
95
the
letter
card's
using
CARDS.
move
narrower
cannot
as
a
we
balance
to
the
them
with
So
the
one
letters
SHOW
estimate
to
If
in
N.
and
left, enough
required
MAKE
poor
The
to
the
be
struction.
con-
ing
spacletters
poorly
length
of
CHAPTER
INKS
Ready-to-use
of
useful
ink
black
HE
oil
Moist
one
of
the
various
Most
of
the
best
numbers
"Waterproof
of
preparations
if
purchased
satisfactory
as
for
Colors
dations
Foun-
"
ink.
use"
be
Formulas
"
White
"
to
can
quite
from
cloth
"ready
market
and
paints
own
your
paints
Dry
"
mix
to
white
and
for
PAINTS.
How
"
mixtures
Paints
"
AND
paints
of
XIII.
results
formulas
the
but
desired,
be
can
which
made
given
are
here.
their
colors,
own
busiest
and
using
card-writers
of
some
pare
pre-
these
or
lar
simi-
formulas.
find
Many
dozen
stiff
small
paste
To
arabic.
Mix
each
it
a
convenient
with
keep
saucer
mix
and
saucers,
reduce
water,
it
moist
about
to
way
add
half
dry
this
a
full
get
color
water
with
little
of
half
to
a
a
mucilage
glycerine.
color.
The
HOW
98
saucers
be
may
colors
the
TO
dry
flood
is to
will
be
If
set
a
wanted.
all that
moment,
for
enough
mix
is
If
required
off
pour
and
it
use:
black, vandyke
readily
not
when
use
saucer,
for
dry lamp
does
CARDS.
for
the
water
moist
your
SHOW
away
in
out
with
found
MAKE
with
brown
or
add
water,
million
Ver-
little
a
grain alcohol.
Water
inks
for
and
ticket
the
For
The
be
of
use
gives
a
is
to
apt
to
indoor
gloss
and
arabic
will
not
get
are
Another
as
of
follows
the
one
shellac,
properly prepared.
vehicles
should
if
used
you
for
the
but
is
are
and
Shellac
most
in
gum
four
powdered
mixture.
all
from
made
can
the
use
vehicle
quickly
be
of
ounce
clear
reliable
as
Dextrin
not
and
as
"boro-lac"
This
:
yz
5
oz.
ozs.
add
%
factory.
satis-
that
one
Boro-lac.
dissolve
much
too
found
be
Borax
Water
for
oxide,
or
But
beat
not
bright,
dries
if
Select
sometimes
and
letters.
results
equally good
waterproof
inks
zinc
glass
will
Do
a
water,
off.
gum.
water.
for
for
right consistency.
water
the
base
a
in
white
a
mucilage
Dissolve
cold
glue
is made
of
pieces
of
one
The
work.
ounces
is
used
to
formulas
give equally good
transparent.
and
peel
following
clearest
you
to
as
soluble
Chinese
mucilage,
use
is
much
are
ink
more
crack
Gum
This
incorporated
higher
The
and
dyes
white
etc., may
general
very
writing.
aniline
color.
is in
glass
oz.
is
HOW
100
TO
More
thick.
shellac
borax
will
indigo
is added
make
than
tinge
the
sign
black
It
in
gives
for
Red
have
vermilion
varnish
makes
use
is
black
oil cloth
on
dry,
if
mixed
red
splendid
(Glossy).
i
black
The
ivory
or
black
having
or
is
a
which
is apt
soft
or
barium
or
with
alcohol
a
and
mixed
little
%
oz.
ozs.
used
when
spread
surface.
absorbent
with
the
Oxide
rubbed
well
of
mucilage
has
Chinese
mucilage
previously.
arabic
work,
colored
a
as
oz.
slab
a
tragacanth,
added,
been
zinc,
of
on
or
is
to
also
useful.
small
make
""
satisfactory than
sulphate,
gum
very
For
been
to
ozs.
Ink.
more
mentioned
some
found
corked
has
as
glass
will
nothing
which
y2
4
turpentine
board
fine,
and
oil cloth
for
Ink
White
very
mar
dam-
white
in
Turpentine
Boro-lac
is
and
signs.
turpentine
Lamp
white
by
Cloth.
Waterproof
Venice
There
used
much
solid
fine
Oil
a
Cloth.
