Unisa Piano syllabus 2012 Piano

Unisa
Piano syllabus
2012 until further notice
Piano
Piano Duet
Two Pianos (four hands)
2013/05/10
ii
Copyright © 2012 by Unisa
All rights reserved
Published and printed by the University of South Africa
Directorate Music
PO Box 392
Unisa
0003
5-31 OR Tambo Administration Building
Preller Street
Muckleneuk Ridge
Pretoria
Tel: +27 (0)12 429 2535
Fax: +27 (0)12 429 3644
www.unisa.ac.za/music
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Unisa
Piano Syllabus
Contents
General Information
1 Prescribed Repertoire .................................................................................................................................. 1
2 Alternative and Own Choice Works ....................................................................................................... 2
3 Specific Requirements ................................................................................................................................. 2
4 Technical Work ............................................................................................................................................... 3
5 Sight-reading.................................................................................................................................................... 3
6 Practical Musicianship ................................................................................................................................. 3
7 Theory of Music Prerequisites.................................................................................................................. 3
8 Exemptions ....................................................................................................................................................... 5
9 Duration ............................................................................................................................................................. 5
10 Participation in the Unisa Music Scholarship Competitions ........................................................ 6
Basic Requirements and Allocation of Marks
1 Piano Grade Examinations ......................................................................................................................... 8
2 Performance Level Assessments (PLAs).............................................................................................. 8
3 Evaluations ....................................................................................................................................................... 9
4 Piano Duet ......................................................................................................................................................... 9
5 Two Pianos (four hands) Grade 8 ......................................................................................................... 10
6 Allocation of Marks ..................................................................................................................................... 11
7 Marks Categories………………. ................................................................................................................... 11
Technical work and Repertoire PIANO Pre-Grade 1 to Grade 8 .................................................................... 12
Tegniese werk en Repertorium KLAVIER Voorgraad 1 tot Graad 8 ............................................................. 12
Repertoire requirements PIANO Performer’s Assessment .............................................................................. 32
Repertoriumvereistes KLAVIER Voordraersassessering.................................................................................. 32
Repertoire requirements PIANODUET Pre-grade 1 to Grade 8 ..................................................................... 40
Repertoriumvereistes KLAVIERDUET Voorgraad 1 tot Graad 8 ................................................................... 40
Repertoire requirements TWO PIANOS (FOUR HANDS) Grade 8 and Performer’s Assessment ..... 50
Repertoriumvereistes TWEE KLAVIERE (VIER HANDE) Graad 8 en Voordraersassessering .......... 50
Annexures 1: Errata: 2008 Piano Examination Albums .................................................................................... 54
Bylaag 1: Errata: 2008 Klaviereksamenbundels................................................................................................... 54
Annexure 2: Marks Categories for Graded Exam and Performance Level Assessments
across all instruments................................................................................................................................................... 56
Bylaag 2: Puntekategorieë vir Graadeksamens en Voordragvlakassesserings
vir alle instrumente ....................................................................................................................................................... 56
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General Information
1
General Information
General Information
Grade Examinations and Performance Level Assessments (PLAs) in
• Piano
• Piano Duet
• Two Pianos (four hands)
1
Prescribed Repertoire
1.1
The prescribed repertoire lists for each grade appear from page 13 in this publication.
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
Candidates must perform a balanced programme which should be diverse in character and
tempo.
Piano Examination Albums for pre-Grade 1 to Grade 7 examinations are published by Unisa.
These albums may be ordered directly from Unisa by using the official order form (also
available on the website). These albums may also be purchased from various sheet music
dealers. Under no circumstances will candidates be allowed to use photocopies of the
official examination albums in the examination room, with the exception of one or two
pages to facilitate page-turning.
Prescribed music for Piano Grade 8 examinations, Piano duet and Two pianos (four hands)
which is not published by Unisa, should be purchased from the publishers, sheet music
dealers or the internet. Only original printed music may be used in the examination room.
Copies of all these works must be submitted to the examiner at the examination and will be
destroyed afterwards.
Candidates making use of the optional List E piece in a piano examination or assessment
must provide the examiner with a copy of the piece to be performed. This will be destroyed
after the examination.
The use of music that is in public domain and downloadable from the internet is permitted
provided that no copyright restrictions are being violated. The source of this piece must be
indicated on the sheet music.
Candidates must take cognisance of the fact that photocopying of music, without written
permission from the publishers, is strictly prohibited by the Copyright Act (Act 98 of 1978,
as amended). Examiners may refuse to conduct the examination if the original works are
not present in the examination room. In such cases the examination will be downgraded to
an Evaluation.
Examiners may listen to either an entire work or only part of it. Repeats [II: :II] need not be
played unless requested by the examiner, indicated as compulsory in the sheet music or if
the section is repeated in ornamented form. Da Capo sections should, however, be
performed unless the examiner requests the candidate not to do so.
Candidates may use any edition of the prescribed works.
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General Information
1.10
1.11
1.12
1.13
2
General Information
It is not essential to follow performance indications such as articulation, dynamics,
phrasing, pedalling, metronome indications, etc., appearing in a specific edition unless they
have obviously been inserted by the composer and not by the editor. When candidates use
an edition with different editing, they should bring this to the examiner's attention.
Ornaments in prescribed works for pre-Grade 1, Grades 1 and 2 may be omitted.
Works by South African composers are marked with an asterisk (*) in the repertoire lists.
Errata to the piano examination albums appear in Appendix 1 on page 71.
2
Alternative and Own Choice Works
2.1
No alternative works may be performed for the pre-Grade 1 to Grade 7 piano examinations.
2.2
Own choice works are applicable to the Performance Level Assessments only.
2.2
2.3
2.4
2.5
For Grade 8 and all performance level assessments, one alternative work may be presented.
Applications to present an alternative or own choice work must:
• be made on the official application form obtainable from the internet or Directorate
Music;
• include a copy of the alternative work concerned which copy will not be returned;
• reach the Deputy Director (Professional), Directorate Music not later than the closing
date for entries (preferably with the entry form).
Alternative and own choice works should match the length, level of virtuosity, musical
standard and style period of the work to be replaced.
The University of South Africa reserves the right to refuse permission for works which do
not meet any or all of the criteria.
2.6
Requests to present an alternative or own choice work received after the closing date for
entries, will only be considered in highly exceptional cases.
3
Specific Requirements
Page turners
No page turners are allowed in the examination venue for up to and including Grade 7
examinations. Grade 8 candidates may make use of a page turner without prior permission
from the University. This person may not be the candidate's teacher or the examiner.
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General Information
4
Technical Work
4.1
All technical work must be played:
4.2
4.3
4.4
5
•
•
•
3
General Information
from memory
ascending and descending according to the specified range
legato and non legato as prescribed.
Any practical and systematic fingering which produces a good result will be accepted.
The following abbreviations will be used to distinguish between the hands:
LH = left hand
RH = right hand.
The compass of the prescribed scales is indicated with Roman numerals which are to be
interpreted as follows:
I
one octave
II two octaves
III three octaves
IV four octaves.
Sight-reading
Candidates must play one sight-reading test. Sufficient time will be allowed to study the piece
without playing it. In preparation to play the sight-reading test, candidates will be permitted to
silently finger the notes without making a sound.
6
Practical Musicianship
6.1
The requirements for each grade appear in a separate publication which is available free of
charge from the Directorate Music.
6.2
6.3
The Practical Musicianship requirements per grade are the same for all instruments.
The examiner will play all practical musicianship tests on the piano.
6.4
The candidate must play the visualisation test on the piano.
7
Theory of Music Requirements and Prerequisites
7.1
There are no theoretical requirements for Performance Level Assessments (PLAs) and
Piano duet examinations pre-Grade 1 to Grade 7.
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General Information
7.2
4
General Information
The Theory of Music examinations required for the various practical grade examinations
are as follows:
Grade Examinations
Practical examination
Pre-Grade 1 to Grade 3
7.3
7.3.1
7.3.2
7.3.3
7.3.4
7.4
7.5
7.5.1
7.6
7.6.1
7.6.2
7.7
Theory of Music requirement
None
Grade 4
Grade 3
Grade 5
Grade 4
Grades 6 and 7
Grade 5
Grade 8
Grade 6
If a Theory of Music examination is a requirement for a practical examination, and the
candidate has not passed the required Theory of Music examination before the practical
examination is played, the candidate must enter and pass the required Theory of Music
examination by the second session of the following year.
A candidate who passes the practical examination during the first examination session but
passes the required Theory of Music examination only in the second or any later
examination session will only receive the certificate once the relevant Theory of Music
examination has been passed.
If a candidate passed the required Theory of Music examination at the same or an earlier
examination session, the practical certificate will be issued without delay.
If a candidate only meets the Theory of Music requirement by the end of the following year,
the Directorate Music must be contacted and requested to issue the practical certificate.
If a candidate does not meet the Theory of Music requirement by the end of the following
year, the candidate must re-enter for the practical examination and play again.
Grade 8 practical candidates who do not yet meet the Theory of Music requirement must
register for the practical and theory components in the same calendar year. (Theory of
Music may be written earlier.) Both Grade 6 Theory of Music papers must have been
passed by the end of the following year.
Theory of Music Grades 6 and 7 examinations consist of two papers each. Candidates may
enter for one or both papers (in any order) at any time.
Theory of Music Grades 6 and 7 candidates will retain credit for individual papers passed.
For all practical licentiates, a Grade 7 Theory of Music qualification is a prerequisite.
Therefore both papers must have been passed before entering for the practical licentiate
examination.
Candidates entering for the Grade 7 Theory of Music will have to pass both the examination
papers in order for the Theory of Music qualification to be awarded.
Grade 7 Theory of Music examinations are presented in the second session of each year
only.
Please do not contact Unisa to enquire about certificates if the candidate has not yet passed
the required Theory of Music examination.
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General Information
8
8.1
8.1.1
8.1.2
8.1.3
8.2
8.3
9
General Information
Exemptions
Prospective Practical candidates may request for exemption according to the following
principles:
BMus degrees obtained from South African Universities
Theory of Music Grade 6
A completed first year of a BMus degree at a South African University (second year if the
BMus includes bridging/extended degree programmes).
Theory of Music Grade 7
A completed second year of a BMus degree at a South African University (third year if the
BMus includes bridging/extended degree programmes).
Practical Grade 8
A completed first year of the first instrument of a BMus degree at a South African University
(second year if the BMus includes bridging/extended degree programmes)
National and International Music Qualifications
Candidates in possession of other national and international qualifications may apply for
exemption. Qualifications/syllabi concerned will be evaluated by the Directorate Music
regarding Theory of Music Grade 6 and 7 and Practical Grade 8.
Application procedure
Please use the official Request for Exemption form, obtainable from the internet or the
Directorate Music. A certified copy of the candidate’s academic record must accompany the
application.
Duration
Performance Level Assessments
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Pre-Level 1
10 minutes
Level 1
10 minutes
Level 2
10 minutes
Level 3
10 minutes
Level 4
15 minutes
Level 5
20 minutes
Level 6
20 minutes
Level 7
25 minutes
Level 8
30 minutes
Performer’s Assessment
45 minutes
6
General Information
General Information
Grade Examinations
Pre-Grade 1
15 minutes
Grade 1
20 minutes
Grade 2
20 minutes
Grade 3
20 minutes
Grade 4
25 minutes
Grade 5
30 minutes
Grade 6
35 minutes
Grade 7
40 minutes
Grade 8
50 minutes
Piano Duet examinations
Pre-Grade 1
10 minutes
Grade 1
10 minutes
Grade 2
15 minutes
Grade 3
15 minutes
Grade 4
20 minutes
Grade 5
20 minutes
Grade 6
25 minutes
Grade 7
25 minutes
Grade 8
35 minutes
Two Pianos (Four Hands) examinations
Grade 8
10
35 minutes
Participation in the Unisa Music Scholarship Competitions
10.1 Age Restrictions
10.1.1 Candidates qualifying for the Unisa South African Music Scholarship Competition for Grade
8 should not be more than 20 years of age on 31 October of the competition year and must
have passed the required Grade 6 Theory of Music examination by the first session of that
particular year. Candidates who only write the required Theory of Music Grade 6 in the
second session of the relevant year will not be eligible for participation since the results will
not yet be available at the time of the competition.
10.2
Requirements for participation
The following requirements must be fulfilled in order to qualify for participation in the
scholarship competitions:
10.2.1 Mark allocation
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General Information
7
General Information
Grade 8
• achieve at least 85% in the examination as a whole
• achieve an average of at least 85% for the prescribed pieces.
10.2.2 Memorisation
Memorisation is not a requirement for participation in the South African Competitions.
10.2.3 No deferred participation
Candidates must participate in the scholarship competitions in the same year that they play
the examination and qualify. Participation will not be deferred to the following year.
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Basic Requirements and Allocation of Marks
8
Basic Requirements and Allocation of Marks
Basic Requirements and Allocation of Marks
1
1.1
1.1.1
1.1.2
1.1.3
1.1.4
1.1.5
1.2
1.3
1.4
1.5
2
2.1
2.1.1
2.1.2
2.1.3
2.1.4
2.1.5
2.1.6
2.1.7
2.1.8
2.2
Piano Grade Examinations
General
Candidates will be allowed to enter at any grade for a grade examination.
Candidates will be allowed to switch from a grade examination to a Performance Level
Assessment (PLA) or Evaluation. No excess fees will be returned.
One work must be chosen from each list: A, B and C. At least two contrasting styles must be
included in the performance.
For Piano Grade 8 only, one alternative work may be presented with prior permission (see
page 2 paragraph 2).
A certificate will be issued upon successful completion of an exam and, where applicable, its
theory requirement.
Technical Work
As prescribed.
Performance
Candidates must play three pieces, one selected from each of prescribed lists A and B and one
piece selected from either lists C, D or E (where applicable). Playing from memory is not
compulsory.
Sight-reading
Candidates will be required to play a piece at sight.
Practical Musicianship
As prescribed in the Practical Musicianship syllabus.
Performance Level Assessments (PLAs)
General
Candidates will be allowed to enter at any level for a Performance Level Assessment.
Candidates will be allowed to change from a Performance Level Assessment to an Evaluation.
No Theory of Music requirements need to be met.
At least two contrasting styles must be included in the performance.