Asphaltum
card
bluish
a
bright gloss.
a
Another
on
little
a
of
more
Japan
a
for
English
Mix.
If
chip.
to
Oil
for
ground
especially adapted
with
will
black
Black
painters.
dries
liable
less
More
glossy.
more
brown.
Japan
Ivory
CARDS.
it
makes
it
the
of
SHOW
MAKE
it
waterproof
bleached
with
any
ink.
rapidly evaporates.
shellac
dissolved
of
aniline
It must
the
be
in
dyes
kept tightly
LOOK
THROUGH.
CHAPTER
PRIMARY
XIV.
AND
SECONDARY
COLORS.
The
three
colors
primary
of
Harmony
"
Three
and
their
blue
and
If
makes
each
of
color
which
Green
forms
contrasts
for
blue,
and
are
colors
the
three
of
Test
"
primary
them
give
duce
pro-
we
blue
Thus,
color.
yellow
and
of
two
any
these
and
red
green,
with
colors
secondary
the
color
will
does
that
instance,
harmonizes
does
perfect
has
not
red,
no
contrast
the
effect
from
made
"
with
"
having
a
mix
"
and
monize
har-
not
enter
composition.
Violet,
red
to
combinations
orange.
perfectly
its
mix
we
violet, blue
Now
into
yellow
secondary
a
yellow
color
How
ors
col-
secondary
analysis.
colors.
form
produce
Two
"
"
)^\ED,
red
Colors
to
combinations
color
colors
How
"
enter
agrees
with
of
yellow
into
its
well
with
blue.
the
primary
composition.
red
; orange
of
Either
brightening
of
mixture
a
the
these
colors
HOW
102
employed
when
placed
from
side
by
would
look
the
that
red.
would
same
white
on
cause
be-
the
of
colors
card
the
brilliancy of
the
to
by
face
sur-
is the
green
dims
side
green
a
reason
apply
another
beautiful
The
and
nation
combi-
one
Therefore,
letter
and
matter
yellow
or
orange
blue.
on
The
best
contrasts
colors,
red
and
when
which
is
placed
eye.
Black,
gray
and
their
combinations.
The
following
look
well
on
and
and
green
and
brown,
well
and
with
will
an
effect
isfactory
unsat-
color
any
be
in
not
found
to
Combinations.
bright
bright
green
orange,
ultramarine
maroon,
bright
and
have
brightness
look
blue,
ground.
Color
Crimson
Colors
other
combinations
white
a
Two
warm
gold
mentary
comple-
colors,
together.
their
the
by
primary
each
near
to
the
to
the
well
agree
damaging
formed
are
though
yellow
harmony
or
all.
through
The
while
for
gives
red
singly.
different
very
appear
a
at
used
give black.
transparent
shows
paper
a
beautiful
more
when
colors
may
well
somewhat
are
than
by side,
green
follow
CARDS.
appear
is
will
them
and
not
side
primary
of
red
green,
side
the
proportion
SHOW
colors
of
them
of
or
and
mixing
using
it does
red
a
;
The
MAKE
TO
yellow, bright
and
and
yellow
vermilion,
blue
green
ultramarine
carmine,
and
and
green
light blue, bright
purple.
Three
Carmine,
Color
purple
and
Combinations.
ultramarine
;
purple,
blue
HOW
and
green
of
the
give
How
and
be
the
three
black
any
of
in
mixing
lighter
color
and
should
be
given
with
which
stick,
of
free
spoil
Colors.
with
together
tints
following
a
color.
white
colors
or
may
white,
black,
green
black.
yellow,
light
white,
blue,
"
blue,
"
Lilac
little
very
and
a
Pink
red.
Scarlet
"
red, yellow.
Straw
"
bit
red,
Vermilion,
"
white,
red,
black.
Cream
black
blue-
black,
Gray
of
black,
"
red,
"
Gold
blue.
"
blue, yellow.
blue
black.
yellow,
violet
Chestnut
brown,
"
mine,
car-
"
green,
"
"
or
certainly
red
Bright
black.
Deep
yellow,
"
gray,
a
yellow.
Green
red.
red,
care
perfectly
will
black
green
Chocolate
red,
"
Bronze
"
yellow.