One own choice work may be presented (see page 2 paragraph 2).
A single overall symbol with commentary will be given. No individual marks will be allocated.
A statement and not a certificate will be issued upon successful completion of a particular
level.
The Roll of Honour is not applicable to Performance Level Assessments.
Technical Work
No technical work is required.
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Basic Requirements and Allocation of Marks
9
Basic Requirements and Allocation of Marks
2.3
2.3.1
Performance
Pre-Level 1 to Level 8
The prescribed pieces from the existing graded examinations will apply. Candidates must play
three pieces, one selected from each of the prescribed lists A and B and one work of own
choice. The latter may also be chosen from the prescribed lists C, D or E (where applicable).
2.3.2 Performer's Assessment
2.3.2.1 The Performer’s Assessment is the highest assessment level and the only option that follows
the Level 8 Performance Level Assessment.
Candidates must perform a balanced programme of four works, one selected from each of the
prescribed lists A to D. The List D work may also be an own choice, ensemble or chamber
work. Permission to perform this work must be obtained from the Directorate Music (see
page 2 paragraph 2).
2.3.2.2 All assessments will be conducted by one examiner at any of the existing practical
examination centres.
2.4
2.5
Sight-reading
No sight-reading is required.
Practical Musicianship
No practical musicianship is required.
3
Evaluations
3.1
The purpose of an Evaluation is to encourage inadequately prepared candidates to play,
rather than withdraw from a grade examination or Performance Level Assessment.
3.2
3.3
Candidates may change from a grade examination or Performance Level Assessment to an
Evaluation. This may be done up to the day of the examination, but excess fees will not be
refunded. Please note that candidates cannot enter for an Evaluation specifically.
Any combination of work may be presented for an Evaluation and may include any of the
three pieces, sight-reading, technical work or practical musicianship.
3.4
No marks or symbols are awarded, only commentary.
3.6
One teacher or parent may be present at the Evaluation.
4
Piano Duet
4.1
4.1.1
4.1.2
4.1.3
General
Candidates will be examined as an ensemble and not as individuals.
A certificate will be issued to both candidates.
This examination is intended for two candidates and not for a candidate together with his or
her teacher.
3.5
No certificate or special report is issued. The examiner report serves as confirmation of the
Evaluation.
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Basic Requirements and Allocation of Marks
4.1.4
4.1.5
4.2
4.2.1
4.2.2
4.2.3
4.2.4
4.2.5
4.3
4.4
10
Basic Requirements and Allocation of Marks
Prescribed music for the duet examinations which should be purchased from the publishers,
sheet music dealers or the internet. Only original printed music may be used in the
examination room. Copies of all these works must be submitted to the examiner at the
examination and will be destroyed afterwards.
No Theory of Music examination is required as a prerequisite for the piano duet examinations
for pre-Grade 1 to Grade 7. For Grade 8, however, Theory of Music Grade 6 is required for
both candidates.
Performance
Candidates must perform three works selected from the prescribed list(s). One alternative
work will be allowed (see page 2, paragraph 2).
No more than one composition by a specific composer may be presented during the
examination.
Candidates from Grade 1 to Grade 8 must take different styles and tempos into consideration
when choosing their programme.
Candidates from grades 2 to 8 must cover at least two different style periods in their
programme.
Candidates may play any part (primo or second) of their chosen works, but they must change
positions for the performance of at least one of the three pieces.
Sight-reading
No sight-reading is required for pre-Grade 1. However, sight-reading is required for Grades 1
to 8. Candidates will be given the opportunity to discuss the sight-reading piece for a short
while before playing it.
Practical Musicianship
No practical musicianship is required.
5
Two Pianos (four hands) Grade 8
5.1
5.1.1
5.1.2
5.1.3
General
Candidates will be examined as an ensemble and not as individuals.
A certificate will be issued to both candidates.
This examination is intended to be for two candidates and not for a candidate together with
his or her teacher.
Copies of all performance works must be submitted to the examiner before the examination
commences.
The prerequisite Theory of Music examination for the Grade 8 Two Pianos (four hands) is
Grade 6 for both candidates.
Candidates will be responsible for the tuning of the second piano and venue hire.
5.1.4
5.1.5
5.1.6
5.2
5.2.1
5.2.2
5.2.3
5.2.4
Performance
Candidates must perform three works, one selected from each of the prescribed lists.
No more than one composition by a specific composer may be presented during the
examination.
When choosing a programme, different styles and tempos must be taken into consideration.
Works must cover at least two different style periods.
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11
Basic Requirements and Allocation of Marks
5.3
5.4
6
Basic Requirements and Allocation of Marks
Practical Musicianship
No Practical Musicianship is required.
Sight-reading
Sight-reading will be required for Grade 8. Candidates will be given the opportunity to
discuss the sight-reading piece for a short while before playing it.
Allocation of Marks
Marks or symbols allocated by the examiners are final. No correspondence will be entered into
regarding the outcome of an assessment or examination.
Performance Level Assessments and
Performer’s Assessment
A++
90-100%
C+
65-69%
A+
85-89%
C
60-64%
A
80-84%
D+
55-59%
B+
75-79%
D
50-54%
B
70-74%
E
49% and below
Grade Examinations
Pre-Grade 1 to Grade 7
Technical work
Sight-reading
Practical Musicianship
Performance List A
List B
List C
20
10
10
20
20
20
Grade 8
15
10
10
20
25
20
Total 100; Pass 50; Merit 70; Distinction 80; Roll of Honour 90 (pre-Grade 1 to
Grade 7), Roll of Honour 85 (Grade 8)
Piano Duet / Two Pianos (four hands) Gr 8
Pre-Grade 1
Sight-reading
Performance List A
List B
List C
General Impression
Grade 1 to Grade 8
0
30
30
30
10
10
30
30
30
0
Total 100; Pass 50; Merit 70, Distinction 80; Roll of Honour 90 (pre-Grade 1 to
Grade 7), Roll of Honour 85 (Grade 8)
7
Marks Categories
For the marks categories please refer to Annexure 2 on page 56.
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12
Piano pre-Grade 1
Klavier Voorgraad 1
Technical work and Repertoire
Tegniese werk en Repertorium
PIANO
KLAVIER
Pre-Grade 1
Technical work/Tegniese werk
Key and
Compass
Toonsoort
en Omvang
Major scales
Majeurtoonlere
Broken chords
Gebroke akkoorde
Triads
Drieklanke
2013/05/10
Motion
Rigting
Voorgraad 1
Hands
Hande
Articulation
Artikulasie
I: C, G, F
From the lowest note
Vanaf die laagste noot
Separately
Afsonderlik
Legato
Legato
I: C
Contrary motion, from
the middle; beginning
and ending in unison
Teenoorgestelde rigting,
vanaf die middel; begin
en eindig in eenklank
Separately and
together
Legato
Afsonderlik en
tegelyk
Legato
Minimum
Tempo
iq = 84
13
Piano pre-Grade 1
Klavier Voorgraad 1
Repertoire/Repertorium
Three pieces, one from List A, one from List B, and one from List C or D
Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C of D
List A Lys A
Bach JS
Bach JS
Handel GF
List B Lys B
Ryba JJ
Türk DG
Vaňhal J
List C Lys C
Diabelli A
Diabelli A
Tansman A
List D Lys D
Hurnik I
Olivier G *
Paciorkiewicz T
Roos JS *
Van Namen Arie A *
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Gavotte
Minuet/Menuet
Allegretto
Flowing Waters/Vloeiende Water
Spring and Winter/Lente en Winter
Allegretto
Strolling/Wandeling
Bagatelle
Carousel/Mallemeule
Big Dog, Little Dog/Groot Hond, Klein Hond
We roll down the dune and into the sea!/Ons rol van die duin af tot onder
in die see!
March/Mars
La-la á la Brahms
Cat and Mouse/Kat en Muis
14
Piano Grade 1
Klavier Graad 1
Grade 1
Graad 1
Technical work/Tegniese werk
Key
Toonsoort
C, G, D, F
Major scales
Majeurtoonlere
C, G
Harmonic or
Melodic minor
scales
Harmoniese of
Melodiese
mineurtoonlere
Broken chords
Gebroke
akkoorde
Triads
Drieklanke
2013/05/10
a
Motion
Rigting
Hands
Hande
Interval
distance
Intervalafstand
Compass
Omvang
Articulation
Artikulasie
Similar motion,
from the lowest
note
Separately
and
together
1 octave
Separately: Legato
2 octaves
Together:
1 octave
Afsonderlik: Legato
2 oktawe
Tegelyk:
1 oktaaf
Dieselfde rigting,
vanaf die laagste
noot
Afsonderlik
en tegelyk
1 oktaaf
Contrary motion,
from the middle
Together
1 octave
Legato
Teenoorgestelde
rigting, vanaf die
middel
Tegelyk
Begin and
end in
unison
Begin en
eindig in
eenklank
1 oktaaf
Legato
Similar motion,
from the lowest
note
Separately
and
together
1 octave
Dieselfde rigting,
vanaf die laagste
noot
Afsonderlik
en tegelyk
1 oktaaf
Separately: Legato
2 octaves
Together:
1 octave
Afsonderlik: Legato
2 oktawe
Tegelyk:
1 oktaaf
Minimum
Tempo
iq = 92
iq = 86
iq = 92
15
Piano Grade 1
Repertoire/Repertorium
Three pieces, one from List A, one from List B, and one from List C or D
Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C of D
List A Lys A
Barrett J
Handel GF
Telemann GP
List B Lys B
Kauer F
Mozart L
Neefe C
List C Lys C
Goedicke A
Gurlitt C
Maykapar S
List D Lys D
Coutts D *
Kabalevsky D
Panebianco-Warrens C *
Randell E *
Świerzyński M
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The Holy St Catherine/Die Heilige Katharina
Allegro
Allegro
Minuet/Menuet
Polonaise
Minuet/Menuet
Playtime, op 6 no 6
Little Flowers/Blommetjies op 205 no 1
Prelude
I Like to Dance/Ek hou van Dans
Clowns/Narre op 39 no 20
Dance of the Fireflies/Dans van die Vuurvliegies
Saudade
Playing/Speel
Klavier Graad 1
16
Piano Grade 2
Klavier Graad 2
Grade 2
Graad 2
Technical work/Tegniese werk
Key and
Compass
Toonsoort en
Omvang
II: D, A, E, F
Major
scales
Majeurtoonlere
I : D, A
Harmonic or
Melodic
minor scales
Harmoniese
of Melodiese
mineurtoonlere
II: d, a
Chromatic
scales
Chromatiese
toonlere
I : Ab
Broken
chords
Gebroke
akkoorde
Triads
Drieklanke
2013/05/10
C
iq = 108
Motion
Rigting
Hands
Hande
Similar motion,
from the lowest
note
Dieselfde rigting,
vanaf die laagste
noot
Separately
and together
1 octave
Legato
Afsonderlik
en tegelyk
1 oktaaf
Legato
Contrary motion,
from the middle
Teenoorgestelde
rigting, vanaf die
middel
Together
Beginning and
Legato
ending in unison
Begin en eindig in
eenklank
Legato
Similar motion,
from the lowest
note
Dieselfde rigting,
vanaf die laagste
noot
Separately
and together
1 octave
Legato
Afsonderlik
en tegelyk
1 oktaaf
Legato
From the lowest
note
Vanaf die laagste
noot
Separately
-
Legato
Afsonderlik
-
Legato
Tegelyk
Interval
distance
Intervalafstand
Articulation
Artikulasie
Minimum
Tempo
iq = 108
iq = 92
iq = 108
iq = 108
17
Piano Grade 2
Repertoire/Repertorium
Three pieces, one from List A, one from List B, and one from List C or D
Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C of D
List A Lys A
Handel GF
Kirnberger JP
Scarlatti A
List B Lys B
Beethoven L von
Beethoven L von
Haydn FJ
List C Lys C
Czerny C
Czerny C
Oesten T
List D Lys D
Bell D
Khumalo A *
Loeb van Zuilenburg P *
Reid D *
Starer R
2013/05/10
Air
Minuet/Menuet
Minuetto Scherzando
German Dance/Duitse Dans, WoO 13 no 2
German Dance/Duitse Dans, WoO 13 no 6
Minuet/Menuet
Allegretto
Andante
Polka-Mazurka, op 155 no 2
After a shower of rain/Na ‘n reënbui
Let’s Play/Kom ons Speel
Kweliccia
Rain Dance/Reëndans
Bright Orange/Helder Oranje
Klavier Graad 2
18
Piano Grade 3
Klavier Graad 3
Grade 3
Graad 3
Technical work/Tegniese werk
Key and
Compass
Toonsoort en
Omvang
II: B, F#, Bb,
Eb
Major
scales
Majeurtoonlere
I : Eb
Motion
Rigting
Hands
Hande
Interval
distance
Intervalafstand
Articulation
Artikulasie
Similar motion,
from the lowest
note
Dieselfde rigting,
vanaf die laagste
noot
Separately and
together
1 octave
Legato
Afsonderlik en
tegelyk
1 oktaaf
Legato
Contrary motion,
from the middle
Teenoorgestelde
rigting, vanaf die
middel
Together
Begin and end
in unison
Begin en eindig
in eenklank
Legato
Similar motion,
from the lowest
note
Dieselfde rigting,
vanaf die laagste
noot
Separately and
together
1 octave
Legato
Afsonderlik en
tegelyk
1 oktaaf
Legato
From the lowest
note
Vanaf die laagste
noot
Separately
-
Legato
Afsonderlik
-
Legato
Tegelyk
Legato
Harmonic
and Melodic
minor scales
Harmoniese
en Melodiese
mineurtoonlere
II: c, g
Chromatic
scales
Chromatiese
toonlere
II: D
Major
arpeggios
Majeur
arpeggio’s
II: C, D
in root position
in grondposisie
From the lowest
note
Vanaf die laagste
noot
Separately
Minor
arpeggios
Mineur
arpeggio’s
II: c, d
in root position
in grondposisie
From the lowest
note
Vanaf die laagste
noot
Separately
-
Legato
Afsonderlik
-
Legato
Broken
chords
Gebroke
akkoorde
Triads
Drieklanke
2013/05/10
c
Afsonderlik
-
Minimum
Tempo
i = 120
iq = 112
iq = 120
i = 120
Legato
Legato
See example as for Grade 2. 1st and 5th fingers on black notes
Sien voorbeeld soos vir Graad 2. 1e en 5e vinger op swart klawers
i = 84
i = 84
 = 62
Piano Grade 3
19
Klavier Graad 3
Repertoire/Repertorium
Three pieces, one from List A, one from List B, and one from List C, D or E
Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E
List A Lys A
Rameau JP
Scarlatti D
Türk DG
List B Lys B
Benda JA
Müller AE
Vaňhal J
List C Lys C
Grechaninov/Gretsjaninof A
Kabalevsky/Kabalefski D
Tchaikovsky/Tsjaikofski PI
List D Lys D
Minuet/Menuet
Aria, K32/L423
Four sharps? Keep it up!/Vier kruise? Hou so aan!
Allegro assai from/uit Sonata in G
Minuet/Menuet
Allegretto from/uit Sonatina no 6
The Little Would-be Man/Die Kamma-mannetjie
Slow Waltz/Stadige Wals, op 39 no 23
The Barrelorgan Man/Die Draaiorrelspeler, op 39 no 23
De Villiers, H *
Pauer J
Rollin C
Watt M *
Zaidel-Rudolph J *
5/8 Dance/5/8Dans
March/Mars
Cotton King Jazz
African Lullaby/Afrika Wiegeliedjie
Times They Are A-Changing
Kay U
Tender Thought, Piano Music of Africa and the African
List E Lys E
Norton C
Norton C
Norton C
Norton C
Price FB
2013/05/10
Diaspora Vol 1 (OUP)
Chinese Walk, Microstyles Collection (B&H)
Feeling Lazy, Microstyles Collection (B&H)
Oriental Flower, Microstyles Collection (B&H)
Without a Care, Microstyles Collection (B&H)
Tinklin’ Toes, Piano Music of Africa and the African Diaspora
Vol 1 (OUP)
20
Piano Grade 4
Klavier Graad 4
Grade 4
Graad 4
Technical work/Tegniese werk
Key and
Compass
Toonsoort en
Omvang
II:
Major scales
Majeurtoonlere
Harmonic and
Melodic minor
scales
Harmoniese en
Melodiese
mineurtoonlere
Harmonic minor
scales
Harmoniese
mineurtoonlere
II:
II:
II:
II:
Chromatic scales
Chromatiese
II:
toonlere
C#, Eb, Ab
B
e, f
c
Bb
Ab
Motion
Rigting
Hands
Hande
Similar motion, from
the lowest note
Dieselfde rigting,
vanaf die laagste noot
Separately
and together
Afsonderlik
en tegelyk
1 octave
Legato
1 oktaaf
Legato
Contrary motion, from
the middle
Teenoorgestelde
rigting, vanaf die
middel
Together
Begin and end Legato
in unison
Begin en
Legato
eindig in
eenklank
Similar motion, from
the lowest note
Dieselfde rigting,
vanaf die laagste noot
Separately
and together
Afsonderlik
en tegelyk
1 octave
Legato
1 oktaaf
Legato
Contrary motion, from
the middle
Teenoorgestelde
rigting, vanaf die
middel
Together
Begin and end Legato
in unison
Begin en
Legato
eindig in
eenklank
Similar motion, from
the lowest note
Dieselfde rigting,
vanaf die laagste noot
Separately
and together
Afsonderlik
en tegelyk
1 octave
Legato
1 oktaaf
Legato
Contrary motion, from
the middle
Teenoorgestelde
rigting, vanaf die
middel
Separately
Begin and end Legato
in unison
Begin en
Legato
eindig in
eenklank
Tegelyk
Tegelyk
Afsonderlik
Interval
distance
Intervalafstand
Articulation
Artikulasie
II: Eb
In root position
and 1st inversion
In grondposisie
en 1e omkering
Similar motion, from
the lowest note
Dieselfde rigting,
vanaf die laagste noot
Separately
and together
Afsonderlik
en tegelyk
1 octave
Legato
Major arpeggios
Majeur
arpeggio’s
1 oktaaf
Legato
II: c#
In root position
and 1st inversion
In grondposisie
en 1e omkering
Similar motion, from
the lowest note
Dieselfde rigting,
vanaf die laagste noot
Separately
and together
Afsonderlik
en tegelyk
1 octave
Legato
Minor arpeggios
Mineur
arpeggio’s
1 oktaaf
Legato
Chords
Akkoorde
2013/05/10
Minimum
Tempo
jjj = 69
jjj = 60
jjj = 69
jjj = 60
jjj = 69
jjj = 60
i = 100
i = 100
21
Piano Grade 4
Klavier Graad 4
Repertoire/Repertorium
Three pieces, one from List A, one from List B, and one from List C, D or E
Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E
List A Lys A
Blow J
Handel GF
Telemann GP
List B Lys B
Benda G
Kuhlau F
Vaňhal JK
List C Lys C
Grieg E
Karganov G
Pachulski/Patsjoelski H
List D Lys D
Benjamin A
Harvey P
Hofmeyr Hendrik *
Klatzow Peter *
Temmingh Henk *
List E Lys E
Capers V
Dett RH
Norton C
Norton C
Norton C
Norton C
2013/05/10
Courante
Rigaudon
Fantasia no 9
Allegretto from/uit Sonatina in d
Theme and Variations/Tema en Variasies
Allegretto
Poetic Sounds/Poëtiese Klankbeelde, op 3 no 1
Arabesque/Arabesk
Prelude
Haunted House
Rumba Toccata
March of the Lilliputians/Mars van die Lilliputters
Bubbles
Ferreira in C
Sweet Mister Jelly Roll, Piano Music of Africa and the African Diaspora
Vol 1 (OUP)
Honey, Piano Music of Africa and the African Diaspora Vol 2 (OUP)
Clock Rock, Microstyles Collection (B&H)
Habanera, Microstyles Collection (B&H)
Island Song, Microstyles Collection (B&H)
Misty-Eyed, Microstyles Collection (B&H)
22
Piano Grade 5
Klavier Graad 5
Grade 5
Graad 5
Technical work/Tegniese werk
Key and
Compass
Toonsoort en
Omvang
Motion
Rigting
Hands
Hande
Similar motion, from
the lowest note
Dieselfde rigting,
vanaf die laagste noot
Separately
and together
Afsonderlik
en tegelyk
1 octave
Legato
1 oktaaf
Legato
Contrary motion, from
the middle
Teenoorgestelde
rigting, vanaf die
middel
Together
Begin and end Legato
in unison
Begin en
Legato
eindig in
eenklank
Similar motion, from
the lowest note
Dieselfde rigting,
vanaf die laagste noot
Separately
and together
Afsonderlik
en tegelyk
1 octave
Legato
1 oktaaf
Legato
Contrary motion, from
the middle
Teenoorgestelde
rigting, vanaf die
middel
Together
Begin and end Legato
in unison
Begin en
Legato
eindig in
eenklank
Similar motion, from
the lowest note
Dieselfde rigting,
vanaf die laagste noot
Separately
and together
Afsonderlik
en tegelyk
1 octave
Legato
1 oktaaf
Legato
Contrary motion, from
the extremes
Teenoorgestelde
rigting, vanaf die
uiterstes
Together
Begin and end Legato
on the tonic
Begin en
Legato
eindig op die
tonika
II : D, Bb
In root position
and inversions
In grondposisie
en omkerings
Similar motion, from
the lowest note
Separately
and together
1 octave
Legato
Dieselfde rigting,
vanaf die laagste noot
Afsonderlik
en tegelyk
1 oktaaf
Legato
II : d, bb
In root position
and inversions
In grondposisie
en omkerings
Similar motion, from
the lowest note
Separately
and together
1 octave
Legato
Dieselfde rigting,
vanaf die laagste noot
Afsonderlik
en tegelyk
1 oktaaf
Legato
III: G, A, Bb
Major scales
Majeurtoonlere
Harmonic and
Melodic minor
scales
Harmoniese en
Melodiese
mineurtoonlere
Harmonic minor
scales
Harmoniese
mineurtoonlere
II : Ab
III: bb, f#
II : g
III: F
Chromatic scales
Chromatiese
II : G
toonlere
Major arpeggios
Majeur
arpeggio’s
Minor arpeggios
Mineur
arpeggio’s
Tegelyk
Tegelyk
Tegelyk
Chords
Akkoorde
* mediant degree / mediant toontrap
2013/05/10
Interval
distance
Intervalafstand
Articulation
Artikulasie
Minimum
Tempo
ii = 112
jjj = 66
ii = 112
jjj = 66
jjjjj =
58
jjj = 66
jjj = 66
jjj = 66
23
Piano Grade 5
Repertoire/Repertorium
Three pieces, one from List A, one from List B, and one from List C, D or E
Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E
List A Lys A
Bach JS
Handel GF
Telemann GP
List B Lys B
Hummel JN
Kuhlau F
Schubert F
List C Lys C
Grieg E
Maykapar S
Schumann R
List D Lys D
Copland A
Johnson Alexander *
Kabalevsky D
Roosenschoon Hans *
Van der Watt Niel *
List E Lys E
Norton C
Norton C
Norton C
Norton C
2013/05/10
Bourrée from/uit English Suite no 1, BWV 806
Allemande
Vivace from/uit Fantasia no 5
Polonaise
Second Movement from/uit Sonatina, op 88 no 3
Minuet & Trio/Menuet & Trio, Sonata, op 122
Folk-tune/Volkswysie from/uit Lyrical Pieces, op 12 no 5
Romance/Romanse, op 8 no 16
Remembrance/Herinnering, op 68 no 28
Jazzy
Elegie
Theme and Variations/Tema en Variasies, op 40 no 2
Rêverie
Leaving School Blues
Cha Cha, Microstyles Collection (B&H)
Hebridean Song, Microstyles Collection (B&H)
In the Sun, Microstyles Collection (B&H)
Orchid Garden, Microstyles Collection (B&H)
Klavier Graad 5
24
Piano Grade 6
Klavier Graad 6
Grade 6
Graad 6
Technical work/Tegniese werk
Key and
Compass
Toonsoort en
Omvang
Hands
Hande
Interval
distance
Intervalafstand
Similar motion, from the
lowest note
Dieselfde rigting, vanaf
die laagste noot
Together
Third, tonic in LH
Legato
Tegelyk
Terts, tonika in
LH
Legato
Contrary motion, from the
middle and extremes
Teenoorgestelde rigting,
vanaf die middel en
uiterstes
Together
Begin and end on Legato
the tonic
Begin en eindig
Legato
op die tonika
Similar motion, from the
lowest note
Dieselfde rigting, vanaf
die laagste noot
Together
Third, tonic in LH
Legato
Tegelyk
Terts, tonika in
LH
Legato
Contrary motion, from the
middle and extremes
Teenoorgestelde rigting,
vanaf die middel en
uiterstes
Together
Begin and end on Legato
the tonic
Begin en eindig
Legato
op die tonika
Similar motion, from the
lowest note
Dieselfde rigting, vanaf
die laagste noot
Together
1 octave
Legato
Tegelyk
1 oktaaf
Legato
Contrary motion, from the
extremes
Teenoorgestelde rigting,
vanaf die uiterstes
Together
Begin and end on Legato
the tonic
Begin en eindig
Legato
op die tonika
IV: F#, C#
in root position
and inversions
in grondposisie
en omkerings
Similar motion, from the
lowest note
Dieselfde rigting, vanaf
die laagste noot
Together
1 octave
Legato
Tegelyk
1 oktaaf
Legato
IV: f#, f
in root position
and inversions
in grondposisie
en omkerings
Similar motion, from the
lowest note
Together
1 octave
Legato
Dieselfde rigting, vanaf
die laagste noot
Tegelyk
1 oktaaf
Legato
IV: on/op A, F
in root position
in grondposisie
Similar motion, from the
lowest note
Dieselfde rigting, vanaf
die laagste noot
Together
1 octave
Legato
Tegelyk
1 oktaaf
Legato
IV: C#, Bb
Major scales
Majeurtoonlere
Harmonic and
Melodic minor
scales
Harmoniese en
Melodiese
mineurtoonlere
Harmonic minor
scales
Harmoniese
mineurtoonlere
II : C#, Bb
IV: d, e
II : d, e
IV: C#
Chromatic scales
Chromatiese
II : F
toonlere
Major arpeggios
Majeur
arpeggio’s
Minor arpeggios
Mineur
arpeggio’s
Diminished
sevenths
Verminderde
sewendes
Chords
Akkoorde
2013/05/10
Motion
Rigting
Tegelyk
Tegelyk
Tegelyk
Articulation
Artikulasie
Minimum
Tempo
jjj = 84
jjj = 84
jjj = 84
jjj = 84
jjj = 100
jjj = 84
jjj = 80
jjj = 80
jjj = 80
25
Piano Grade 6
Klavier Graad 6
Repertoire/Repertorium
Three pieces, one from List A, one from List B, and one from List C, D or E
Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E
List A Lys A
Bach JS
Galuppi B
Handel GF
List B Lys B
Haydn FJ
Kuhlau F
Vaňhal JK
List C Lys C
Chopin F
Mendelssohn F
Schumann R
List D Lys D
Potgieter J *
Roux I *
Tcherepnin A
Temmingh R *
Von Einem G
List E Lys E
Gardes AR
Norton C
Norton C
Norton C
2013/05/10
Prelude no 9, BWV 928
Adagio from/uit Sonata in D
Courante, HWV 441
Theme and Variations/Tema en Variasies, Hob XVII:5
Allegro Scherzando from/uit Sonatina, op 20 no 2
Allegro from/uit Sonatina in A
Mazurka, op 7 no 1
Song without Words/Lied sonder Woorde, op 19 no 1
The Wayside Inn/Herberg langs die pad, op 82 no 6
Habanera
Dr Kwela – Mr Ragtime
Bagatelle, op 5 no 6
Prelude for Liezl/Prelude vir Liezl
Piano Piece, op 3
Preludio Cubano, Piano Music of Africa and the African Diaspora, Vol 2 (OUP)
Moving Along, Microstyles Collection (B&H)
Piano Exchange Rag, Microstyles Collection (B&H)
No 2 Rumba or/of no 5 Bassa Nova, Latin Preludes (B&H)
26
Piano Grade 7
Klavier Graad 7
Grade 7
Graad 7
Technical work/Tegniese werk
Key and
Compass
Toonsoort en
Omvang
IV: F, Ab
II : A, Eb
Major scales
Majeurtoonlere
II : G, D
II : G, D
Harmonic and
Melodic minor
scales
Harmoniese en
Melodiese
mineurtoonlere
Harmonic minor
scales
Harmoniese
mineurtoonlere
IV: f#, f
II : c#, bb
IV: C
Chromatic scales
Chromatiese
II : A
toonlere
Motion
Rigting
Hands
Hande