Copper
Deep
vermilion.
of
the
knife,
mixed
are
red.
blue,
and
glass
the
bit
Much
one.
paints
least
with
commence
darker
the
having
the
Brown
yellow.
always
the
light
pale
them
to
for
"
"
shades
three
or
;
effect.
primaries
add
color,
Violet
"
brown
made.
But
"
Two
Mix
the
103
ultramarine,
neat
a
to
From
CARDS.
purple.
green,
color
same
SHOW
carmine,
;
orange
bright
carmine,
MAKE
TO
"
white,
white,
white.
white.
carmine.
yellow.
low,
yelOlive
Purple
mon
Sal-
LOOK
AT
IT.
CHAPTER
BRONZE,
The
and
FLITTER,
of
use
bronze,
how
they
judgment
The
"
"
=^
These
ornamental
mucilage
purchased,
chalk
gold,
put
are
lettering.
This
may
consistency,
designed
diluted
method
in
and
paste
or
for
is
alcohol
a
the
to
used
in
with
be
fire,
one
ounce
mixed
thinned
etc.
effect
good
liquid
are
colors
many
silver,
up
with
thick
be
in
purchased
pale
they
What
removed.
Easily
used
a
"
Should
"
"
be
flock
be
Another
shellac,
of
gold,
may
to
supply
use
varieties
and
packages
and
applied
can
rich
"*W)
be
ETC.
SMALT,
flitter, smalt
may
Trj^RONZE
to
XV.
with
mixture
in
with
water
may
be
purpose.
use
and
a
thin
paint
varnish,
with
it.
or
As
HOW
soon
be
TO
with
applied dry
bronze
Keep
free
of
SHOW
tacky
becomes
it
as
MAKE
the
105
bronze
powder
may
keep
them
brush.
dry
a
CARDS.
in
powders
bottles
to
moisture.
Flitter.
Flitter
bought
for
of
glue.
as
lines
wish
on
a
well
with
side
and
wet
have
large
sheet
use
the
are
let
of
other,
covered,
then
the
dry.
the
painting
the
first
to
all off
one
of
part
every
shake
lines
the
cover
card
that
so
glue
flitter,lay your
and
the
mucilage
diluted
with
paper
by
applied
like
After
covered
card
be
may
paint.
ors
col-
It is much
gilt,etc.
thinly
a
be
can
The
ounces.
It
flitter,tipping
then
and
fire
and
substances
use
to
the
lines
paper
would
you
in
stotes
adhesive
Preferably
you
card
the
substance
signs.
card
holiday
any
same
supply
gold, silver, purple,
using
or
tinsel
flaky
a
paint
at
are
used
is
into
the
the
Smalt.
This
painters
wood
on
black
Blue,
color,
mixed
sprinkled
maroon
in
the
over
off.
comes
with
It
in
dry
five
The
immediately
lying
newspaper,
a
will
is
sign
cloth.
appropriate
an
smalt
the
oil
on
popular.
most
and
by sign
use
also
and
are
Japan,
while
on
is in much
usually painted
upright
set
once
is
and
ground
and
work
ground
colored
is sand
It is
flat.
when
the
six
hours.
or
at
plus
sur-
Flock.
is felt
Flock
colors
smalt.
and
As
can
it is
ground
be
and
applied
in
readily blown
dyed
the
about
in
same
variety
a
manner
it is
quite
of
as
an
HOW
106
TO
article
undesirable
lettered
signs
MAKE
in
CARDS.
SHOW
handle.
to
gold
flock
have
However,
interior
few
in
equals
ness.
rich-
Chalk.
Chalk
indicate
dark
cut
crayon,
the
outline
surface.
removed
by
without
injury
All
of
traces
a
the
THE
sharp
letters
of
brushing
slight
to
to
card's
AMATEUR.
on
guide
with
surface.
edge,
is
used
cardboard
lines
can
soft
to
of
be
dry
a
easily
cloth
HOW
collection
be
TO
of
MAKE
odd
and
readily copied
tracing
collection
outline
and
the
to
on
pictures
and
of
firmly
be
in
the
card
of
picture
and
color,
has
and
in
after
whole
the
Use
transfer
side
carbon
pencil
paper
to
brush.