Interval
distance
Intervalafstand
Articulation
Artikulasie
Similar motion, from
the lowest note
Together
Tenth, tonic in
LH
Legato
and non
jjj = 108
legato
Legato en
non legato
Dieselfde rigting,
vanaf die laagste noot
Tegelyk
Desiem, tonika
in LH
Contrary motion, from
the middle and
extremes
Teenoorgestelde
rigting, vanaf die
middel en uiterstes
Together
Begin and end
on the tonic
Tegelyk
Begin en eindig
op die tonika
From the lowest note
Separate
Non legato
Vanaf die laagste noot
Afsonderlik
Double note
thirds: Tonic as
lowest note
Dubbelnoottertse: Tonika
as laagste noot
From the lowest note
Separate
Non legato
Vanaf die laagste noot
Afsonderlik
Double note
octaves
Dubbelnootoktawe
Similar motion, from
the lowest note
Together
Tenth, tonic in
LH
Dieselfde rigting,
vanaf die laagste noot
Tegelyk
Desiem, tonika
in LH
Legato
and non
legato
jjj = 108
Legato en
non legato
Contrary motion, from
the middle and
extremes
Teenoorgestelde
rigting, vanaf die
middel en uiterstes
Together
Begin and end
on the tonic
Tegelyk
Begin en eindig
op die tonika
Similar motion, from
the lowest note
Together
Major or minor
third
Dieselfde rigting,
vanaf die laagste noot
Tegelyk
Majeur- of
mineurterts
Contrary motion, from
the middle and
extremes
Teenoorgestelde
rigting, vanaf die
middel en uiterstes
Together
Begin and end
on the tonic
Tegelyk
Begin en eindig
op die tonika
Legato
and non
legato
jjj = 100
Legato en
non legato
Legato
and non
legato
jjj = 100
Legato en
non legato
Non legato
Non legato
i = 80
i = 88
Legato
and non
legato
jjj = 100
Legato en
non legato
Legato
and non
jjj = 116
legato
Legato en
non legato
Major arpeggios
Majeur
arpeggio’s
IV: Eb, F
In root position
and inversions
In grondposisie
en omkerings
Similar motion, from
the lowest note
Together
1 octave
Legato
Dieselfde rigting,
vanaf die laagste noot
Tegelyk
1 oktaaf
Legato
Minor arpeggios
Mineur
arpeggio’s
IV: eb, f
In root position
and inversions
In grondposisie
en omkerings
Similar motion, from
the lowest note
Together
1 octave
Legato
Dieselfde rigting,
vanaf die laagste noot
Tegelyk
1 oktaaf
Legato
2013/05/10
Minimum
Tempo
jjj = 92
jjj = 92
27
Piano Grade 7
Dominant
sevenths
Dominant
sewendes
Diminished
sevenths
Verminderde
sewendes
Klavier Graad 7
IV: of/van C, D
In root position
In grondposisie
Similar motion, from
the lowest note
Dieselfde rigting,
vanaf die laagste noot
Together
1 octave
Legato
Tegelyk
1 oktaaf
Legato
IV: on/op C#,
Eb, Ab
In root position
In grondposisie
Similar motion, from
the lowest note
Together
1 octave
Legato
Dieselfde rigting,
vanaf die laagste noot
Tegelyk
1 oktaaf
Legato
jjj = 92
jjj = 92
Chords
Akkoorde
Repertoire/Repertorium
Three pieces, one from List A, one from List B, and one from List C, D or E
Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E
List A Lys A
Bach JS
Bach JS
Scarlatti D
Allemande from/uit French Suite no 5, BWV 816
Three-Part Invention no 7/Driestemmige Invensie no 7, BWV 793
Sonata, K 444
Beethoven L van
Haydn F
Mozart WA
Rondo from/uit Sonata in g, op 49 no 1
Rondo from/uit Sonata in C, Hob XVI:48
Six Variations on/Ses Variasies op "Mio caro adone", K 180
Lyadov/Ljadof A
MacDowell E
Poldini E
Prelude, op 10 no 1
Of Br’er Rabbit from/uit Fireside Tales, op 61 no 2
She Smiles from/Sy Glimlag uit “Episodes à la cour”, op 93 no 4
Debussy C
Grové Stefans *
Rajna Thomas *
Van Dijk Péter Louis *
Weiner L
Golliwogg’s Cake-walk from/uit Children’s Corner
Obstinacy/Hardnekkigheid
Oriental Feast
On quiet nights starlight pulses gently from your fingertips…
Hungarian Peasant Song/Hongaarse Boerelied, op 33 no 24
Norton C
Norton C
Solal M
No 6 (Beguine) or/of no 7(Mambo), Latin Preludes (B&H)
No 5, Latin Preludes 2 (B&H)
No 4 or/of no 5, Jazz Preludes (B&H)
List B Lys B
List C Lys C
List D Lys D
List E Lys E
2013/05/10
28
Piano Grade 8
Klavier Graad 8
Grade 8
Graad 8
Technical work/Tegniese werk
Key and
Compass
Toonsoort en
Omvang
IV: C#, Bb
II : D, Eb
Major scales
Majeurtoonlere
II : A, Bb
II : Eb, E
Melodic minor
scales
Melodiese
mineurtoonlere
IV: g, ab
IV: d, b
Harmonic minor
scales
Harmoniese
mineurtoonlere
2013/05/10
II : f, ab
Motion
Rigting
Hands
Hande
Interval
distance
Intervalafstand
Articu-lation Minimum
Artiku-lasie
Tempo
Similar motion,
from the lowest
note
Dieselfde rigting,
vanaf die laagste
noot
Together
Sixth:Tonic in
RH
Tegelyk
Sekst: Tonika in Legato en
RH
non legato
Contrary motion,
from the middle
and extremes
Teenoorgestelde
rigting, vanaf die
middel en uiterstes
Together
Third: Tonic in
LH
Tegelyk
Terts: Tonika in Legato en
LH
non legato
Similar motion,
from the lowest
note
Dieselfde rigting,
vanaf die laagste
noot
Separately
and
together
Double note
thirds: Tonic as
lowest note
Dubbelnoottertse: Tonika
as laagste noot
Non legato
Similar motion,
from the lowest
note
Dieselfde rigting,
vanaf die laagste
noot
Together
Double note
octaves
Non legato
Tegelyk
Dubbelnootoktawe
Non legato
Similar motion,
from the lowest
note
Dieselfde rigting,
vanaf die laagste
noot
Together
Sixth: Tonic in
RH
Legato and
non legato
Tegelyk
Sekst: Tonika in Legato en
RH
non legato
Similar motion,
from the lowest
note
Dieselfde rigting,
vanaf die laagste
noot
Together
Sixth: Tonic in
RH
Tegelyk
Sekst: Tonika in Legato en
RH
non legato
Contrary motion,
from the middle
and extremes
Teenoorgestelde
rigting, vanaf die
middel en uiterstes
Together
Thirds: Tonic in
LH
Tegelyk
Terts: Tonika in Legato en
LH
non legato
Afsonderlik
en tegelyk
Legato and
non legato
jjj = 120
Legato and
non legato
Non legato
jjj = 112
jjj = 72
jjj = 72
jjj = 120
Legato and
non legato
jjj = 120
Legato and
non legato
jjj = 112
29
Piano Grade 8
IV: Bb
Klavier Graad 8
Similar motion,
from the lowest
note
Dieselfde rigting,
vanaf die laagste
noot
Together
Major or minor
sixth: Tonic in
RH
Majeur- of
mineursekst:
Tonika in RH
Legato and
non legato
Contrary motion,
from the middle
and extremes
Teenoorgestelde
rigting, vanaf die
middel en uiterstes
Together
Major or minor
third: Tonic in
LH
Majeur- of
mineurterts:
Tonika in LH
Legato and
non legato
From the lowest
note
Separate
Double note
minor thirds:
Begin on A#/C#
Dubbelnoot
mineurtertse:
Begin op A#/C#
Non legato
Vanaf die laagste
noot
Afsonderlik
IV: F#, A
In root position
and inversions
In grondposisie
en omkerings
Similar motion,
from the lowest
note
Dieselfde rigting,
vanaf die laagste
noot
Together
1 octave
Legato
Tegelyk
1 oktaaf
Legato
II : F#, A
In root position
and inversions
In grondposisie
en omkerings
Contrary motion,
from the middle
Together
Begin and end
on the tonic
Legato
Teenoorgestelde
rigting, vanaf die
middel
Tegelyk
Begin en eindig
op die tonika
Legato
IV: d, b
In root position
and inversions
In grondposisie
en omkerings
Similar motion,
from the lowest
note
Dieselfde rigting,
vanaf die laagste
noot
Together
1 octave
Legato
Tegelyk
1 oktaaf
Legato
II : d, b
In root position
and inversions
In grondposisie
en omkerings
Contrary motion,
from the middle
Together
Begin and end
on the tonic
Legato
Teenoorgestelde
rigting, vanaf die
middel
Tegelyk
Begin en eindig
op die tonika
Legato
Dominant
sevenths
Dominant
sewendes
IV: of/van C#,
F
In root position
and inversions
In grondposisie
en omkerings
Similar motion,
from the lowest
note
Together
1 octave
Legato
Dieselfde rigting,
vanaf die laagste
noot
Tegelyk
1 oktaaf
Legato
Diminished
sevenths
Verminderde
sewendes
II: on/op B, C
In root position
In grondposisie
From the lowest
note
Vanaf die laagste
noot
Separate
Double note
octave
Dubbelnootoktaaf
Non legato
II : C#
Chromatic scales
Chromatiese
toonlere
II : A#
Major arpeggios
Majeur
arpeggio’s
Minor arpeggios
Mineur
arpeggio’s
2013/05/10
Tegelyk
Tegelyk
Afsonderlik
Legato en
non legato
Legato en
non legato
Non legato
Non legato
jjj = 120
jjj = 120
jjj = 72
jjj = 100
jjj = 100
jjj = 100
i = 100
30
Piano Grade 8
Klavier Graad 8
Repertoire/Repertorium
Three pieces, one chosen from each list
Drie stukke, een gekies uit elke lys
List A Lys A
Bach JS
Bach JS
Bach JS
Handel GF
Rameau JP
Scarlatti D
Soler A
Villa-Lobos H
List B Lys B
Bach CPE
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Clementi M
Dello Joio N
Haydn FJ
Haydn FJ
Haydn FJ
Haydn FJ
Hindemith P
Kabalevsky D
Medtner N
Mendelssonn F
Milhaud D
Mozart WA
Mozart WA
Mozart WA
Mozart WA
Mozart WA
2013/05/10
Any one of the following 48 Preludes and Fugues/Enige een van die
volgende 48 Preludes en Fugas:
Bk 1: No 2, 6, 17, 21
Bk 2: No 2, 6, 9, 12, 15
Any one of the 4 Duettos/Enige een van die 4 Duettos, BWV 802-805
Fantasie in c, BWV 906
Any two movements from/Enige twee bewegings uit Suite no 9
La Triomphante
One of the following sonatas/Een van die volgende sonates: K29/L461,
K175/L429, K178/L162, K209/L428, K239/L281, K405/L43, K481/L187,
K517/L266
Sonata in A, R 1 (Faber)
Preludio, No 4 from/uit Bachianas Brasileiras
Sonata in A, No 5 from/uit Phil E Bach Piano Works Bk 1 (UE548a)
12 Variations on “Menuet a la Viganò”, WoO 68
Sonata in f, op 2 no 1
Sonata in c, op 10 no 1
Sonata in F, op 10 no 2
Sonata in E, op 14 no 1
Sonata in G, op 14 no 2
Sonata, op 79
Sonata, op 47 no 2
Introduction and Fantasies on a Chorale Tune (AMP)
Sonata in E, Hob XVI:22
Sonata in F, Hob XVI:23
Sonata in D, Hob XVI:33
Sonata in Eb, Hob XVI:49
Sonata no 2 (Schott 2519)
Sonatina, op 13 no 1
Theme and Variations in c©, op 55
Variations serieuses, op 54
Sonatina, op 354 (UMP)
Sonata in C, K 279
Sonata in F, K 280
Sonata in Bb, K 281
Sonata in Eb, K 282
Sonata in G, K 283
31
Piano Grade 8
Ravel M
Reger M
Richardsson A
Schubert F
Sutermeister H
Tchaikovsky P
List C Lys C
Brahms J
Brahms J
Brahms J
Chopin F
Chopin F
Chopin F
De Falla M
Debussy C
Debussy C
Du Plessis H *
Du Plessis H *
Dutilleux H
Fricker PR
Ginastera A
Grové S *
Hofmeyr H *
Johnson A *
Kabalevsky D
Kalabis V
Klatzow P *
Klatzow P *
Martinů B
Medtner N
Medtner N
Prokofiev S
Rowley A
Shostakovitch D
Temmingh R *
Villa-Lobos H
Villa-Lobos H
Zaidel-Rudolph J *
2013/05/10
Klavier Graad 8
Sonatina
Any one of Sonatinas/Enige een van Sonatines 1, 2 & 3, op 89
Sonatina in F, op 27 (Weinberger/Elkin)
Sonata in B, op 147
Sonatina in Eb (Schott 4119)
Theme and Variations, op 19 no 6 (Peters 4652)
Capriccio, op 76 no 2
Intermezzo, op 116 no 4 or/of op 117 no 2 or/of op 118 no 2
Rhapsody, op 119 no 4
Polonaise, op 26 no 1
Nocturne, op 9 no 2 or/of op 27 no 1 or/of op 48 no 1
Grande Valse brillante, op 34 no 1
Montanesa (Durand)
Voiles
Feuilles mortes
No 2 or/of No 4 from/uit Four piano pieces, op 1
Any piece from/Enige stuk uit Four Piano pieces, op 28
Etude from/uit Six petites Pieces pour Piano (Leduc)
Any study from/Enige studie uit Twelve Studies, op 58 (Schott)
Any piece from/Enige stuk uit Tres Piezas para piano (Ricordi)
Toccata (Unisa)
Chaconne (MS)
No 1 from/uit 3 Incantations (Studio 83)
Any three preludes from/Enige drie preludes uit 24 Preludes, op 38 (Peters
4785)
Allegro impetuoso (Panton 5030)
Any two movements from/Enige twee bewegings uit Moments of Night
(Musications)
Makoemazaan (Musications)
Scherzo pro klavir (Panton)
No 1 or/of no 2 from/uit Conte, op 20 (Russe de Musique)
No 4 from/uit Conte, op 34 (B&H)
Etude, op 2 no 4
Moto perpetuo (Chester)
Any three preludes from/Enige drie preludes uit 24 Preludes, op 34 (AngloSoviet)
Any three pieces from/Enige drie stukke uit Ses oorblyfsels (Musications)
As tres Marias (Fisher)
Valsa da Dor
Virtuoso I (Unisa)
32
Piano Performer’s Assessment
Repertoire requirements
Repertoriumvereistes
Performer’s Assessment
Voordraersassessering
Klavier Voordraersassessering
PIANO
KLAVIER
Four pieces, one chosen from each list
Vier stukke, een gekies uit elke lys
List A Lys A
Bach JS
Bach JS
Bach JS
Bach JS
Bach JS
Bach JS
Bach JS
Bach JS
Bach JS
Bach JS
Bach JS
Bach JS
Handel GF
Handel GF
Mendelssohn F
Saint-Saëns C
Scarlatti D
Shchedrin R
Shostakovich D
Soler A
2013/05/10
Any one of the following 48 Preludes and Fugues/Enige een van die volgende
48 Preludes en Fugas:
Bk 1: 1, 10, 16
Bk 2: 1, 7, 10, 19, 20
Any one of the French Suites/Enige een van die Franse Suites
Toccata, BWV 914
Any one of the following Preludes and Fugues/Enige een van die volgende
Preludes en Fugas:
BK 1: 3, 9, 11, 12, 13, 14, 15, 18, 19, 22
BK 2: 4, 5, 16, 17, 24
Any movement from/Enige beweging uit Italian Concerto
Any toccata except Toccata in e/Enige tokkate behalwe Tokkate in e
Chromatic Fantasia and Fugue, BWV 903
Italian Concerto, BWV 971
Any English Suite/Enige Engelse Suite
Any one of the following 48 Preludes and Fugues/Enige een van die volgende
48 Preludes en Fugas:
Bk 1: No 4, 7, 8, 20
Bk 2: No 3, 8, 11, 13, 14, 18
Prelude and Fugue in a, BWV 894
Any/Enige Partita
Prelude and Fugue from/uit Suite no 8
Any one of the following/Enige een van die volgende Suites:
No 2, 5, 6, 7
Prelude and Fugue, op 35 no 1
Prelude and Fugue, op 52 no 3
One of the following sonatas/Een van die volgende sonates:
K96/L465, K132/L457, K318/L31, K319/L35, K358/L412, K381/L225,
K427/L286, K432/L288, K436/L109, K491/L164
Any Prelude and Fugue/Enige Prelude en Fuga
Any Prelude and Fugue from/Enige Prelude en Fuga uit op 87
Sonata in G, R 4 (Faber)
Piano Performer’s Assessment
List B Lys B
Barber S
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Beethoven L van
Bennet RR
Brahms J
Brahms J
Brahms J
Brahms J
Brahms J
Chopin F
Chopin F
Chopin F
Chopin F
Clementi M
Clementi M
Clementi M
Clementi M
Clementi M
Dello Joio N
2013/05/10
33
Klavier Voordraersassessering
Sonata in eb, op 26
Sonata in c, op 13
Sonata in F, op 54
Sonata in F©, op 78
12 Variations on a Russian Dance by Wranitzky, WoO 71
10 Variations on “La stessa, la stessissima” by Salieri, WoO 73
Sonata in A, op 2 no 2
Sonata in Eb, op 7
Sonata in D, op 10 no 3
Sonata in Bb, op 22
Sonata in Eb, op 27 no 1
Sonata in c©, op 27 no 2
Sonata in D, op 28
Sonata in G, op 31 no 1
Sonata in d, op 31 no 2
Sonata in Eb, op 31 no 3
Sonata in C, op 2 no 3
Sonata in Ab, op 26
Sonata in C, op 53
Sonata in f, op 57
Sonata in Eb, op 81a
Sonata in A, op 101
Sonata in E, op 109
Sonata in Ab, op 110
Sonata in c, op 111
32 Variations in c, WoO 80
15 Variations on an Original Theme, op 35
Sonata for piano (UE)
Sonata in C, op 1
Sonata in f©, op 2
Sonata in f, op 5
Variations and Fugue on a theme by Handel, op 24
Variations on a theme by Paganini, op 35
Sonata in bb, op 35
Sonata in b, op 58
Etudes, op 10 (complete/volledig)
Etudes, op 25 (complete/volledig)
Sonata, op 26 no 3
Sonata, op 25 no 2
Sonata, op 39 no 2
Sonata in b, op 40 no 2 (Peters)
Sonata in D, op 40 no 3 (Petres 146B)
Sonata no 2 (Schirmer)
Piano Performer’s Assessment
Du Plessis H *
Dukas P
Dutilleux H
Fauré G
Franck C
Ginastera A
Glinka M
Grieg E
Griffes CT
Haydn FJ
Haydn FJ
Haydn FJ
Haydn FJ
Haydn J
Haydn J
Haydn J
Haydn J
Haydn J
Hindemith P
Hummel JN
Hummel JN
Janáček L
Kabalevsky D
Kapustin N
Liadow A
Liszt F
Liszt F
Medtner N
Mozart WA
Mozart WA
Mozart WA
Mozart WA
Mozart WA
Mozart WA
Mozart WA
Mozart WA
Mozart WA
Mussorgsky M
Paderewski I
Prokofiev S
Prokofiev S
Prokofiev S
Prokofiev S
Prokofiev S
Rachmaninov S
Rachmaninov S
2013/05/10
34
Klavier Voordraersassessering
Sonata no 2, op 40 (Samro)
Variations, Interlude et Finale (Durand)
Sonata
Variations, op 73
Prelude, Choral et Fugue
Sonata no 1, op 22 (B & H)
Brillante variationen über ein Thema von Donizetti (1831)
Sonata in e, op 7
Sonata (Schirmer)
Sonata in D, Hob XVI:19
Sonata in Ab, Hob XVI:46
Sonata in c©, Hob XVI:36
Sonata in D, Hob XVI:37
Sonata in c, Hob XVI:20
Sonata in Eb, Hob XVI:38
Sonata in Eb, Hob XVI:49
Sonata in C, Hob XVI:50
Sonata in Eb, Hob XVI:52
Sonata no 3
Sonata in Eb, op 13
Sonata in f, op 20
Sonata (Supraphon)
Sonata no 3, op 46
Variations, op 41
Variations sur un theme populair polonaise, op 51
Dante Sonata
Sonata in b
Märchen Sonate, op 25 no 1
Sonata in A, K 331
12 Variationen über ein Menuett von Fischer, K 179
10 Variationen über “Unser dummer Pöbel meint“, K 455
Sonata in D, K 284
Sonata in a, K 310
Sonata in C, K 330
Sonata in F, K 332
Sonata in Bb, K 333
Sonata in D, K 576
Pictures at an Exhibition
Theme varie, op 16 no 3
Sonata no 2, op 14
Sonata no 4, op 29
Sonata no 6, op 82
Sonata no 7, op 83
Sonata no 8, op 84
Sonata no 1 in d, op 28
Sonata no 2 in bb, op 36
35
Piano Performer’s Assessment
Rachmaninov S
Rachmaninov S
Schubert F
Schubert F
Schubert F
Schubert F
Schubert F
Schubert F
Schubert F
Schumann R
Schumann R
Schumann R
Schumann R
Schumann R
Schumann R
Schumann R
Schumann R
Scriabin A
Scriabin A
Scriabin A
Scriabin A
Shostakovich D
Stravinsky I
Vine C
List C Lys C
Albeniz I
Balakirev M
Balakirev M
Brahms J
Brahms J
Brahms J
Brahms J
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
2013/05/10
Klavier Voordraersassessering
Variations on a theme by Chopin, op 22
Variations on a theme by Corelli
Sonata in a, op 143
Sonata in A, op 120
Sonata in a, op 42
Fantasia, op 15
Sonata in c, D958
Sonata in A, D959
Sonata in Bb, D960
Carnaval, op 9
Sonata in f©, op 11
Etudes Symphoniques, op 13
Kreisleriana, op 16
Fantasie, op 17
Humoresque, op 20
Sonata in g, op 22
Faschingsschwank aus Wien
Sonata in g©, op 19
Sonata no 4, op 30
Sonata no 3, op 23
Sonata no 5, op 53
Sonata no 2, op 64
Sonata (1924) (B&H)
Sonata (1990) (Chester)
Triana
Toccata (1902)
Islamey
Ballade, op 10 no 2
Rhapsody in b, op 79 no 1
Ballade, op 10 no 1
Scherzo, op 4
Etude, op 10 no 3
Nocturne, op 15 no 1
Nocturne, op 27 no 2
Impromptu in F©, op 36
Polonaise, op 40 no 2
Berceuse, op 57
Any one of the following works/Enigeen van die volgende werke:
Grande valse Brillante, op 18
Waltz in Ab, op 42
Nocturne, op 15 no 2
Nocturne in B, op 32 no 1
Etude in c©, op 25 no 7
36
Piano Performer’s Assessment
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
Chopin F
Debussy C
Debussy C
Debussy C
Debussy C
Debussy C
Debussy C
Fauré G
Granados E
Granados E
Granados E
Ibert J
Liadov A
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Liszt F
Lyapunov S
2013/05/10
Klavier Voordraersassessering
Etude in Gb, op 25 no 9
Tarantella, op 43
Fantaisie in f, op 49
Any one of the/Enige een van die Ballades
Any one of the/Enige een van die Scherzi
Barcarolle in F©, op 60
Polonaise in Ab, op 53
Polonaise-Fantaisie in Ab, op 61
Andante Spianato & Grande Polonaise Brillante in Eb, op 22
Allegro de Concert, op 46
La Cathedrale engloutie or/of La danse de Puck
Any Etude except/Enige Etude behalwe nos 1 & 7
Brouillards
La terrasse des audiences du clair de lune, no 7 from/uit Preludes Bk 2
Reflet dans l’eau from/uit Images Bk 1
Toccata, Pour le piano
Ballade, op 19
El Fandango de Candil from/uit Goyescas
Quejas o la Maja y el Ruisenor from/uit Goyescas
Allegro de Concierto (UME)
Scherzetto (Leduc)
Prelude, op 11 no 1
Ballade no 2
Au lac de Wallenstadt
Au Bord d’une source
Sonetto 123 del Petrarca
Soirees de Vienne no 9
Un sospiro
Un sospiro
Ballade no 1
Waldesrauschen
Gnomenreigen
Sonetto 104 del Petrarca
Jeux d’eau a la Villa d’Este
Spozalizio
Funerailles
Mephisto Waltz no 1
Vallee d’Obermann
No 6 or/of No 12 or/of No 15 from/uit Hungarian Rhapsodies
Any two from/Enige twee uit Paganini Etudes
Mazeppa
Ricordanza
Wilde Jagd
Tarantella, Venezia e Napoli
Any two contrasting pieces from/Enige twee kontrasterende stukke uit
Etudes, op 11 (Peters 9578)
37
Piano Performer’s Assessment
Medtner N
Mendelssohn F
Mendelssohn F
Moszkowski M
Rachmaninoff S
Rachmaninov S
Rachmaninov S
Rachmaninov S
Ravel M
Ravel M
Ravel M
Reger M
Schubert F
Schumann R
Schumann R
Schumann R
Schumann R
Scriabin A
Smetana B
Suk J
Suk J
Suk J
Suk J
Suk J
Suk J
Suk J
Suk J
Szymanowski K
Tchaikovsky PI
Von Weber CM
List D Lys D
Alain J
Apostel H E
Bartók B
Bartók B
Berg A
Blacher B
Bolcom W
Bowen Y
Busoni F
Casella A
Corigliano J
2013/05/10
Klavier Voordraersassessering
Canzona matinata, op 39 no 4
Trois fantaisies ou caprices, op 16 no 1
Any one of/Enige een van No 3, 5, 18, 19, 32, 34 from/uit Songs without
Words
Caprice espagnol, op 37
Any prelude from/Enige prelude uit Preludes, op 32
Any piece of/Enige stuk uit Moments musicaux, op 16
Any one of the/Enige een van die Etudes Tableaux, op 33 or/of op 39
Nos 2 and/en 4 from/uit 10 Preludes, op 23
Une barque sur l’ocean from/uit Miroirs
Alborado del gracioso from/uit Miroirs
Rigaudon from/uit Le tombeau de Couperin
Walz in A, op 11 no 1 (Edition Schott 312)
Moments musicaux, op 94 no 4
Novellete in F, op 21
Traumeswirren or/of Aufschwung from/uit Phantasiestucke, op 12
Novelette in E
Toccata, op 7
Any etude from/Enige etude uit Etudes, op 8
Any dance from/Enige dans uit Czech Dances (MMP)
In Expectation, op 22a no 39 (Simrock)
Once in Springtime, op 28 no 2 (Simrock)
Lullaby, op 33 no 1 (Simrock)
On a friend’s recovery, op 33 no 4 (Simrock)
Nos 4 and/en 5 from/uit Spring, op 22a (Simrock)
On the recovery of my son, op 30 no 5 (Simrock)
Things lived and dreamt, op 30 no 9 (Simrock)
About Friendship, op 36 (Simrock)
Any etude from/Enige etude uit Four Etudes, op 4 (MMP)
Dumka, op 59
Momento capriccioso, op 12
Etude sur un thème de quatre notes from/uit L'œuvre de piano, Tome III
(Leduc)
Fantasie, op 31b (Doblinger)
Suite, op 14
Rhapsody, op 1 (Dover)
Sonata, op 1
Trois pièces pour piano (Universal)
Nine Bagatelles (Edward B Marks)
Toccata
Sonatina seconda (Breitkopf & Hartel 8149)
Toccata
Etude Fantasy (Schirmer)
38
Piano Performer’s Assessment
Dallapiccola L
Debussy C
Debussy C
Debussy C
Du Plessis H *
Dun T
Froschauer H
Griffes CT
Grové S *
Grové S *
Grové S *
Hofmeyr H *
Hofmeyr H *
Johnson A *
Johnson A *
Joubert J *
Kapustin N
Klatzow P *
Klatzow P *
Kodaly Z
Kodaly Z
Ligeti G
Martin F
Martinů B
Mathias W
Messiaen O
Messiaen O
Moeran EJ
Muller-Zurich P
Pijper W
Poulenc F
Prokofiev S
Prokofiev S
Prokofiev S
Prokofiev S