By
the
be
be
may
or
paper,
and
hard
soft
rubbing
marks
plainly
will
one
be
outlined
pencil
the
on
outline
of
card.
and
by
the
marks
upper
finished
are
ornamental
the
them
paper,
of
use
with
lay
the
next
to
the
side
of
the
sufficientlytransferred
and
but
appearance
trace
may
graphic
photo-
scrap-book
duplicated
reserving
then,
the
pieces
corner
picture,
color
or
the
on
brush
in
an
the
to
the
little
and
up
a
seen
on
When
take
edge
painted
cloth
take
to
produces
addition
scrolls,
containing
card.
as
being
Scrolls
dashes.
soft
affair
of
specimens
a
method
press
paste.
effect
very
intend,
paper,
will
or
slightly the
This
useful
Another
the
liberal
a
clean
a
background
a
The
you
perfectly dry
overlap very
picture.
back
blotting
cloth
pasted
outlines
their
it where
a
true
added.
the
with
out
be
may
muciloge
backgrounds.
it
Give
and
become
it somewhat
shading
of
by
and
of
cut
along
white
blotter
paint
use
cut
placing
superfluous
the
the
may
preserved
use
wording
by rubbing
The
any
made
for
place.
sheet
if
Pictures
suitable
after
clean
to
be
carefully
and
paste
absorb
have
which
if desired
etc.,
wanted
and
must
blotter.
the
transfered
often
when
card
with
cover
109
styles
obtained.
neatly pasted
coat
be
can
can
years,
valuable
in
ornamental
letters, monograms,
few
a
CARDS.
paper.
Initial
for
or
SHOW
with
pen
so
or
"1
TO
-1-.
I
13)
1
s
ISIJ
"Li_]
O
^
HOW
TO
MAKE
Border
These
words
or
and
a
and
well
ornamental
ruling
such
pen
by
fit
thumbscrew
a
a
for
is
nothing
by
For
for
the
of
means
in
regulated
made
to
ticket
border
work.
and
wipe
when
If
with
damp
ing
writ-
lines
and
Your
find
in
attention
it
a
for
place
and
a
overflow
not
ruin
and
in
rinse
water
perfectly dry
Phrases.
be
card
valuable
more
sensible
and
that
neither
if
These
phrases.
catchy
selling force
a
must
use.
will
scrap-book
the
one-fourth
They
Wipe
Card
Show
ink, but
about
clogged
sponge.
its
with
through
will
they
become
they
the
brush.
paint
then
into
is filled
points
your
for
dipped
not
are
pens
overloaded
your
has
is
are
circles.
in
styles
line
Some
convenient
with
and
many
the
side.
drawing
more
between
space
be
are
of
made
purposes.
These
full
the
at
compass
other
There
dashes
architects
by
word
a
in
neatly
most
thickness
the
of
occurring
used
are
drawing.
Usually
under-line
lines
are
Ill
Lines.
the
the
portions
mechanical
use.
also
as
CARDS.
Edge
and
lines
as
SHOW
attract
often
phrase
price
you
quality
nor
can
equal.
Use
Atomizers
of
may
change.
covered
cut
thin
out,
either
mixture
be
where
spraying designs
A
Atomizer.
the
quite successfully used
two
portion
with
some
of
tints
may
the
work
an
very
little
or
tive
attrac-
is first
neatly, designed
circle, oval, scroll
containing
be
panel
color
is
for
fully
care-
form
and
or
a
sprayed
^^Ihatwe
really
give
the
best
values
for
invested.
money
AN
EINSON
SHOW
CARD.
HOW
from
should
is
be
a
held
at
of
they
have
but
work,
but
than
convenient
have
can
the
inches,
quarters,
convenient
work
T
wooden
thumb
to
square
the
of
edges
found
tacks
the
dark
skill.
much
more
work.
ordinary
sizes
desired
to
size
is
half
to
at
22x28
sheets,
long
the
and
the
for
enough
at
is about
board
usual
time
same
a
half
absolutely
with
it for
as
when
reached.
any
light
the
board,
essential
horizontal
soft
a
has
a
dozen
a
as
final
H.
fastened
been
B.
T
the
in
lines.