Prokofiev S
Rajna T *
Ravel M
Ravel M
Ravel M
Ravel M
Reddy S *
Roosenschoon H *
Roosenschoon H *
Roosenschoon H *
2013/05/10
Klavier Voordraersassessering
Sonatina canonica
L’Isle joyeuse
Poissons d’or from/uit Images Bk 2
Feux d’artifice
No 5 or/of No 7 from/uit Sewe Preludes, op 18 (Novello)
Any two pieces from/Enige twee stukke uit Eight memories in watercolor
(Schirmer)
Toccata
Any piece from/Enige stuk uit Four Roman Sketches, op 7 (Schirmer)
Any two contrasting pieces/Enige twee kontrasterende stukke uit Liedere en
danse uit Afrika (Unisa)
Any two pieces from/Enige twee stukke uit Images from Africa
Nonyana the Ceremonial Dancer (Samro)
Notturno
No 1 or/of No 2 or/of No 3 from/uit Partita Africana
Nos 2 and/en 3 from/uit Incantations (Studio 83)
Jazz Impromptu no 1 (Unisa) or/of no 2 (Studio 83)
Any three pieces from/Enige drie stukke uit Dance Suite (Novello)
Toccatina, op 36 (A-RAM)
Soundblocks
Any piece from/Enige stuk uit From the Poets (Samro)
Grabinschrift, op 11 no 4 (Universal)
Dances of Marosszek
Any two from/Enige twee uit Etudes (Schott ED7718)
No 5 or/of No 8 from/uit Eight Preludes: (UE 11973)
Any piece from/Enige stuk uit Butterflies and Birds of paradise (Panton)
Toccata alla Danza (OUP)
Ile de feu 2 (Durand)
Any one of/Enige een van No 8, 11, 13, 14, 15 from/uit Vingt regards sur
l’enfant Jésus:
Toccata (Chester)
Any two pieces from/Enige twee stukke uit Sechs Klavierstucke, op 10 (Hug)
Sonatina no 2 (OUP)
Mouvements perpetuels
Caprice, op 12 no 5
Toccata, op 11
Sonata in a, op 28
Scherzo, op 12 no 10
Any two pieces from/Enige twee stukke uit Sarcasms, op 17
Any prelude from/Enige prelude uit Piano Preludes (Duet)
Valses nobles et sentimentales
Scarbo from/uit Gaspard de la Nuit
Toccata from/uit Le Tombeau de Couperin
La Valse
Toccata for John Roos (Unisa)
Fingerprints (Unisa)
Credo (Roosenschoon)
Any piece from/Enige stuk uit Klavierkant (Harp)
Piano Performer’s Assessment
Rzewski F
Rzewski F
Seiber M
Skalkottas N
Slavický K
Stravinsky I
Stravinsky I
Szymanowski K
Szymanowski K
Taljaard H *
Temmingh R *
Toch E
Van der Westhuizen H
Van Rensburg E *
Van Wyk A *
Van Wyk A *
Van Wyk A *
Van Wyk A *
Villa-Lobos H
Weiner L
Wellesz E
Zaidel-Rudolph J *
Zaidel-Rudolph J *
2013/05/10
39
Klavier Voordraersassessering
Noctamble from/uit Squares (Zen-on)
No 3 or/of No 4 from/uit North American Ballads (Zen-On)
Scherzando capriccioso (Schott)
Andante Religioso from/uit 10 Piano Pieces (UE 12958)
Tre Pezzi per Pianoforte: Burlesca
Vivo in F#, no 4 from/uit 4 Piano Etudes, op 7
Trois mouvements de Petrouchka
Metopes, op 29
Masques, op 34
Funf zartliche Bagatellen
Klavierstuk 1 or/of Klavierstuk 2 (Samro)
Der Jongleur, op 31 no 3
* Pikaninie-variasies
Ballade
Ricordanza (Arnold van Wyk Trust)
Toccata from/uit Vier Klavierstukke
Pastorale e Cappriccio
Night Music/Nagmusiek (HAUM)
Any piece from/Enige stuk uit Ciclo Brasileiro (Consolidated Music)
Nogradi dudas, op 34 no 31 (Editio Musica Budapest)
Wind auf der Heide, op 4 no 4 (Doblinger)
Partials and Pedals (Unisa)
Three Dimensions
40
Piano Duet Pre-grade 1
Repertoire requirements
Repertoriumvereistes
Pre-Grade 1
Three pieces
Drie stukke
Barrett C
Barrett C
Barrett C
Bastien J
Bastien J
Bastien J
Blake J
Blake J
Coulthard E
Kirkby-Mason B
Mier M
Mier M
Norton C
Schubert F
Waterman F
2013/05/10
Klavierduet Voorgraad 1
PIANO DUET
KLAVIERDUET
Voorgraad 1
Any piece from/Enige stuk uit Chester’s Christmas Duets Vol 1 & 2 (Chester)
Any piece from/Enige stuk uit Chester’s Piano Duets Vol 2 (Chester)
Festival Dance or/of Michael Finnigan, Chester’s Piano Duets Vol 1 (Chester)
Any piece from/Enige stuk uit Duet Favorites Level 1 (Kjos)
Mexican Clap Hands Dance or/of Marching Moon Men, Duets for Fun Bk 1
(Kjos)
Petite Tango, Duets for Fun Bk 2 (Kjos)
Any piece from/Enige stuk uit Eight Easy Duets for Beginners (B&H)
Any piece from/Enige stuk uit Christmas Carols for Beginners (B&H)
Twinkle Twinkle Little Star, The Best Piano Duet Book Ever! (Chester)
Any piece from/Enige stuk uit First Duet Album for Piano (Bosworth)
Dandelion Waltz or/of First Waltz, Terrific Tunes for Two Bk 1 (Alfred)
Four O’Clock Tea, Terrific Tunes for Two Bk 2 (Alfred)
Simplicity, The Microjazz Duets Collection 1 (B&H)
Écossaise, Chester’s Piano Duets Vol 1, ed Barrett (Chester)
Strawberry Fair, Me and My Piano Duets Bk 2 (Faber)
41
Piano Duet Grade 1
Grade 1
Klavierduet Graad 1
Graad 1
Three pieces; at least two different style periods must be represented
Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word
Carse A
Coulthard E
Grové S *
Gurlitt C
Handel GF
Haydn J
Helyer M
Jerea H
Kirkby-Mason B
Lee EM
Maykapar S
Mier M
Mier M
Mozart WA
Norton C
Potgieter JH *
Rameau JR
Runswick D
Schubert F
Schubert F
Wells E
2013/05/10
Berceuse, Duets with a Difference: Piano Time Duets Bk 1 (OUP)
Scarborough Fair or/of Turkey in the Straw, The Best Piano Duet Book Ever!
(Chester)
Windklokkies (Unisa)
Happy Beginning or/of Summer Breezes, Four Centuries of Piano Duet Music
1 (Boston Music Company)
Fughetta, The Young Duettist, Bk 2 (Forsyth)
Minuet/Menuet, The Young Duettist, Bk 2 (Forsyth)
A Gay Dance or/of Cradle Song or/of Gavotte, Contrasts (Novello)
Waltz, Four Centuries of Piano Duet Music 1 (Boston Music Company)
Any piece from/Enige stuk uit Second Duet Album for Piano (Bosworth)
The white rabbit whisks along or/of The Cheshire Cat, Alice in Wonderland
Bk 1 (OUP)
Op 29: Scherzino or/of Horse Race, Four Centuries of Piano Duet Music 1
(Boston Music Company)
Moonlight Stillness or/of Shoe Shinin’ Blues, Terrific Tunes for Two Book 1
(Alfred)
Celebration March or/of The Royal Procession, Terrific Tunes for Two Book
2 (Alfred)
Lullaby, Classical Duets Book for Piano 1, ed Gray (B&H)
Bike Blues or/of Enchanted Castle or/of Winter Scene, The Microjazz Duets
Collection 1 (B&H)
Wiegelied (Unisa)
Sarabande, Chester’s Piano Duets Vol 2, ed Barrett (Chester)
Calypso or/of My Friend Chloe, Boogie Duets for Beginners (Faber)
Waltz in C, Classical Duets Book for Piano 1, ed Gray (B&H)
Ländler D 814 no 4, Four Centuries of Piano Duet Music 2 (Boston Music
Company)
Donkey Ride, Duets with a Difference: Piano Time Pieces 1 (OUP)
Piano Duet Grade 2
42
Grade 2
Klavierduet Graad 2
Graad 2
Three pieces; at least two different style periods must be represented
Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word
Cornick M
Couperin F
Diabelli A
Gretchaninoff A
Grové S *
Hall P
Haughton A
Helyer M
Hengeveld G
Lee EM
Lee EM
Maykapar S
Mozart WA
Mozart WA
Norton C
Potgieter JH
Purcell H
Runswick D
Türk DG
Türk DG
Walton W
2013/05/10
Blues for Two or/of Be-Bop, Easy Jazzy Duets: Piano (Universal Edition)
Lustige Jahrmarktsmusik or/of Der Kuckuck, Musik aus Alten Tagen, ed Beer
(Universal Edition)
Dance/Dans from/uit Sonatina op 149 no 4, Four Centuries of Piano Duet
Music 1 (Boston Music Company)
Playing Grown Up or/of The Tin Soldiers, Twice as Nice Vol 1 (Kjos)
Die Klokke (Unisa)
All through the Night, Mixed Doubles: Piano Time Duets 2 (OUP)
Rags to Riches, Piano Time: Jazz Duets 2 (OUP)
Homage to Bach or/of The Lake, Contrasts (Novello)
Hongaarse Dans or/of Quick Fox, 10 Folk- and Rhythmic Dances
(Broekmanns en Van Poppel)
Alice Gets Smaller and Smaller or/of Resting Against a Buttercup, Alice in
Wonderland Book 1 (OUP)
Andalusia, Four Piano Duets (Banks)
Op 29: Waltz or/of Russian Dance, Four Centuries of Piano Duet Music 1
(Boston Music Company)
Menuet & Trio, The Joy of Piano Duets (Yorktown/Music Sales)
Country Dance, Mixed Doubles: Piano Time Duets 2 (OUP)
Jazz Waltz or/of Play it Again, Microjazz Piano Duets 1 (B&H)
Mars van die Bere (Unisa)
Zwei Minuette: No 2, Musik aus Alten Tagen (Universal Edition)
Cornflake or/of Weasel’s Words, Boogie Duets for Beginners (Faber)
Sonatina/Sonatine from/uit Four Centuries of Piano Duet Music 1 (Boston
Music Company)
With Lively Step and Cheerful Heart, Four Centuries of Piano Duet Music 2
(Boston Music Company)
The Silent Lake, Duets for Children (OUP)
43
Piano Duet Grade 3
Grade 3
Klavierduet Graad 3
Graad 3
Three pieces; at least two different style periods must be represented
Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word
Bach JS
Couperin F
Cui C
Grové S *
Gurlitt C
Hall P
Haughton A
Helyer M
Hengeveld G
Kuhlau F
Lee EM
Mier M
Mozart WA
Mozart WA
Schubert F
Schumann R
Stravinsky I
Volkmann R
Walton W
Weber CM von
Wells E
2013/05/10
Arioso, The Joy of Piano Duets (Yorktown/Music Sales)
Menuetto, Musik aus Alten Tagen, ed Beer (Universal Edition)
Lament op 74 no 4, Four Centuries of Piano Duet Music 1 (Boston Music
Company)
Wals van die Olifantjie (Unisa)
Evening Hymn op 178 no 13, Twice as Nice Vol 1 (Kjos)
Wrong Number, Piano Time: Jazz Duets 2 (OUP)
Swing’s the Thing, Piano Time: Jazz Duets 2 (OUP)
A Lively Tune or/of Song of the Isles, Contrasts (Novello)
Poolse Dans or/of Rumba Cubana, 10 Folk- and Rhythmic Dances
(Broekmanns en Van Poppel)
Sonatina/Sonatine in G, op 44 no 1: Arioso (1st mov/1e bew), Four Centuries
of Piano Duet Music 2 (Boston Music Company)
The Humming Street or/of Priest, Bell and Holy Well or/of By the Light of the
Sun, Humming Street (Banks)
Happy-Go-Lucky, Treasures for Two 2 (Alfred)
Viennese Sonatina/Weense Sonatine no 1: Menuetto or/of Rondo, Viennese
Sonatinas, arr Thompson (Peters)
Viennese Sonatina/Weense Sonatine no 2: Allegro or/of Menuetto, Viennese
Sonatinas, arr Thompson (Peters)
Any three pieces from/Enige drie stukke uit Deutsche Tänze und Ecossaisen
op 33, Sämtliche Tänze für Klavier zu vier Händen (Peters)
Birthday March op 85 no 1, Twice as Nice Vol 1 (Kjos)
Three Easy Pieces: Polka, Bärenreiter Piano Album: Vierhändig (Bärenreiter)
German Dance op 39 no 7, Four Centuries of Piano Duet Music 2 (Boston
Music Company)
Swing Boats or/of Puppet’s Dance, Duets for Children (OUP)
Arioso or/of Minuet, Classical Duets for Piano, ed Gray (B&H)
Galop, Mixed Doubles: Piano Time Duets 2 (OUP)
Piano Duet Grade 4
44
Grade 4
Klavierduet Graad 4
Graad 4
Three pieces; at least two different style periods must be represented
Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word
Arensky A
Brahms J
Casella A
Dušek FX
Eben P
Fuchs R
Gregson E
Handel GF
Hradecký E
Joplin S
Kuhlau F
Lee EM
Lemmer PJ *
Loeb van Zuilenburg P *
Mendelssohn F
Mozart WA
Mozart WA
Norton C
Türk DG
Vaňhal JB
Walton W
Weber CM von
Williams R
2013/05/10
The Cuckoo op 34 no 2, Four Centuries of Piano Duet Music 2 (Boston
Music Company)
Waltz in A op 39 no 15, Bärenreiter Piano Album: Vierhändig
(Bärenreiter) or Walzer op 39 (Peters)
Marcietta or/of Berceuse, Puppazetti (Ricordi/B&H)
Sonata/Sonate in G: Finale, Four Centuries of Piano Duet Music 2 (Boston
Music Company)
Oh, the Bird Flew Away from the Forest or/of When the Gypsies Go, The
Little Green Forest (Bärenreiter Editio Supraphon)
Miniature op 44 no 24, Four Centuries of Piano Duet Music 2 (Boston
Music Company)
Four Pieces: No 3, Twentieth Century British Composers: Piano Duets
(OUP)
Gavotte, Musik aus Alten Tagen, ed Beer (Universal Edition)
Try it with Me, Dance Compositions for Piano Duet (Bärenreiter Praha)
The Easy Winners, Five Joplin Rags (Kjos)
Sonata in G op 44 no 1: Arioso, Four Centuries of Piano Duet Music 2
(Boston Music Company)
Round the Billy or/of The Lost Lagoon, Four Piano Duets (Banks)
Op ons ou Plaasdam (Unisa)
Fuga (Unisa)
Lied ohne Worte op 62 no 4, Bärenreiter Piano Album: Vierhändig
(Bärenreiter)
Viennese Sonatina/Weense Sonatine no 1: Allegro, Viennese Sonatinas,
arr Thompson (Peters)
Viennese Sonatina/Weense Sonatine no 6: Allegro or/of Finale, Viennese
Sonatinas, arr Thompson (Peters)
Running Shoes or/of Springboard or/of Waltz, Microjazz Piano Duets 2
(B&H)
The Storm, Twice as Nice 1 (Kjos)
Adagio, Four Centuries of Piano Duet Music 2 (Boston Music Company)
The Three-legged Race or/of Hop-Scotch, Duets for Children (OUP)
March in C op 3 no 5, Leichte Stücke für Klavier zu Vier Händen op 3
(Bärenreiter)
Boogie-Woogie-Hoogie or/of Bossa Cinco, Piano Time Jazz: Duets 2 (OUP)
45
Piano Duet Grade 5
Grade 5
Klavierduet Graad 5
Graad 5
Three pieces; at least two different style periods must be represented
Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word
Beethoven L van
Bizet G
Brahms J
Clementi C
Cornick M
Czerny C
Eben P
Goedicke C
Gounod C
Grieg E
Hradecký E
Joplin S
Lemmer PJ
Mier M
Moszkowski M
Mozart WA
Norton C
Starke F
Tomkins T
Weber CM von
2013/05/10
Gavotta in F, Vierhändiges Klavierbuch: Originalkompositionen von
Beethoven bis Dvořák (Schott)
Petit Mari, Petite Femme or/of La Poupée, Jeux D’Enfants op 22
(Henle/Peters)
Hungarian Dance no 5, Twice as Nice 3 (Kjos)
Duettino in C major: Allegro, Four Centuries of Piano Duet Music 1 (Boston
Music Company)
Blues in F or/of Daybreak, Jazzy Duets: Piano 2 (Universal Edition)
Sonatina/Sonatine op 156 no 1: 3rd mov/3e bew, Twice as Nice 2 (Kjos)
No One knows like I Know, The Little Green Forest (Bärenreiter Editio
Supraphon)
Barcarolle op 12 no 2, Four Centuries of Piano Duet Music 3 (Boston Music
Company)
Menuet/Minuet, Four Centuries of Piano Duet Music 2 (Boston Music
Company)
Norwegian Dance op 35 no 2, Twice as Nice 2 (Kjos)
Rag for Two, Dance Compositions for Piano Duet (Bärenreiter Praha)
The Entertainer, Five Joplin Rags (Kjos)
Sequences/Sekwense (Unisa)
Biloxi Blues, Treasures for Two 2 (Alfred)
Spanish Dances op 12: no 1 or/of no 2 (Peters)
Sonata/Sonate in C K 19d: Allegro (1st mov/1e bew), Mozart: Werke für
Klavier zu Vier Händen (Henle)
Cha Cha or/of Nanigo or/of San Montuno, Latin Duets (B&H)
Bavarian Dance, Four Centuries of Piano Duet Music 2 (Boston Music
Company)
A Fancy, For Two to Play (Bärenreiter)
Sonatina/Sonatine op 3 no 1, Leichte Stücke für Klavier zu Vier Händen Op. 3
(Bärenreiter)
Piano Duet Grade 6
46
Grade 6
Klavierduet Graad 6
Graad 6
Three pieces; at least two different style periods must be represented
Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word
Beethoven L van
Benjamin A
Bizet G
Brahms J
Casella A
Debussy C
Dvořák A
Eben P
Fauré G
Grieg E
Handel GF
Hengeveld G
Hradecký E
Joplin S
Mozart WA
Norton C
Schumann R
Rachmaninoff S
Weber CM von
Van Wyk A *
2013/05/10
Sonata/Sonate op 6: Allegro molto (1st mov/1e bew), Beethoven:
Originalkompositionen für Klavier zu Vier Händen (Peters)
Jamaican Rumba (B&H)
Trompette et Tambour, Jeux D’Enfants op 22 (Henle/Peters)
Hungarian Dance WoO 1 no 3, Book 1, Hungarian Dances for Piano FourHands (Henle)
In Russia, Pagine di Querra (Ricordi)
En Bateau, Petite Suite (Bärenreiter/ IMC)
Valse in g op 54 no 5, Vierhändiges Klavierbuch: Originalkompositionen von
Beethoven bis Dvořák (Schott)
Those Wide, Deep Vltava Pools or/of The Little Green Forest, The Little
Green Forest (Bärenreiter Editio Supraphon)
Berceuse, Dolly Suite op 56 (Bärenreiter/ IMC)
Norwegian Dances op 35 no 2 and/en no 3, Norwegian Dances, WaltzCaprices and Other Works for Piano Four Hands (Dover)
Arrival of the Queen of Sheba (Hinrichsen)
Tango, Kleine Suite Voor Piano (Broekmanns & Van Poppel)
Up and Down the Hill or/of In a Samba Rhythm, Dance Compositions for
Piano Duet (Bärenreiter Praha)
Maple Leaf Rag, Five Joplin Rags (Kjos)
Sonata/Sonate in D K 381: Allegro (1st mov/1e bew), Mozart: Werke für
Klavier zu Vier Händen (Henle)
Mambo, Latin Duets (B&H)
Croatian March, 12 Four Hand Pieces op 85 (Peters)
Russian Theme op 11 no 3 (IMC)
Moderato op 10 no 1, Vierhändiges Klavierbuch: Originalkompositionen von
Beethoven bis Dvořák (Schott)
To the Market or/of Prayer for the Homeland, Three Improvisations on
Dutch Folk Songs (B&H)
Piano Duet Grade 7
47
Grade 7
Klavierduet Graad 7
Graad 7
Three pieces; at least two different style periods must be represented
Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word
Beethoven L van
Bizet G
Bowen Y
Brahms J
Brahms J
Casella A
Debussy C
Dvořák A
Dvořák A
Grieg E
Joubert J
Lambert C
Moszkowski M
Mozart WA
Mozart WA
Schubert F
Schumann R
Van Wyk A *
2013/05/10
Drei Märsche op 45: Marcia 1, Beethoven: Originalkompositionen für Klavier
zu Vier Händen (Peters)
La Toupie, Jeux D’Enfants op 22 (Henle/Peters)
Serenade, op 90 no 3, Twentieth Century British Composers: Piano Duets
(OUP)
Hungarian Dance WoO 1 Book 1 no 1 and/en no 2, Hungarian Dances for
Piano Four-Hands (Henle)
16 Waltzes op 39: Any 3 pieces chosen from/Enige 3 stukke gekies van no 1,
2, 4, 14, 15 & 16 (Peters/Wiener Urtext)
Notturnino & Polca, Puppazetti (Ricordi)
Menuet, Petite Suite (Bärenreiter/ IMC)
Slavonic Dance in e op 72 no 2 (Peters)
Humoresque op 101 no 7 (Peters)
Waltz-Caprice op 37 no 1, Norwegian Dances, Waltz-Caprices and Other
Works for Piano Four Hands (Dover)
Divertimento op 2: Vivace (Novello)
Trois Pièces Nègres pour les touches blanches: Any 2 pieces/Enige 2 stukke,
Twentieth Century British Composers: Piano Duets (OUP)
Spanish Dance op 12 no 4 (Peters)
Andante and Variations/Andante en Variasies K 501, Mozart: Werke für
Klavier zu Vier Händen (Henle)
Sonata in Bb K 358: Allegro (1st mov/1e bew), Mozart: Werke für Klavier zu
Vier Händen (Henle)
Waltz/Wals op 9a/ D 365 (Peters)
Ghost-Stories, 12 Four Hand Pieces op 85 (Peters)
Silverfleet, Three Improvisations on Dutch Folk Songs(B&H)
48
Piano Duet Grade 8
Grade 8
Klavierduet Graad 8
Graad 8
Three pieces, one piece from each list; at least two different style periods must be represented
Drie stukke, een stuk uit elke lys; minstens twee verskillende styltydperke moet verteenwoordig
word
List A/Lys A
Bach JC
Bach JC
Bach JC
Beethoven L van
Sonata in C op 15 no 6 (Peters)
Sonata in A op 18 no 5 (Peters)
Sonata in F op 18 no 6 (Peters)
Variationen über ein Thema vom Grafen von Waldstein, Beethoven:
Mozart WA
Schubert F
Originalkompositionen für Klavier zu Vier Händen (Peters)
Sonata in F K 497, Mozart: Werke für Klavier zu Vier Händen (Henle)
Andante mit Variationen in G K 501, Mozart: Werke für Klavier zu Vier
Händen (Henle)
Sonata in C K 521, Mozart: Werke für Klavier zu Vier Händen (Henle)
Sonata in Bb op 30 (Universal Edition)
Wüllner F
Variations on an Old German Folksong op 11 (Walter Wollenweber)
Mozart WA
Mozart WA
Schubert F
List B Lys B
Beethoven L van
Brahms J
Dvořák A
Dvořák A
Dvořák A
Dvořák A
Fauré G
Mendelssohn F
Moszkowski M
Moszkowski M
Saint-Saëns C
Schubert F
Schubert F
Schumann R
2013/05/10
Divertissement à la Hongroise op 54, Schubert: Piano Works for Piano Four
Hands vol 2 (Henle)
Drei Märsche op 45, Beethoven: Originalkompositionen für Klavier zu Vier
Händen (Peters)
Hungarian Dances Book 2, Hungarian Dances for Piano Four-Hands (Henle)
Scottish Dances op 41 (Bärenreiter)
Slavonic Dances op 46: Any three pieces/Enige drie stukke (Peters)
Slavonic Dances op 72: Any three pieces/Enige drie stukke (Peters)
Legends op 59: Any three pieces/Enige drie stukke (Bärenreiter)
Dolly Suite op 56 (Bärenreiter/ IMC)
Andante and Variations op 83a (IMC)
From Foreign Parts op 23: Any three pieces/Enige drie stukke (Stainer &
Bell)
German Rounds op 25 (IMC)
Variations on a Theme by Beethoven op 35 (Durand)
Fantasie in f op 103, Schubert: Piano Works for Piano Four Hands Vol 3
(Henle)
Two Characteristic Marches op 121, Schubert: Piano Works for Piano Four
Hands vol 3 (Henle)
Bilder aus dem Osten op 66 (Alfred/Schott)
Piano Duet Grade 8
List C Lys C
Barber S
Berkeley L
Blake M
Casella A
Casella A
Debussy C
Debussy C
Joubert J *
Rachmaninoff S
Ravel M
Ravel M
Van der Spuy M *
Van Rensburg E *
Van Wyk A *
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49
Klavierduet Graad 8
Souvernirs op 28 (Schirmer)
Sonatina (Chester)
Let us run out in the rain (Bardic)
Pagina di Guerra op 25(Ricordi)
Puppazetti op 27 (Ricordi)
Petite Suite (Durand/Peters)
Six Épigraphs Antiques: Any three pieces/Enige drie stukke (Henle)
Divertimento op 2 (Novello)
Six Morceaux op 11: Any three pieces/Enige drie stukke (B&H)
Ma Mère l’oye, 5 Pieces Enfantines (Durand/Peters)
Rapsodie Espagnole (Alfred/Durand)
Bobbejaan Klim die Berg: Toccatina-Fugue & Variations for Piano
Duet/Tokkatina-Fuga & Variasies vir Klavierduet (Samro)
Brief Encounters for Piano Duet (Van Rensburg)
Three Improvisations on Dutch Folksongs (B&H)
Two Pianos (four hands) Grade 8
50
Repertoire requirements
Repertoriumvereistes
Grade 8
Twee Klaviere (vier hande) Graad 8
TWO PIANOS
(FOUR HANDS)
TWEE KLAVIERE
(VIER HANDE)
Graad 8
Three pieces, one chosen from each list
Drie stukke, een gekies uit elke lys
List A Lys A
Bach JC
Bach WF
Couperin A
Couperin A
Couperin F
Mozart WA
List B Lys B
Clementi M
Dussek JL
Gideon M
Hummel, JN
Mozart WA
List C Lys C
Berkeley L
Chabrier E
Copland A
Copland A
2013/05/10
Sonata in G, op 15 no 5 (Schott)
Sonata in F (IMC)
Simphonie de clavecins (A-R Editions)
Deuxieme, quatuor a deux clavecins (A-R Editions)
Any three of/Enige drie van Allemande a deux clavecins, livre 2, ordre 9; La
Julliet, livre 3, ordre 14; Musete de choisie, livre 3, ordre 15; Musete de
tavern, livre 3, ordre 15; La Letiville, livre 3 ordre 16; La Crouilli, livre 4
ordre 20 (Heugel, OUP)
Fugue in c, K 426 (Peters)
Sonata in Bb, op 12 (Schirmer, Peters)
Sonata in Eb, op 38 (Häslinger)
Hommage a ma Jeunesse (Mercury Music)
Introduction and Rondo, op posth no 5 (Breitkopf & Härtel)
Sonata in D, K 448 (Barenreiter)
Capriccio, Nocturne and Polka (Chester)
Trois Valses Romantiques (Enoch)
Danzon Cubana (B & H)
Billy the Kid (B & H)
Two Pianos (four hands) Grade 8
Debussy C
Johnson A *
Milhaud D
O’Hearn Arletta
Poulenc F
Poulenc F
Poulenc F
Schumann R
Shostakovitch D
Van Wyk A *
Zaidel-Rudolph J *
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51
Twee Klaviere (vier hande) Graad 8
Petite Suite, arr Busser (Durand)