Make
preliminary
possible
"cleaning
then
true
up"
are
with
and
Make
sketching.
they
pendicular
per-
pencil
your
pencil
the
will
"square"
securing
Koh-I-Nor
by
with
perfectly ''square"
drawing
and
lines
quired
re-
selected.
large
cardboard
your
of
means
use
is
and
and
is
drawing
a
inches
24
though
usual
Procure
do.
affairs
care
it cut
be
for
is
this
tacks.
When
lines
The
may
which
has
one
cut
order
size
inches,
20x27
be
as
for
light
for
table
or
to
brush
practice
board
drawing
well
foot
or
Board.
cardboard
eights
or
little
a
purchased.
it is
so
in
They
a
air
work
desk
a
your
it is
place
A
the
inches
little
A
Drawing
of
use
six
expensive
with
produced
houses.
supply
use
are
The
atomizer
perfume
of
effective
The
Vou
distance
they
very
be
The
artists'
113
portion.
a
larger latitude.
a
may
to
Professionals
card.
kind
CARDS.
uncovered
similar
from
the
tints
the
purchased
be
SHOW
over
which
atomizer
from
MAKE
atomizer
an
may
TO
also
the
easily erased
cert
gum
is
AN
EINSON
SHOW
CARD.
HOW
116
All
good
A
articles
All
new
All
kinds
of
and
Always
A
at
in
we
All
of
Books
Buy
By
don't
"
prices
on
test
the
every
Buy to-day
Buy
price.
your
holidays.
now
Bottom
mean.
and
be
and
own
things
Come
in and
Don't
wait
for
Every
one
Every
buyer pleased.
Every
one
satisfies.
best.
Every day
Easy
Full
to
Can
you
of
resist
Come
Come
while
early
out
good."
these
of
they
and
Fits
Fall
?
suggestions.
get
day.
merit.
that
order.
last.
the
as
for
thought.
opening
use
and
For
the
summer
Facts
to-day.
beauty.
girl.
! Facts
goods
! Facts
a
built
Footwear
Finest
flowers.
misfits.
For
Fine
people.
chilly feeling.
and
Food
remnants.
"look
Christmas
Cannot
different.
charms.
Certainly
need.
you
Frost-nipped prices.
economy.
Christmas
new.
possess.
Fragrant
is
that's
bargain
a
market.
Cash
one.
article
For
not
good
a
better.
"
week.
this
counts.
and
Bargains
dollars.
cent
Better
ard
around.
Every
For. prosperous
Beautiful
days.
long.
of
duty
buy early.
in the
hot
look
Better
Best
detail.
for
too
Every
one.
summer.
every
Cool
top.
bulletin.
Bargain
in
Everything
good
a
Correct
wait.
sure.
it should.
for
Exclusive
style.
for
than
contributers.
Double
quality.
at
yours
gift.
call.
we
say,
Brimful
good.
Christmas.
your
less
Costumes
right.
all
for
marvel
All
all
Christmas
forecast
CARDS.
Coolness
merit.
and
dainty
SHOW
Costs
stretcher.
All
A
MAKE
ones.
dollar
A
TO
and
most
!
specialty.
on
honor.
durable
.
often.
Fine
tailoring a specialty.
HOW
TO
SHOW
MAKE
CARDS.
A
top-notcher
for
A
wise
buys
the
A
warm
for
frosty day.
person
thing
Attractive
A
in
price
A
square
Are
on
that
A
purchase
A
new
makes
at
Another
chance
inspection
An
old
Antique
pleasure
A
poor
article
A
An
time
chance
to
dollar
A
high grade
All
A
good
our
All
kinds
All
A
little
at
thing
time
of
want.
prices.
the
to
at
time
prices.
accepted
best.
early buying.
dollar
a
low
a
earned.
price.
to
us.
right price.
a
service.
your
goes
trust
in
price.
any
is the
now
"
repairing neatly
higher
wearer.
appropriate
at
is at
merchants
little
old
alike
at
money
eve.
price.
new
the
is
looks
money
All
A
get
saved
Xmas
worry
ask.
we
bargain
no
for
A
?
saving.
comfort
a
is
argument
save
modern
good
a
low
will
an
goods
is
prices
a
fill
and
Appropriate
Any
at
finish, but
A
in
surprises.
is all
to
way
dollar.
price.
for
favorite
making.
round
new
of
An
prices.
happy.
now
a
week
new
a
made
line
in
you
for
Another
A
skill
interested
you
best.
purchase.