Jazz-Impromptu (Transcription for 2 pianos/Verwerking vir 2 klaviere)
Any two pieces from/Enige twee stukke uit Scaramouche Suite (ElkinVogel/Salabert)
Jazz Theme & Variations (Kjos)
Capriccio (based on/gebaseer op Le bal masque), op 155
Elegie, op 175 (Eschig)
L’embarquement pour Cythere, valse-musette (Eschig)
Andante and Variations/Andante en Variasies, op 46 (Schirmer)
Concertino, op 94 (Leeds Music)
Rumba op die Vierperdewa
The Juggler and the King
Two Pianos (four hands) Performer’s Assessment
52
Twee Klaviere (vier hande) Voordraersassessering
Performer’s Assessment
Voordraersassessering
Four pieces, one chosen from each list
Vier stukke, een gekies uit elke lys
List A Lys A
Bach JC
Bach JS
Bach JS
Bach JS
Martinnet J
Moscheles I
Pasquini B
Petyrek F
Ralph VW
Tippett M
List B Lys B
Brahms J
Brahms J
Casadesus R
Clementi M
Du Plessis H *
Foss L
Glazunoff A
Milhaud D
Reger M
Saint-Saëns C
Scott C
Stravinsky I
List C Lys C
Arensky A
Bax A
Busoni F
2013/05/10
Sonata in G, op 15 no 6 (Schott)
Concerto no 2 in C, BWV 1061 (Peters/Breitkopf & Hartel)
Organ Fugue in b (arr Stuart Duncan) (Ashdown)
Organ Prelude & Fugue/Orrel Prelude & Fuga in Eb (St Anne), BWV 552 (arr
Christopher le Fleming) (Chester)
Prelude et Fugue (Heugel))
Hommage a Handel, op 92 (Augener)
Sonata in g or/of Sonata/Sonate in F
Toccata and Fugue in mixolydian Mode (Universal Edition)
Introduction and Fugue (Oxford University Press)
Fantasia on a theme of Handel (Associated Music)
Sonata in F, op 34b (IMC)
Variations on a theme by Haydn/Variasies op ‘n tema van Haydn, op 56b
(Schirmer)
Dances Méditerranéennes (Carl Fischer)
Sonata in Bb, op 46
Sonata, op 10 (Novello)
Set of three pieces (Schirmer)
Fantasie, op 104 (M P Belaieff)
Kentuckiana (Elkan – Vogel) or/of Les Songes (Elkan – Vogel)
Variations and Fugue on a Theme by Beethoven/Variasies en Fuga op ‘n tema
van Beethoven, op 86 (Bote & Bock/Lauterbach & Kuhn)
Variations on a Theme by Beethoven/Variasies op ‘n tema van Beethoven, op
35
Theme and Variations (Elkin)
Concerto per Due Pianoforte Soli (Schott)
Suite, op 15 (Schirmer)
Moy Mell (Chester)
Duettino Concertante (Breitkopf & Härtel)
Two Pianos (four hands) Performer’s Assessment
Debussy C
Grieg E
Liszt F
Rachmaninov S
Rachmaninov S
Rachmaninov S
Saint-Saëns C
Schmitt F
Sinding C
List D Lys D
Bate S
Blake M
Britten B
Debussy C
Dutilleux H
Goldman RF
Hindemith P
Katchaturian A
Lutoslawki W
Messiaen O
Milhaud D
Milhaud D
Persichetti V
Poulenc F
Ravel M
Stravinsky I
Talma L
Toch E
Volans K
Volans K
Volans K
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53
Twee Klaviere (vier hande) Voordraersassessering
Lindaraja (Jobert)
Altnorwegische Romance, op 51 (Peters)
Concerto Pathethique (Schirmer)
Suite no 1 (Fantasie-tableaux), op 5 (B & H)
Suite no 2, op 17 (B & H)
Symphonic Dances/Simfoniese Danse, op 45 (Belwyn Mills)
Polonaise, op 77 (Durand) or/of Scherzo, op 87 (Durand)
Francaise or/of Viennoise, Three Rhapsodies, op 53 (Durand)
Variations, op 2 (Wilhelm Hansen)
Three Pieces (ABRSM)
Reverie (Bardic)
Introduction and Rondo alla Burlesca (B&H) or/of Mazurka Elegaica (B&H)
En blanc et noir (1915) (Durand)
Figures de Resonances (Heugel)
Le Bogino (Southern Music Publishing Co.)
Sonata (1942) (AMP)
Suite (Leeds Music)
Variations sur un theme de Paganini (SESAC)
Any three pieces from/Enige drie stukke uit Sept Visions de l’Amen (Durand)
Scaramouche Suite (Durand)
Le Bal Martiniquais
Sonata, op 13 (Leeds Music)
Sonata (1953) (Chester/Eschig)
La Valse, poeme choregraphique (1919-20) (Durand)
Sonata (AMP/Chappel)
Four-handed fun (Carl Fischer)
Sonata, op 87 (1963) (Mills Music)
9 Beginnings (Chester)
Kneeling Dance (Chester)
Leaping Dance (Chester)
Annexure 1
54
Annexure 1: Errata: 2008 Piano Examination Albums
Bylaag 1: Errata: 2008 Klaviereksamenalbums
Bylaag 1
Pregrade 1 / Voorgraad 1
Spring and Winter / Lente en Winter (Türk) P. 5
Bars are incorrectly numbered: Bar 9 starts at the first complete bar. Bar 9 is not the upbeat. Bar 14 should read Bar
13, etc.
Maatnommers is foutief: Maat 9 begin met die eerste volledige maat. Maat 9 is nie die opslag nie. Maat 14 word
dus maat 13, ensovoorts.
We roll down the dune and into the sea! / Ons rol van die duin af tot onder in die see! (Olivier) P. 11
2
1
2
1
Bars 19 and 20 ; Right hand should be phrased per beat as in bars 18 and 19 .
2
1
2
1
Mate 19 en 20 : Regterhand moet per maatslag gefraseer word soos in mate 18 en 19 .
Grade 2 / Graad 2
German Dance / Duitse Dans WoO 13 no. 6 (Beethoven) P. 5
Bars 25 & 27 RH: Last note D should be F.
Add slurs to the following bars:
10 (LH), 18 (LH), 26 (LH), 28 (RH, LH).
Mate 25 & 27 RH: Laaste noot D moet F wees.
Voeg legato-bogies by die volgende mate:
10 (LH), 18 (LH), 26 (LH), 28 (RH, LH).
Grade 3 / Graad 3
Contents page, List A / Inhoudsopgawe bladsy, Lys A
Scarlatti A should be Scarlatti D.
Scarlatti A moet Scarlatti D wees.
The Barrelorgan Man / Die Draaiorrelspeler, op. 39 no. 23 (Tchaikovsky) P. 19
Bars are incorrectly numbered: Bar 30 should read Bar 29, etc.
Maatnommers foutief: Maat 30 word maat 29, ensovoorts.
March / Mars (Pauer) P. 23
The composer died in 2007 after the albums were printed.
Die komponis is in 2007 oorlede, nadat die albums gedruk is.
Times They Are A-Changing (Zaidel-Rudolph) P. 29
3
3
Bar 7 LH: B should be B flat as in bar 6 .
3
3
Maat 7 LH: B moet B-mol soos in maat 6 wees.
Grade 4 / Graad 4
Rigaudon (Handel) P. 3
1
Bar 10 RH: Dotted minims B/G (interval of a sixth – B above the stave) should be D/B.
1
Maat 10 RH: Gepunteerde halfnote B/G (interval van ‘n sekst – B bokant die balk) moet D/B wees.
Allegretto from Sonatina in d / Allegretto uit Sonatine in d (Benda) P. 9
The sonata is not printed in its entirety and was deliberately shortened.
Die sonate is met opset nie in sy geheel gedruk nie.
Theme and Variations / Tema en Variasies (Kuhlau) P. 11
Bar 10 LH: G should be F sharp.
Maat 10 LH: G moet F-kruis wees.
2013/05/10
Annexure 1
55
March of the Lilliputians / Mars van die Lilliputters (Hofmeyr) P. 33
4
Bar 8 : cresc.
4
Bar 24 : cresc.
Bar 25: dim.
Bar 33, second half: cresc.
4
Maat 8 : cresc.
4
Maat 24 : cresc.
Maat 25: dim.
Maat 33, tweede helfte: cresc.
Grade 5 / Graad 5
Allemande (Handel) P. 5
Bar 8 LH: Second note (semiquaver) D should be B.
Maat 8 LH: Tweede noot (sestiende-noot) D moet B wees.
Vivace from Fantasia no. 5 (Telemann) P. 7
3
Bar 15 LH (third semi-quaver group): E sharp should be E flat.
3
Maat 15 LH (derde sestiendenootgroep): E-kruis moet E-mol wees.
Polonaise (Hummel) P. 11
2
Bar 36 LH: A flat should be A natural.
2
Maat 36 LH: A-mol moet A herstel wees.
Grade 7 / Graad 7
Allemande from French Suite no. 5 / Allemande uit Franse Suite no. 5 (JS Bach) P. 1
4 1
Bars 2 -3 RH: Tie B to B in soprano.
4b
Bar 6 LH: Last note E should be D.
4 1
Mate 2 -3 RH: Verbind B met B in sopraanparty.
4b
Maat 6 LH: Laaste noot E moet D wees.
Three-Part Invention no. 7 / Driestemmige Invensie no. 7 (Bach) P. 3
1-2
Bar 8 RH: Tie the interval of a third (C sharp and E) between the first and second beats.
2
1
Bar 9 -10 RH: Tie G to G.
1-2
Maat 8 RH: Verbind die interval van ‘n terts (C-kruis en E) tussen die eerste en tweede maatslae.
2
1
Mate 9 -10 RH: Verbind G met G.
Rondo from Sonata in g (Beethoven) P. 11
2
Bar 23 RH: Third note in the melody should be E natural.
2
Maat 23 RH: Voeg herstelteken in by derde noot (E) in die melodie.
Of Br’er Rabbit from/uit Fireside Tales (MacDowell) P. 38
4
Bar 61 : A sharp should be A natural.
4
Maat 61 : A-kruis moet A herstel wees.
Obstinacy / Hardnekkigheid (Grové) P. 48
Bar 57 RH: First beat consists of quaver and dotted minim (A).
Bar 58 RH: First beat, minim should also be dotted.
Maat 57 RH: Eerste maatslag bestaan uit agstenoot en gepunteerde halfnoot (A).
Maat 58 RH: Eerste maatslag, halfnoot ook gepunteerd.
2013/05/10
Bylaag 1
Annexure 2
56
Bylaag 2
Annexure 2: Marks Categories for Graded Exam and Performance Level Assessments across all
instruments
Bylaag 2: Puntekategorieë vir Graadeksamens en Voordragvlakassesserings vir alle instrumente
Roll of Honour / Ererol
90-100% (85-100%∗)
An excellent exam showing perfect grasp of technical work, consistently high level of technical
control in the repertoire, an outstanding rendition of various styles and from Grade 5 onwards
enormous skill in musical communication.
'n Uitmuntende eksamen wat 'n onbesproke beheersing van tegniese werk, 'n konsekwente hoë
vlak van tegniese beheer in die repertorium, 'n besondere vertolking van verskillende style en
vanaf Graad 5, 'n buitengewoon groot musikale kommunikasievaardigheid toon.
Distinction / Lof
80-88% (80-83%∗)
Ranging from an excellent to a very well prepared exam showing fluent grasp of technical work,
consistently good technical control in the repertoire, a good rendition of various styles and from
Grade 5 onwards skill in musical communication.
Wissel van 'n uitstekende tot baie goed voorbereide eksamen wat op vlot beheersing van tegniese
werk, volgehoue tegniese beheer van repertorium, uitstekende weergawe van die onderskeie style
en vanaf Graad 5, vaardige musikale kommunikasie dui.
Merit / Eervolle vermelding
70-78%
A well prepared exam showing a convincing grasp of technical work, overall technical control in the
repertoire with occasional slips, ability to present various styles and from Grade 5 onwards a
feeling for musical communication.
'n Goed voorbereide eksamen wat op oortuigende beheersing van tegniese werk, omvattende
tegniese beheer van repertorium met enkele vergissings, die vermoë om onderskeie style weer te
gee en vanaf Graad 5, 'n aanvoeling vir musikale kommunikasie dui.
Pass / Slaag
50-68%
Ranging from an adequately prepared to a reasonably well prepared exam that shows sufficient
control of technical work, some technical grasp in the repertoire, a fair ability to project different
styles and from Grade 5 onwards some sense of basic musical shape.
Wissel van 'n genoegsaam voorbereide tot 'n redelik goed voorbereide eksamen wat op voldoende
beheer van tegniese werk, 'n mate van tegniese beheer van repertorium, 'n redelike vermoë om die
onderskeie style te projekteer en vanaf Graad 5, 'n mate van musikale kommunikasie dui.
Fail / Druip
20-47%
Ranging from a totally unprepared to an inadequately prepared exam that shows little or no
control over technique in either technical work or repertoire, no variety in styles, lack of confidence
and from Grade 5 onwards little or no musical insight.
Wissel van 'n total onvoorbereide tot 'n ontoereikend-voorbereide eksamen wat op min of geen
tegniese beheer in óf die tegniese werk óf repertorium, geen afwisseling in style, gebrek aan
selfvertroue en vanaf Graad 5, min of geen musikale insig dui.
∗
Grade 8 Graad 8
2013/05/10
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