"
deal
money.
attractive
every
cutting
A
a
styles at
saving
Art
the
117
a
great
some
price, but
"
done.
way.
we
trust
cheaper
you.
in
the
end.
time.
HOW
118
After
A
TO
these
are
gone
promise
mere
for
Big thing
for
Buy
what
but
a
Best
Big
friend
to
goods
are
Best
Come
Costs
for
you
Choose
repeated.
made.
ever
special
isn't
ask
to
it.
in.
come
cash
prices.
here.
is the
Cannot
be
Crumbs
axle
easy
comfort
for
payments
shapes
again
economy.
and
of
grease
duplicated
of
or
always
cash-bought
on
and
well.
welcome.
who
at
care.
wear
wisely by choosing
Cash
Come
be
well, they
nothing
prices
Correct
fit
those
Cash
Cash
sold.
our
you're
Cheapness
can.
pocket-books.
you
business
Credit
you
purse.
cannot
they
Credit
when
more.
have
"
best.
pay
"
little
wants
in
prices.
easiest
that
Because
goods.
the
your
investment
Baby's
days.
no
for
Bargains
comfortable.
economical.
cost
values
dull
want
and
Better,
days.
want
you
you
Beautiful
hot
broken
at
if
now
and
pretty
snug,
bristle
in
Big bargains
Buy
more.
these.
gets
for
Bright things
sets
no
CARDS.
little money.
Breezy things
Broken
SHOW
"
wool, luxurious,
All
Be
MAKE
goods.
business.
anywhere
economical.
the
"
else.
to
colors.
gain again.
suit
your
convenience.
HOW
Correct
TO
MAKE
styles at
Costs
but
Come
CARDS.
119
prices.
correct
little,but
back
SHOW
worth
much.
for
to-morrow
what
you
have
forgotten
to-day.
Don't
hesitate
Don't
wait
Don't
decide
Don't
wait
Don't
forget
Don't
think
Don't
take
until
best
the
until
is
time.
is gone.
ready.
are
you
this
"
is the
now
"
best
your
little folks
the
long
too
at
these
"
word
our
chance.
for
it
home.
bargains
but
"
come
won't
and
last.
see
for
yourself.
about
bother
Don't
for
we'll
"
send
uncommon.
"
double
do
Dollars
duty.
delicious.
Dainty, delicate,
Daily
Don't
for
hints
daily needs.
for
things
Dainty
dainty people.
economize
at
Every
one
should
Every
one
worth
Every
expenditure
Every
day
Early
the
is its
the
Especially
Encourage
for
Furnishings
well
to
every
for
day."
best.
hard-to-suit
that
for
saving.
early spring.
satisfaction
value
price.
reward.
own
for
one.
"bargain
is
get
Early things
a
expense.
own
your
have
here
comers
Economy
Full
bundle
you.
Distinctive
Entire
the
the
folks.
dressed
each
feeling.
and
dollar.
family.
every
customer.
it home
Full
of
Few
as
good
prices
Fall
effects
Fat
facts
Fall
Fit
for
modest
For
those
He
buys
We
win
If
for
who
containing
of
and
who
trade
over
them.
folk.
modest
the
buys
and
three
of
everything.
first.
it.
"Catch
more
cents
purses.
best
by deserving
want
50
ready.
now
fashionable
enjoy
best
publishers
well.
qualities combined.
tastes
you
look
styles
wear
For
trade.
pocket-books.
wearing
Favorite
more
slim
winter
and
prices.
girl's brother.
summer
and
trade.
finest
well, feel well,
the
style.
our
for
grade
For
better.
fallen
at
CARDS.
wear.
and
build
SHOW
and
none
"
wear
Fair
Finest
MAKE
style
snap,
fit and
For
Fit
TO
HOW
120
they
thousand
Phrases"
will
send
and
send
you
four
a
the
book
hundred
Cardwriters
Pure
Red
Sable
Stroke
One
rush
clean
a
letter
stroke
has
equal
no
Illustration snows
in
actual
smallest
three
six sizes
Also
up
made
Hair,
it
widths
in
Pure
made
"
5-8
to
in. wide
Pure
Ox
Sable
Red
Riggers, with
of
size
fine
square
points.
SPECIAL
For
the
add
Colors
Writer.
ready
for
use,
only.
water
Send
for
Card
Show
Dry
Coast
BRUSHES
4c
30
page
JOSEPH
in
stamps
Catalog
F. EBERHARD
CARDWR1TERS
298
PEARL
STREET,
"
SON
DEPT.,
NEW
YORK
CITY
YOU,
our
or
Flexible
of
Metallic
Gold
or
EASY
make
Silver
or
glasssigns with
Sign Letters, that
Expert Sign-writer'swork,
an
far less and
cost
better.
wear
ANY
Our
letter windows
apprentice,can
the appearance
have
will
your
stylesof
new
MADE
LETTERING
WINDOW
Agents
ONE
CAN
make
big money.
Free
ATTRACTO
Price
The
Kemper
Spatula
cut
the
represents
of
for
the
and
postal brings
Address
List.
"
collection
in
A
YOU.
can
Orchard
CO.,
SIGN
So
and
Samples
THEM
APPLY
PL,
CHICAGO
and
largest
Half-tone
and
-most
appropriate
asked
price
x
12
"", postpaid
50
(refundod
cents
book
picture
for
on
BEAUTY
Full-page pictures
beautiful
most
paper.
and
Beauty
SPATULA
in
women
Electros
for
Book
PUBLISHING
from
76
sale.
cents.
that
the
it.
is
Over
first S2
beautiful
booklets,
and
circulars, magazines
A
purposes
of
for
cuts
tions
Illustra-
other
Thousands
well
100
(cd.)
varied
Line
and
advertising
world.
11th
catalogue
logues,
cata-
papers.
worth
the
pages,
9)4
00 order
)
BOOK
of
original photographs
world.
the
Printed
Postpaid
Stamps
CO.,
90
86
on
cents.
sixty-five of
120-lb.
Cut
the
coated
Catalogue
taken.
Sudbury
BIdg.,
Boston,
Mass.
DEC
16 1911
E
l%M
The S
tllTA
MAKING
P
N
SI O
OLTf'IT.
X
The
outfit
everything
contains
making of all kinds of card
the
It has
etc.
window,
buy an outfit of this kind.
that
is essetial for
the
the counter, in
heretofore
been
not
possible to
best
article is of the
Every
The
outfit consists of the
manufactured
and is warranted.
which
be purchased separately if
following articles,
may
desired, at the prices quoted.
1 No. 3 Shading
Pen
$0 35
Pln
1 No.
3 Maeking
35
Pens
Round
Writing
2 Doz.
(various
sizes
35
1
1
*1
4
1
1
1
1
1
1
5
use
on
Ink
Reservoir
05
Nhree
Pointed
Pen
10
(No. 400)
25
I"ook
Instructions
of
Sable
Fitch
Brushes
.40
and
"Letterine"
T"ottle
Special
Black
Ink
.25
"Letterine"
Bottle
Special
Red
Ink
.25
Bottle
Special
Blue
Ink
25
Bottle
Sizing
25
Gold
10
Bronze
Package
Gold
Sample
10
Sign
Prepared
Bristol
Board
Doz.
(i.e.
faintly ruled. If sent separately,postage
"
20
Entire
cents
extra)
Outfit,
on
windows,
to
$2.50.
PREPAID,
colors
about
Tells
sign work.
How
to paint
Bronzes, Flourishes.
How
to
letter glass and
mirrors.
on
make
off-hand
signs with
and circles.
How
to mix
Entire
of Great
a
brush.
How
to
draw
borders
colors,etc.,etc.
outfit express
prepaid to any part
Britain,including her colonies,for
SPATULA
"
.75
EXPRESS
*A complete treatise
and Ornamental
work,
signs
signs for
PUBLISHING
Boston, Mass.
*?e
1
*"*"
CO.,
Show
Cat
Ivertising
are
druggist
jvery
is interested.
id"
new
s
make
to
and
his
profitab:
In
Sld^
TIMES
char
mc:
artists
for
wh"
throughout
SIGNS
th
THE
OF
!
Th"
SIGNS
One
copy
THE
OF
del. to
DEC
If
Gat.
19?
T1M1
Div.
LIBRARY
0
013
OF
963
CONGRESS
951
0